US TV censors of the Federal Communications Commission (FCC) have proposed to change their rules so as to treat internet TV companies the same as cable and satellite TV providers.
At the moment media companies are not required to offer their programming to Internet TV companies. On the other hand rules requiring traditional cable and satellite TV to carry certain content, like broadcast TV, do not apply to internet TV
Currently consumers without cable or satellite have been unable to get the same breadth of content from Internet-based TV services that they could get from a paid TV provider or in some cases over-the-air TV broadcasters.
It's this difference in regulatory classification that allowed network TV broadcasters, such as CBS, which owns CNET, to deny Aereo access to their programming, even after it offered to pay retransmission fees. Earlier this year, the US Supreme Court
said that it was illegal for Aereo to retransmit broadcast TV over the Internet without paying broadcasters a retransmission fee.
Even though he didn't name Aereo outright, FFC head Tom Wheeler said that the existing rules are ultimately hurting consumers who are being denied access to content on alternative platforms. Wheele said in a statement:
Big company control over access to programming should not keep programs from being available on the Internet. Today, we propose to break that bottleneck.
Efforts by new entrants to develop new video services have faltered because they could not get access to programming content that was owned by cable networks or broadcasters.
Washington's football team can relax as, TV and radio stations can now say its name without fearing government PC censorship.
US TV censors of the Federal Communications Commission have rejected a petition that claimed the name Redskins violates broadcast indecency rules.
The author of the petition, George Washington law professor John Banzhaf III, claimed that the derogatory racial and ethnic slur is deeply offensive to American Indians. The word amounts to obscenity and profanity, which the FCC bans from the
airwaves, Banzhaf said.
But in its ruling, the FCC's Media Bureau noted that it has traditionally banned only words that are sexual or excretory in nature. The agency also warned that banning the name could violate the free-speech rights of TV and radio stations.
Banzhaf's petition had asked the commission to reject the license renewal of WWXX-FM, a radio station owned by Redskins owner Daniel Snyder that had repeatedly said the team's name on the air. Instead, the FCC renewed the license, saying it found no
Banzhaf said he plans to appeal the decision to the full commission and, if necessary, to the federal courts.
Turkey's TV censor has handed a record fine to a popular game show for a segment where husbands were filmed dancing with other women as their wives looked on.
The game show, I Don't Know, My Spouse Knows was fined 410,000 Turkish lira ($177,000, 145,000 euros) by the Radio and Television Supreme Council (RTUK). The censor claimed in its ruling that the episode was contrary to public morality and the
Turkish family structure .
In the offending show the husbands were shown dancing with other women, said to be foreigners, while the horrified reactions of their wives was also shown in a split screen.
The four wives appeared aghast as they watched their husbands, who danced with little inhibition, with one asking a fellow contestant if the stunt was a joke. When it became clear it was not, their reactions were even more grave. One of the wives, Seval,
said: I am going to kill him! When the husbands rejoined the main studio she wagged her finger and told her spouse: You are finished!
RTUK said the show, broadcast by the popular private channel Kanal D, had encouraged men to cheat on their wives and provided an environment to disturb the family peace. It added that women in the program had been reduced to sexual objects.
Pippi Longstocking, a rambunctious, joyful girl strong enough to lift horses, has become a touchstone for generations of children who have read her in 65 languages worldwide.
In Sweden, Pippi is something more: a national treasure and embodiment of the country's egalitarian spirit. So when the Swedish national broadcaster announced this fall that it would edit two scenes that it considered offensive in a 1969 television
series about Pippi, including one in which she says her father is king of the Negroes, using a Swedish word now viewed as a racial slur, it hit a nerve.
The series was based on the Pippi Longstocking books by Astrid Lindgren, the first of which were published between 1945 and 1948. Defenders of the decision, including the heirs of Ms. Lindgren, who died in 2002, said the change respected the spirit of
the author. Even in 1970, she had called the term outdated and said she had not meant to offend.
But many others, influential opinion columnists and tens of thousands of people who answered a Facebook poll, said they opposed the revision, some accusing the broadcaster, SVT, of politically correct censorship.
Nils Nyman, one of Ms. Lindgren's seven grandchildren and the chief executive of the family company that oversees the lucrative rights to her work, said he was a little bit surprised that the changes had generated so much fuss. He said the
family had readily agreed to allow SVT to edit two brief scenes in the program, which will air on national television on Saturday and in a newly restored DVD. He said that not making the changes risked distracting from the books' broader message of girl
power before it was known as such.
In one scene, the racial slur has been removed so that Pippi now says, My father is the king! In the second, Pippi no longer pulls her eyelids upward, pretending to be Asian, yet still sings a mock Chinese song.
Indian TV presenter and model Gauahar Khan was left audibly traumatised after a member of the audience at a TV competition she was presenting at got up and slapped her for wearing revealing clothes.
Akil Malik took 'offence' at Khan's cutaway outfit as she presented the grand finale of singing competition Raw Star at Film City in Mumbai. He then got up out of his seat to threaten and assault her live on air. He explained: Being a Muslim woman,
she should not have worn such a short dress.
The BBC has investigated the imaginary character of the lovely Samantha on Radio 4's I'm Sorry I Haven't A Clue , it has been disclosed.
The BBC has privately looked into whether to censor the smutty jokes aimed at Samantha , despite publicly signalling the familiar innuendo will remain part of the long-running show. A number of senior figures at the corporation are said to
share the concerns of a complainant, who argued the non-speaking character was referred to only as a sexual object and perpetuated schoolboy, sexist, so-called humour .
As a result, talks have been held to determine how the show can adapt to the modern day, with more female panellists booked to appear on the show and more frequent mentions of Samantha's male equivalent, Sven. It will also endeavour to make sure the
audience understands Samantha, a fictional scorekeeper who is never heard on the panel show, is a willing, even enthusiastic participant in the liaisons joked about on air.
The details of the meetings have been published by the BBC Trust as part a regular bulletin from its Editorial Standards Committee , the final arbiter of appeals if listeners and viewers are unhappy with the way their initial complaints have been dealt
with by BBC management. On this occasion, it found, the complainant's appeal did not qualify to proceed for consideration because it did not have a reasonable prospect of success. But the report detailed the many steps already taken since the
first complaint was received by Radio 4's Feedback in July 2013.
However the true extent of behind-the-scenes discussions has now been revealed, with the complainant claiming the public statement contradicted the actual correspondence she had with the BBC. A letter from a member of the Editorial Complaints Unit had
instead told her there had been:
Lengthy and detailed discussion between senior managers with a number of senior figures share, at least in part, your concerns about the manner in which Samantha in portrayed.
The report published by the BBC Trust states:
The complainant explained that she had also had further correspondence with the show's producer who acknowledged that a high-level meeting had taken place and outlined the changes that were planned for the show including booking female panellists,
featuring Sven (the male equivalent of Samantha) more frequently and making sure the audience understood Samantha was a willing even enthusiastic participant in the liaisons and stress that she was often the initiator in these relationships to avoid the
suggestion that she was being taken advantage of.
China's State Administration of Press, Publication, Radio, Film and Television (SAPPRFT) have issued new censorship rules governing the use of language in China's television shows and advertisements. The new rules require all TV shows and ads to stick to
standard Mandarin words and expressions, and forbid them from using internet slang terms.
The new regulations are aimed at stopping the use of internet slang that appropriates or imitates standard colloquial expressions, and particularly the Chinese language's four-character chengyu sayings. The internet has invented or adapted many
new chengyu for its own uses, but SAPPRFT's new regulations ban the use of any of that creative language on television.
The regulations order China's television content producers to do a thorough self-investigation and to strengthen oversight and inspection efforts to assure that non-standard language and internet slang doesn't sneak its way into any future television
And before you thinks this is another example of imaginative censorship peculiar to a repressive regimes, I seem to remember a more or less the same edict being issued in France not so long ago, whingeing that English language modern world jargon had
become more popular than the French language equivalents.
Back in 2012 Comedy Central was banned for ten days for airing supposedly obscene and vulgar words and being derogatory to women. The offending programmes were Stand Up Club and Popcorn.
The order issued by Delhi High court claimed that the programme showed a stand up comedian mouthing supposedly vulgar words accompanied by obscene and suggestive gestures and gyration.
Jokes during his performance supposedly denigrated women, indecently and crudely referred to sex organs of men-and women and the sing-song rendition by the man sought to pornographically describe male lust, whilst depicting women as a commodity of sex.
The broadcaster appealed against the censorship and the result has just been announced.
The court found no merit in Comedy Central's appeal, and dismissed it. The court also imposed INR20,000 costs and ordered the remaining six days of the channel's original ten-day ban should begin at 12.01am on 26 November 2014.
A few easily offended Argentines got wound up by a joke during the filming a Top Gear special.
Locals took offence at the H982 FKL number plate on a Porsche driven by Jeremy Clarkson, believing it was a reference to the 1982 Falklands conflict.
Argentina's ambassador to the UK, Alicia Castro, complained about the joke but the complaint was turned down by the BBC. Now she has resumed her torade against the joke by writing to the BBC Trust expressing discontent with how the number plate
fiasco was handled. She claimed Clarkson's behaviour fell well below BBC's editorial values and standards and called for a fresh investigation.
In an interview with the Radio Times Richard Hammond said:
In society as a whole, we love to be offended and have a scapegoat. But at Top Gear we're the first to put our hands up and say we pitched it wrong. We have apologised. We're not in the business of genuinely upsetting or offending anyone. We're in the
business of entertainment, and if it fails to entertain, it's wrong. If the public says we stepped over the line, then we have.
The Parents Television Council is denouncing the FX network for airing the most sexually explicit content the PTC has ever documented on basic cable. The November 11th episode of Sons of Anarchy opened with approximately two and one-half minutes
of graphically depicted sex among several couples. The explicit content, of the type previously available only on a la carte premium networks or pay-per-view, aired as early as 9 pm in half of the country.
Media Post described this scene like this :
This sequence ... featured seven couples in the act of intense lovemaking. ... For the record, this sequence left nothing to the imagination. It was probably the rawest sex I have ever seen depicted on TV outside of HBO and Showtime -- and that's saying
PTC President Tim Winter spouted:
Last week's episode of 'Sons of Anarchy' opened with the most sexually explicit content we've ever seen on basic cable, content normally found on premium subscription networks like HBO or Showtime.
Federal Communications Commissioner Ajit Pai said in a speech at an awards event that he disagrees with recent efforts to ban broadcasters from using the word Redskins when referring to the Washington, D.C. NFL team. He said:
If the FCC took these steps, we would be squelching public debate about an issue of public concern. We would be standing in the way of media outlets reporting the news. And we would be prohibiting speech simply because we disagree with the viewpoint that
is being expressed.
Pai went on to say public officials shouldn't sound an uncertain trumpet when oft-offended opportunists urge us to undermine the First Amendment. He said he thinks the FCC should heed the words of Voltaire:
I may not agree with what you have to say, but I'll defend to the death your right to say it, adding. Anyone who takes seriously the Constitution--scholar or layman--knows the petition is meritless. The FCC should dismiss it tout suite, as Voltaire might
Propaganda channel, Russia Today, has launched a dedicated UK TV channel that broadcasts five hours of programmes a day made out of its new London studios.
But it hasn't taken before the UK TV censor Ofcom has got involved to investigate the channel for biased news.
The channel has already been threatened with statutory sanctions by Ofcom after the Kremlin-backed news channel breached broadcasting regulations on impartiality with its coverage of the Ukraine crisis.
Russia Today, or RT, was summoned to a meeting with Ofcom after it was found guilty of breaching the code governing UK broadcasters in a ruling published this week.
The censor flagged up four separate reports, all broadcast in March this year, all dealing with the situation in Ukraine. Ofcom said it recognised that RT, which is funded by the Russian government and launched a UK version last month , would want to
present the news from a Russian perspective . But it said all news must be presented with due impartiality ... in particular, when reporting on matters of major political controversy .
It follows three previous breaches of impartiality rules, and Ofcom called for a meeting with the broadcaster to discuss compliance with regard to its due impartiality . It said it had put the channel on notice that any future breaches of the
due impartiality rules may result in further regulatory action, including consideration of a statutory sanction .
We received complaints from some viewers who were unhappy with a storyline about death and cremation.
Doctor Who is a family drama with a long tradition of tackling some of the more fundamental questions about life and death. We were mindful of the themes explored in Dark Water and are confident that they are appropriate in the context of the
heightened sci-fi world of the show.
The scene in which a character reveals 3W's unconventional theory about the afterlife was preceded by the same character warning the Doctor and Clara several times that what they were about to hear could be distressing. When the Doctor does hear these
claims, he immediately pours scorn on them, dismissing them out of hand as a con and a racket . It transpires that he is correct, and the entire concept is revealed to be a scam perpetrated by Missy.
Russia Today (RT), a propaganda news channel bankrolled by Vladimir Putin, has launched a dedicated UK version. It is the first time an overseas news operator has launched a service specifically targeted at British viewers. Perhaps not surprising as the
venture looks set to cost Putin £250m a year
These are the latest salvos in a propaganda onslaught in which RT, al-Jazeera, China's state-funded CCTV and the BBC World Service and its commercially-funded sister TV channel BBC World News, are among the most prominent players.
The international version of RT is already facing six separate investigations by TV censor Ofcom, including its coverage of the shooting down of Malaysia Airlines flight MH17. Richard Sambrook, former director of global news at the BBC and director of
the Centre of Journalism at Cardiff University, said:
Editorially its line is clearly one that is being driven by the Kremlin agenda. It's a surprising move to focus resources on the UK. It's not a commercial proposition, therefore the main purpose must be to gain influence. It's about soft power for the
RT's UK channel will be made up of five hours of programmes a day broadcast from its new studios in Milbank, with the rest of the schedule filled by content from its international channel.
Not since Iraq have I seen BBC News working at propaganda strength like this. So glad I'm out of there
These are the words of the former economics editor of the BBC's Newsnight show, Paul Mason , relating to the BBC's coverage of the Scottish independence referendum. The London broadcaster's biased reporting on Scottish independence is not an isolated
incident however, as the BBC has been blatantly warping, misrepresenting and omitting pertinent facts and narratives on numerous issues, from its coverage on Israel to its distortion on Ukraine.
The broadcaster has been widely criticised by many in Scotland and around the world for their propaganda campaign in the run up to the referendum in September, leading thousands of people to take to the streets in protest over the lack of
journalistic integrity at the BBC. A major episode of this was when the BBC's political editor, Nick Robinson, censored Alex Salmond's lengthy response to a question regarding the rumours that the Royal Bank of Scotland (RBS) would move its headquarters
to London if Scotland voted for independence. Despite Salmond's comprehensive response to the question which gave the BBC seven minutes of video footage to edit for their report, Robinson decided to deceive the public and falsely claim he didn't
answer the question. This was part of a wider propaganda campaign of injecting fear and uncertainty into the idea of Scotland being an independent nation.
Statement regarding Top Gear filming in Argentina, October 2014 BBC Two Logo
We received complaints from viewers concerned by press reports that, while filming in Argentina, Top Gear had apparently used cars with provocative registration plates.
We consulted the programme makers who would like to assure viewers that this was an unfortunate coincidence and the cars were neither chosen for their registration plates, nor were new registration plates substituted for the originals.
The crew of BBC's Top Gear have left Argentina after facing protests over a number plate which appeared to refer to the 1982 Falklands War.
The team, including host Jeremy Clarkson, have been filming in South America for a Top Gear special.
The show apparently provoked anger among locals by using a Porsche with the registration number H982 FKL.
Argentina's ambassador to Britain has demanded an apology from the BBC over a joke by car show Top Gear . The Argentine embassy in London said Ambassador Alicia Castro had complained to the BBC about:
Clarkson's provocative behaviour and offensive remarks toward the government and the Argentine peopley. Furthermore, the Argentine ambassador deeply regretted Jeremy Clarkson's entirely false accusations of alleged resentment against British citizens in
The programme's crew had to leave Argentina hastily last month after they faced violent protests for driving a car with licence plate H982 FK, interpreted by some as a reference to the country's 1982 war with Britain over the disputed Falkland Islands.
Host Jeremy Clarkson has accused Argentine officials of whipping up anger for political capital.
The BBC said it would follow its usual complaint procedures.
The BBC has rejected a demand by the Argentinian ambassador to apologise for Jeremy Clarkson's Top Gear levity, saying the BBC2 special will be broadcast as planned.
Danny Cohen, the BBC's director of television, said there was no evidence to support the allegation that the number plate on Clarkson's Porsche, H982 FKL, was a deliberate reference to the Falklands war. Cohen said in a letter to the ambassador:
The BBC was disturbed by the violence the team faced during their visit and I know we are agreed that this violence should not be condoned.
I am very aware that some have questioned whether the number plates were in some way a prank. I would like to reassure you again that nothing we have seen or read since the team returned supports the view that this was a deliberate act.
The BBC described its programme, This World: Rwanda's Untold Story:
Twenty years on from the Rwandan genocide, This World reveals evidence that challenges the accepted story of one of the most horrifying events of the late 20th century. The current president of Rwanda, Paul Kagame, has long been portrayed as the man who
brought an end to the killing and rescued his country from oblivion. Now there are increasing questions about the role of Kagame's Rwandan Patriotic Front forces in the dark days of 1994 and in the 20 years since.
The film investigates evidence of Kagame's role in the shooting down of the presidential plane that sparked the killings in 1994 and questions his claims to have ended the genocide. It also examines claims of war crimes committed by Kagame's forces and
their allies in the wars in the Democratic Republic of Congo and allegations of human rights abuses in today's Rwanda.
Former close associates from within Kagame's inner circle and government speak out from hiding abroad. They present a very different portrait of a man who is often hailed as presiding over a model African state. Rwanda's economic miracle and apparent
ethnic harmony has led to the country being one of the biggest recipients of aid from the UK. Former prime minister Tony Blair is an unpaid adviser to Kagame, but some now question the closeness of Mr Blair and other western leaders to Rwanda's
But it was all a bit too much for Rwanda. The government has suspended all BBC radio broadcasts in Rwanda's most common language to protest against the news organisation's recent documentary about the 1994 genocide in the country.
The Rwandan TV censor announced the suspension of the BBC's broadcasts in the local language, Kinyarwanda. The board said it took the action because it has received complaints of incitement, hatred, divisionism, genocide denial and revision from
President Paul Kagame's government, members of parliament and genocide survivors have expressed their anger at the BBC over the recent documentary that suggested the country's president may have had a hand shooting down his predecessor's plane, a crash
that triggered the mass killings.
Its hour-long documentary, Rwanda, The Untold Story, also quoted US researchers who suggested that many of the more than 800,000 Rwandans who died in the 1994 genocide may have been ethnic Hutus, and not ethnic Tutsis as the Rwandan government maintains.
Chinese authorities have ordered television stations, cinemas, online entertainment sites and other outlets not to show works by entertainers found to have been involved in vice crimes such as using drugs or visiting prostitutes, state media reported.
The directive cites directors, playwrights and actors whose misdeeds such as using drugs or hiring prostitutes have supposedly hurt the industry and somehow corrupted society's moral standards. It says the rules are aimed at cleansing screens, airwaves
and cyberspace to ensure that core socialist values are promoted.
The directive refers to those who have been punished by police, which in the Chinese legal system does not necessarily involve courts or convictions. Police can mete out summary penalties.
The order follows police detentions this year on drug or prostitution charges of celebrities including Jaycee Chan, son of movie superstar Jackie Chan; Taiwanese heartthrob actor Kai Ko; Chinese director Wang Quan'an and popular playwright Ning Caishen.
Under the rules, the offenders' film, television, radio and advertising works -- past and future- are to be banned.
BBC bans all media, past and present featuring celebrities who have committed misdemeanours
The BBC has confirmed it will ban editions of Top of the Pops featuring Dave Lee Travis.
The corporation had pulled episodes of the show which he hosted from its schedule of weekly BBC4 repeats following his arrest nearly two years ago and future programmes in which he features will now be dropped following his conviction for indecent
Travis was given a three-month sentence last month, suspended for two years for 'groping' an adult female researcher on set.
A BBC spokeswoman said:
The BBC will not show Top of the Pops repeats fronted by Dave Lee Travis. We will consider any other archive appearances on a case-by-case basis.
Monty Python Live (Mostly) was a live broadcast of the final stage performance of the remaining members of Monty Python at London's O2 arena, on the classic comedy channel Gold.
Ofcom received two complaints about offensive language being used during the broadcast. Ofcom noted the following exchange around 19:24. It was part of a sketch involving Australian Bruce characters, where all the performers on stage wore the same
khaki shirts, shorts and hats with corks hanging from them, and spoke with Australian accents.
Eric Idle: Have we got anything? Punk Bruce, can you give us a hand?
Bruce character: [Off-screen] I can give him a hand here.
Eric Idle: Oi, oi, stop that Bruce. You, oi. [Produces a football referees' red card] Straight off, off. Go on. Off. Fuck off. [A loud bleep was then heard]
At 20:55, the presenter of the programme Dara O'Briain said the following:
One thing I must explain, viewers at home missed certain parts of the show. And this I have to explain, Gold would like to explain, was not their choice. In particular, it was these two later verses of the penis song, the second was about bottoms and the
third about lady gardens, that's the most polite way I can put this. This is all regarded by Ofcom as being a little bit too much at 7:46 in the evening. Equally some bad language was bleeped. Gold obviously want to apologise for that, being the policy
they have to make because of Ofcom. By the way, one naughty swearword, by the way, did slip through. So I apologise for that. And I want my face to indicate a level of professional sincerity as I read those words off the autocue. I cannot apologise
Licensee UKTV said it had decided to put in place a three minute delay on the live feed of the performances from the venue to enable its compliance team to bleep the language where necessary. It said the scripted language was:
Successfully bleeped throughout Part 1 but unfortunately an unscripted fuck was not successfully bleeped...the bleep [came] in fractionally too late. This was the result of human error...¦for which we sincerely apologise.
The Licensee said its compliance team then: instructed host Dara O'Briain to apologise to viewers for the missed language.
Rule 1.14 states that the most offensive language must not be broadcast before the watershed. Ofcom research on offensive language1 clearly notes that the word fuck and other variations of this word are considered by audiences to be among the most
offensive language, particularly when used in an aggressive manner.
The broadcast of the word fuck in this programme around 19:24 was therefore a clear example of the most offensive language being broadcast before the watershed.
However, Ofcom took into account that the Licensee had chosen to take measures before the programme to minimise the risk of offensive language being broadcast by delaying the on-air feed, that the use of fuck was not scripted, and that the host of
the programme apologised on air after the incident. In light of these factors Ofcom considered the matter resolved.
Swedish Television has cut out suppsoedly offensive scenes from censored editions of the popular 1969 Pippi Longstocking series, sparking intense debate on social media over the extent to which old productions should be modified to suit what the
politically correct consider socially acceptable today.
In the censored versions, set to be aired on a children's channel in December, the unconventional Pippi will describe her dad as a king instead of a negro king and won't play Chinese by stretching out the skin around her eyes.
The public broadcaster said those original scenes could be perceived as hurtful or offensive for children who watched it.
Paulette Rosas Hott, head of political correctness at Swedish Television, spouted:
We live in a multicultural society with children from many different countries. Those kids should feel comfortable when they're looking at this. And the parents should feel comfortable that their kids don't learn expressions that they don't support.
The moralist campaign group, Parents Television Council (PTC), has hyped the new CBS drama Stalker as torture porn and is warning parents about the show.
PTC takes particular issue with the premiere episode's opening scene, which the organization claims is a graphically violent scene featuring a woman being tortured and murdered.
The 1st episode will air with the rating TV-14 DSV, which denotes suggestive dialogue, sexual situations and violence.
PTC president Tim Winter said that, given the subject matter, Stalker should be rated TV-MA. He notes:
We are warning parents about this graphic scene, given that it will air at the beginning of the show and that it will presumably carry a very low TV-14 rating.. Since the episode contains graphic violence, the accurate rating for the program according to
the industry's own standard is TV-MA. Rating this type of material as appropriate for a child would not only be wrong, it would be fraudulent.
Stalker stars Dylan McDermott and Maggie Q as detectives with the LAPD's Threat Assessment Unit who investigate stalking incidents such as voyeurism, cyber harassment and romantic fixation. It debuts Wednesday at 10 p.m. ET.
SpongeBob SquarePants, the Nickelodeon cartoon character who works as a fry cook at the bottom of the sea, corrupts the young minds of children and promotes hooligan behavior, according to Kazakhstan's education ministry.
the New York Daily News reported that the country regards the character as a bully, who regularly inflicts violence on others in his community and seems to enjoy what he does,
Zabira Orazalieva responsible for children's rights at the Kazakh Education and Science Ministry, said:
SpongeBob beats up his neighbor, misbehaves and enjoys that. This hooligan behavior stays in the child's minds. They [see SpongeBob] as a role model and try to re-enact [his behavior] in real life.
She went on to blast cable channels like Nickelodeon and France's TiJi for running cartoons that promote a substandard educational message, as well as parents who let children watch the cartoons unsupervised.
With his penchant for mooning and blurting out risque spoonerisms, Crayon Shin-chan has delighted Japanese children, and infuriated their parents, for more than two decades.
But now the precocious five-year-old is being taken on by Indonesian TV censors, who have declared his antics as borderline pornography and warned broadcasters to censor images of his bare buttocks, scantily clad women and other indecorous scenes.
The Indonesian broadcasting commission has told TV channel RCTI to either cut supposedly indecent parts of the programme or show it later when children aren't watching. A member of the commission claims:
The character fools around with his bare bottom exposed. He also noses around people [when they are] on dates. The show features a lot of female characters in seductive garments that emphasise their cleavage. It is essentially pornography.
A joint episode of The Simpsons and Family Guy is set to air on the Fox network in the US on Sunday. The trailer has revealed a joke featuring the politically correct no-no, the word 'rape'. It has got America's moralists up in arms.
The Parents Television Council have called for the joke to be cut.
The gag is about baby Stewie misunderstanding the nature of Bart's prank calls. First, Bart calls Moe's Tavern and asks if there's anyone there with the last name Keybum and the first name Lee -- causing the bartender to call out for a Leaky bum
. Then an excited Stewie tries his version of the wind-up, and blurts out: Hello, Moe? Your sister's being raped.
The Parents Television Council have claim that the joke, playing on the different sense of humour between the family-friendly Simpsons and edgier Family Guy, is 'inappropriate'. President Tim Winter spouted:
Rape is never a laughing matter. Never. It is simply indefensible for a broadcaster to use the publicly-owned airwaves to make tasteless and senseless jokes about rape.
He also claimed that the joke could have a devastating impact... on countless past, present and future victims of sexual assault . The group says it will lobby advertisers on both shows to ask if rape jokes reflect their corporate values .
MacFarlane famously once said that getting Parents Television Council complaints were:
Like getting hate mail from Hitler. They're literally terrible human beings. I've read their newsletter, I've visited their website, and they're just rotten to the core. For an organisation that prides itself on Christian values -- I mean, I'm an
atheist, so what do I know?--they spend their entire day hating people. They can all suck my dick as far as I'm concerned.
As always the BBC is showing old episodes of Dad's Army. But the choice of the latest episodes shown has raised a few additional chuckles.
A Yes campaigner noted:
A total of 80 episodes of Dad's Army were made by the corporation -- and which one does it choose to show on the Saturday ahead of the vote? The one in which Frazer -- played by John Laurie -- tells Mainwaring that he can run the platoon better than him,
is put in charge and then makes a total mess of things. Thank you very much, Auntie Beeb.
A BBC spokesman insists that episodes are always shown in a specific order and adamantly denies there was ever any political intent in scheduling the Frazer episode ahead of the vote.
Ireland's TV censor has had a whinge at a slightly sexy dance performance on the talent show, The Voice of Ireland.
The performance accompanied contestant Danica Holland's rendition of Lady Gaga' s single Do What U Want on Sunday, March 23. Around 521,200 people watched the programme which aired at 6.30pm, of which about 12% were under 18s.
The complainant was appalled that RTE would sanction such a dance routine at the time in question, and stated that when one of the judges likened the routine to a scene from Basic Instinct , it reinforced her opinion of the programme.
The Broadcasting Authority of Ireland (BAI) partially upheld a complaint from a woman who had been watching the programme with her young children. In its ruling, the BAI said both the dance routine and song:
Included clear sexual overtones and in particular there were significant sexualised elements dealing with adult themes such as sexual submission, both emotional and physical.
It considered these inappropriate for children and adolescents , some of whom it claimed are not likely to have the maturity to assess and negotiate the boundaries of appropriate sexual behaviour , and added that the programme did
not demonstrate due care .
The religious morality campaign group, One Million Moms spout:
USA's new program, Satisfaction , has a name that says it all. I suppose the name Unsatisfied didn't sound as attractive. Like a revamped soap opera, spouses get themselves tangled in a web of lies and hurt the ones they love. Satisfaction
airs on Thursday evenings at 10:00 p.m. ET/9:00 p.m. CT.
The tagline for the program is: They have everything but are still not satisfied. The show focuses on attempts to find satisfaction by having an affair, paying for an escort or getting paid for sex. A show full of adultery, cheating, drugs and
lies is the last influence our society needs. Even though the program airs a little later in the evening, it is not late enough since the bedroom scenes are soft porn and the previews are aired earlier in the day.
Satisfaction centers around a married couple who have no regrets and feel no remorse about committing adultery with someone else - or cheating on their own spouse. Infidelity is the new trend sold as normal by USA.
To put it on a scale, Satisfaction is more pornographic than the show Mistresses. This program consists of so much nudity and erotic sexual content that it probably is the worst show we have seen since Nip Tuck. Hollywood is continuing to
push casual sex, sometimes with multiple partners, as acceptable.
A few parents have complained about ITV for showing a violent scene from the 12A rated movie, Dawn of the Planet of the Apes. The trailer went out at half time during the semi-final of the World Cup. The advert featured a computer-animated
chimpanzee viciously shooting a man with a machine gun was screened at around 10pm, well after the watershed.
Some viewers said they had let youngsters stay up late to watch Holland play Argentina and thought the advert was inappropriate .
Inevitably the Daily Mail trawled Twitter for a few example whinges:
Furious at @ITV for shocking my children (and me) last night. After 9pm maybe, but during the football?? Poor show.
In the clip, the monkey is shown performing acrobatics as it enters a room where two armed men are sitting on a sofa. After drinking with them and smiling, the animal suddenly turns angry, picking up a machine gun and firing at one of the men, killing
him. The advert ends with the ape pointing the gun at the other man, who is shown pleading with the creature to spare him.
A spokesman for the Advertising Standards Authority (ASA) said:
I can confirm that we've received around 100 complaints overnight about the TV ad for the film Dawn of the Planet of the Apes, which appeared on ITV yesterday at around 10pm.
Complainants are concerned that the ad shows an ape grabbing a gun and shooting a man with it, during the broadcast of the World Cup semi-finals, which children would have been watching.
We're logging these complaints, we'll access them before making a decision as to whether we will investigate or not.
A TV ad for the cinema release of the film Dawn of the Planet of the Apes , was seen on ITV during World Cup Semi-Final coverage at approximately 9.50pm.
A voice-over stated, And now an exciting look at the must-see movie of the summer, Dawn of the Planet of the Apes, hitting cinemas next Thursday. The following scene showed an ape approach two men who were sitting on sandbags drinking from metal
cups. One man pointed a gun at the ape and he held up his arms in a surrender pose in response before tumbling into forward rolls and clapping as though in a performance. The following exchange between the three characters began good-naturedly, but ended
with the ape stealing an automatic weapon from one of the men and shooting the other dead. The remaining man held up his hand with a fearful expression on his face while the ape, now baring his teeth and holding a threatening stance, aimed the gun at
him. The ad closed with on-screen text giving the film name as gunfire resounded in the background. The voice-over stated, That looks incredible. Tell us what you think. Hashtag DawnofApes ... Issue
The ASA received 119 complaints:
1. the majority of the complainants, who believed the ad was inappropriate for children to see, challenged whether the ad was scheduled responsibly;
2. some viewers, who believed the theme and content of the ad was unsuitable for juxtaposition with a mainstream sporting event, challenged whether it was scheduled appropriately;
3. a large number challenged whether the ad was overly violent and distressing; and
4. the remainder of the complainants challenged whether the ad irresponsibly condoned violence and firearm use.
1. & 2. Not upheld
The ASA considered that care must always be taken to ensure that ads were suitable for a viewing audience and noted the BCAP Code specified that relevant timing restrictions must be applied to ads that, through their content, might harm or distress
children of particular ages or that were otherwise unsuitable for them. In addition, broadcasters must exercise responsible judgement to avoid unsuitable juxtapositions between ads and programmes.
It was clear from the outset in this example that the ad contained an extract from a forthcoming film and the title of the film was given in voice-over and on-screen text. The opening scenes, involving the clowning antics of a chimpanzee-like character,
seemed innocent. The scene quickly developed, however, to the point that there was the threat of gun-use together with atmospheric background music, which built a level of tension and indicated that the content was not as light-hearted as might have
first appeared. Despite the escalation of menace, the shooting dead of one of the men was unlikely to have been anticipated and therefore likely to have caused shock to viewers. The ad closed with an ominous scene of the snarling ape purposefully
pointing a gun directly at the body of the remaining man, who was seen to be in some shock and fear, and the sound of gunshots, indicating his killing. We considered that the tension of the ad, and the scenes of shooting and personal threat, meant that
it was unsuitable for young children.
The film had been categorised as 12A, which meant that it contained material that was not generally suitable for children under 12 years of age. However, children younger than 12 were admitted to a 12A film in a cinema when accompanied by an adult, at
the adult's discretion. It was important to recognise, however, that those who chose to visit the film at the cinema were likely to be acquainted with its theme and adults could exercise choice about whether that material was suitable for under-12s in
their care, whereas not all TV viewers who had chosen to watch the World Cup Semi-Final would necessarily be aware of, or expect, the content of the ad.
Clearcast had applied a post 9 pm scheduling restriction in recognition of the level of violence in the film clip and we considered that, under ordinary circumstances, this was likely to be acceptable. Audiences beyond 9 pm were likely to be aware that
they could be exposed to material, both in programming and advertising content, that was intended for adult viewers and the content in this example, although shocking, in our view was unlikely to cause harm or distress to adults when broadcast at that
time. However, the circumstances of this ad were not usual; it was broadcast during a world sporting event, likely to be of more general interest than, for example, regular football fixtures.
The World Cup attracted a large TV audience, but the child audience index did not demonstrate that the Semi-Final had been of particular appeal to children, that is, those under 16 years of age. Within the parameters of child viewers, significantly more
appeal was demonstrated to those over 10 years of age than to those under 10, but the number of children viewing in either age group did not compare to the proportion of adult viewers at the time.
While it was unfortunate that any distress was caused to younger viewers who did see the ad, we considered that the scheduling restriction in place, together with the time of broadcast, 9.50 pm, meant that it had been directed away from younger viewers.
Older children, although likely to be shocked by the unfolding story of the scene, were likely to understand the extract within the context of the pending cinema release, the content of which had been certified as suitable for over 12s. The match had not
demonstrated particular appeal to children of any age and the overall content, which was tense and menacing rather than gory or overly explicit, was unlikely to cause harm or distress to older children watching at that time.
We acknowledged that some adults who were watching the Semi-Final had found the ad to be too graphic even for an adult audience who had chosen to watch a sporting event. While we understood that they were likely to be similarly shocked by the ad's twist,
we considered that, in view of the overall content and the brevity of the closing scene, they were unlikely to be distressed by it.
We concluded that the ad had been responsibly scheduled.
3. & 4. Not upheld
The ad built suspense throughout its 70-second duration and contained a 5-second scene at its close that involved an ape shooting two men at close range. The images might have been unnerving, given that they were unexpected, and seemingly at odds with
the notion of how an ape might behave. However, while there was an element of terror, the shooting scene was brief and inexplicit. Although our view was that the ad was unsuitable for very young viewers, the level of action and violence it contained was
unlikely to cause distress to others, providing that it was broadcast with an appropriate timing restriction. The ad was given a post 9 pm restriction and broadcast at 9.50 pm.
Guns were involved in the entire storyline of the ad. The action was clearly set in a fictional environment and the khaki clothes of the men plus the sandbags on which they sat gave the scene a military feel. We understood that some viewers had found the
depiction of firearms in the ad to be irresponsible. However, given the context of the ad as an extract from a fantasy film, we considered that viewers were unlikely to relate the ad to actual crime and real world behaviour.
We acknowledged the reaction of viewers who had found the ad difficult to watch. However, given the content and the timing restriction applied, we considered that it was unlikely to cause undue distress or to be seen as condoning violence or
irresponsible firearm use.
This week, Egypt's first X Factor -style belly-dancing show titled al-Raqisa (The Dancer) was scrapped after just one episode, following demands from the country's religious authorities.
Egypt's Dar el-Ifta, a wing of the justice ministry that issues non-binding religious edicts, claimed al-Raqisa would destroy the moral structure of the country. Shortly after, producers of the show, hosted by Egypt's pre-eminent belly-dancing star,
Dina, gave way to the pressure and cancelled the programme.
Egypt's government has waged a year-long crackdown on the Muslim Brotherhood and seeks to stamp out religious extremism. But in reality officials have no wish to upset religious 'sensibilities' in a country where Islam is deeply entwined with public
Members of the dancing community nevertheless say that things are still slightly better than they were under the Brotherhood. Randa Kamel, a well-known Egyptian dancer, says that before the Brotherhood's fall, she was dancing just twice a week, as the
economic crisis and increased conservatism that accompanied the Brotherhood's tenure prompted venues to curb their dancing expenses. Now Kamel is back to dancing every night, even if audiences still have not reached their pre-revolution peak.
A Game of Thrones actress has reportedly been banned from showing her breasts during filming on location. Producers of the hit US TV series have been prohibited from filming a pivotal topless scene at its planned location in the Croatian city of
Dubrovnik, according to TMZ.
The magazine says the program's crew applied to the local film commission to shoot the scene in which Cersei Lannister, played by Lena Headey, undertakes a walk of penance through the streets of King's Landing.
But the request was reportedly rejected because the city's Church of St Nicholas has a hardline stance against public displays of sexuality. Advertisement
It's understood the iconic scene, will be shot elsewhere because of its importance to the storyline.
The nude walk was in jeopardy as the Church of St. Nicholas, where the scene would be filmed, banned public nudity.
The film commissioners, however, have now changed their initial ruling, giving permission to filming on the streets of Dubrovnik as long as Lena Headey, who plays Cersei, doesn't film it at the church.
The show's producers, thus, have to compromise with the new term set by the film commissioners. Headey will now shoot the nude scene on a fake church set.
The BBC cut a lesbian kiss scene from Doctor Who to avoid offending audiences (and TV censors) when it was screened in Asia.
The feature-length edition was broadcast to viewers in Hong Kong, South Korea, Taiwan, Thailand, Indonesia, Malaysia and Singapore last Monday. BBC insiders say the scene, which lasted just a couple of seconds, was cut to avoid falling foul of a
broadcasting code in Singapore which says programmes should avoid any content that could justify homosexual and lesbian lifestyles.
George Dixon, BBC Worldwide's global editorial director, said:
When preparing shows for international transmission, we occasionally have to make edits to ensure we're not breaking any local broadcasting rules.
Gay rights campaigner Peter Tatchell was not impressed. He said:
The BBC should not bow to censorship demands from other countries. If these countries are bigoted and are not willing to show same-sex love, they have no right to demand that the BBC conforms to their standards of prejudice.
Thailand's military dictators have allowed 12 banned satellite channels to resume broadcasting. The channels have been off the air since the May 22 coup. However the channels have been forced to sign a declaration to not air political news.
Some of the channels are well-known political-oriented satellite stations, such as the yellow-shirt ASTV, Democrat Party-backed Blue Sky and red-shirt Asia Update, said they were satisfied by the terms and conditions laid down by the junta.
Most of them even agreed to change their name in a move to end memories about previous political stances.
The channels allowed to start broadcasting also include MV5, DNN, UDD, P&P, 4 Channel, FMTV, Hot TV, Rescue TV and Student and People Network for Reforming Thailand Channel.
ASTV, which will now be known as News TV, still plans to focus intensely on news, albeit now censored.
The broadcasting committee of the National Broadcasting and Telecom-munications Commission announced conditions for the 12 satellite TV channels to apply for a new licence to resume broadcasting next week. The channels will need to apply for a new
licence as Pay TV and comply with the NCPO's condition that they would broadcast no content that affects national security and the social divide by signing a memorandum of understand with the NBTC.
THE BBC has apologised for broadcasting a trivial Irish joke on its flagship Scottish news programme.
The joke was broadcast on BBC1's Reporting Scotland news show during a pre-recorded segment about the funniest joke at this year's Edinburgh Fringe Festival. It involved a reporter asking members of the public about what they find funny.
Among the contributions broadcast:
Two Irish guys look in the mirror. One goes: 'I know that guy.' The other one goes: 'I know you do, it's me you stupid guy.'
One family told The Irish Post they were gobsmacked to hear the quip:
I thought it was absolutely disgusting to see that your own national broadcaster would allow this to happen. To see comments like that about your own ethnic group on the news is so disheartening.
Responding to the complaint, the BBC apologised for broadcasting the joke. A spokesman said:
During a series of vox-pops a member of the public told a joke which may have offended some viewers.
The Simpsons is an irreverent animated comedy produced in the USA, with an appeal to a mixed audience of children and adults, and broadcast by Channel 4 at 18:00 on weekdays.
Seven complainants alerted Ofcom to the broadcast of the word bastard , which they considered inappropriate at this time of day and in a programme which appeals to children.
Ofcom viewed a recording and noted the following comment by the character Krusty the Clown around 18:23:
...who needs friends? The incessant beep of the global positioning system is all the companionship I need... [Krusty receives an electric shock as he pats the box, and, in anger, throws it out of his boat] Tell me where you are now, you bastard!
Ofcom considered Rule 1.16 of the Code, which states:
Offensive language must not be broadcast before the watershed...unless it is justified by the context.
Channel 4 said that Ofcom will appreciate that the word 'bastard' is not the strongest language but nonetheless it considered: it was inappropriate for inclusion in an episode of The Simpsons at 18:00 in this context . It apologised for any
offence that may have been caused and said it gave careful consideration to scheduling programmes at times when children were expected to be viewing to protect children from unsuitable content.
Ofcom Decision: resolved
Ofcom research on offensive language indicates that the word bastard is thought to be a stronger swear word and that, while some people consider there are some contexts in which this word is acceptable on television pre-watershed, care
needs to be taken over its use.
Ofcom did not consider the use of bastard at 18:00 in this context in a programme like The Simpsons, with a clear appeal to children2, and broadcast on a public service channel with a broad audience, was justified by the context or in line with
However Ofcom has taken into account that: this failure was the result of an apparently isolated and unusual set of circumstances; Channel 4 proactively and quickly took steps to identify the cause of the issue and avoid the risk of a recurrence; and,
Channel 4 apologised for any offence caused.
In light of these factors, Ofcom considers the matter resolved.
Top Gear Burma Special
BBC 2, 16 March 2014, 20:00
Top Gear is a long-running magazine series on motoring. Presenters Jeremy Clarkson, James May and Richard Hammond provide information and commentary about cars. Programmes are light-hearted in tone, and typically include quirky and humorous banter
between the presenters.
This particular episode was the second part of a two-part special, filmed in Burma, where the Top Gear presenters crossed the country in trucks and built a makeshift bridge over the River Kwai in Thailand. On observing the completed bridge, on which an
Asian man is seen walking towards them, Jeremy Clarkson and Richard Hammond engaged in the following conversation:
Jeremy Clarkson: That is a proud moment..but...there is a slope on it.
Richard Hammond: You are right...[pointing]...it is definitely higher on that side.
Jeremy Clarkson then narrates, over images of the bridge: we decide to ignore the slope and move onto the opening ceremony.
Ofcom received two complaints from viewers who expressed concern that the word slope referred to the Asian man crossing the bridge and was an offensive racist term.
Ofcom noted that the word slope is an offensive and pejorative term for a person of East Asian descent, which originated during the Vietnam War. [presumably alluding to slant eyes]
Ofcom considered Rule 2.3:
In applying generally accepted standards broadcasters must ensure that material which may cause offence is justified by the context...Such material may include but is not limited to...discriminatory treatment or language (for example on the grounds
The BBC stated that the programme:
Used the word in what the programme-makers believed was an inoffensive, humorous play on words, addressed at the build quality of a bridge which the team had constructed and a local Asian man who was crossing it.
The BBC added that although the programme-makers:
Knew that the word could be used to refer to people of Asian origin they believed that such use was mere slang. The programme-makers were not aware at the time that it had the potential to cause offence particularly in some countries outside the UK
And had they been aware of this, the word would not have been used in this context. The BBC stated that it had already issued a public statement apologising for the use of the word and for any offence which its use caused.
Ofcom Decision: Breach of Rule 2.3
Ofcom acknowledges that slope is a term of offence more widely used in America and Australia. However it is also capable of causing offence in the UK particularly to people of Asian origin. Further, Ofcom research has indicated that viewers are
likely to consider a word to be more offensive if they understand it to be making a derogatory reference to specific characteristics of a defined ethnic group.
Ofcom therefore considered whether the broadcast of this offensive word was justified by the context. Top Gear is widely known for its irreverent style and sometimes outspoken humour, as well as the banter between the three presenters. We also noted that
regular viewers of Top Gear were likely to be aware that the programme had previously used national stereotypes as a comedic trope, particularly to describe the characteristics of cars. Various nationalities have, at some point, been the subject of the
presenters' mockery during the history of this long running programme. The regular audience for this programme adjusts its expectations accordingly.
In our view, however, in this case Jeremy Clarkson deliberately employed the offensive word to refer to the Asian person crossing the bridge as well as the camber of the bridge. Ofcom noted that this sequence was scripted in advance, and that clear
consideration was given at the time of production to using the term slope to formulate what the production team intended to be humorous word play around it. There was clearly an opportunity both during filming and post-production to research the
word and reach a more considered view on whether it was mere slang and had the potential to cause offence to viewers.
We took into account that the BBC said the programme makers intended the use of slope to be an inoffensive, humorous play on words , but that the broadcaster accepted now that the word was capable of causing offence in the UK and
apologised. We noted that the BBC provided no other arguments to justify the potential offence in the context.
Ofcom concluded, however, that in the circumstances of this particular case there was insufficient context to justify the broadcast of this material. The BBC did not apply generally accepted standards so as to provide adequate protection for members of
the public from offensive material. As a result there was a breach of Rule 2.3.
OfCom, the UK TV censor, has received around 200 complaints over this past Sunday's on-air live segment where reporter Colin Brazier went through a Malaysian Airlines crash victim's suitcase.
OfCom's Elliott Ball told iMediaEthics:
There are 201 complaints, relating to coverage on Sky News on 20 July from 12pm and throughout the day. These are being assessed. A decision has not been made yet as to whether there will be an investigation.
Sky News apologized shortly after Brazier's segment. Brazier also penned a column this week apologizing for his actions.
Update: Meanwhile the BBC grovels to a few easily offended viewers
We received complaints from some viewers who felt the images and descriptions used in a report on flight MH17 were too graphic and upsetting.
Response from BBC News
We appreciate that Daniel Sanford's report from the site of the Malaysian Airlines crash contained images and language which would be distressing to some viewers. With this in mind, we included a warning prior to the report. We must stress that this
piece was not intended to sensationalise the crash, but to give a powerful sense of the extent of the tragedy that resulted in the loss of so many lives.
The report on the News at Ten was one of the first reports by a British broadcast journalist from the crash site of the MH17. This was an extremely harrowing scene, which was reflected in the images and descriptions used within Daniel's report.
BBC News is always aware of the need to report with sensitivity, whilst also maintaining our principles of accurate, factual and impartial news coverage.
One Million Moms is a christian morality campaign. The group writes in a 'call to action':
The late night programming on the Cartoon Network, known as Adult Swim, plans to air the non-animated show Black Jesus portraying Jesus as a black guy living in the hood. The show depicts him living in Compton Gardens and makes a mockery of
our Lord. The foul language used in the trailer, including using the Lord's name in vain, is disgusting. In addition, there is violence, gunfire and other inappropriate gestures which completely misrepresent Jesus. This is blasphemy!
Black Jesus is set to premiere on August 7 at 11:00 pm ET/ 10:00 pm CT, unless we intervene. Adult Swim plans to blaspheme Jesus on a weekly basis. This mockery will be similar to South Park and Family Guy , but much worse since the
entire program will be based on lies about Christianity.
1MM will defend our Savior because He is Holy! Adult Swim is obviously not a family network, and this program is set to air later in the evening when children should be asleep, but that is no excuse. Adult Swim has crossed the line by belittling the
Christian religion with foul jokes.
We need to send a loud and clear message to Adult Swim, its owner Turner Broadcasting System, Inc. (a Time Warner Company), and all potential advertisers of Black Jesus that this kind of programming is insulting and completely unacceptable. Adult Swim is
not ridiculing any other religion currently and wouldn't dream of mocking Mohammed or Muslims.
If we speak with one voice now, we can keep this program from ever seeing the light of day. Christians must take a stand and not be silent. Networks like Adult Swim continue to mock Christianity, and we will not stand for it. Christians should no longer
sit idly by and allow this blasphemy to continue without speaking up in protest. Black Jesus is another attempt to distort the truth about Christianity. There is power in numbers! Forward this to everyone you know in a fight to keep this show off the
Black Jesus was even worse than its promotions portrayed in the trailer leading up to the broadcast. In the 30-minute premiere, Jesus is recruited by his friend's mother to buy a block of "weed" for a party. This first episode was
entitled Smokin', Drinkin', and Chillin' and included:
88 profanities are used, including God's name in vain (MA-L rating).
Jesus uses the f-word multiple times, uses God's name in vain.
Jesus smokes marijuana and complains about having to share it.
Jesus is arrested when a drug deal he is leading goes bad.
The Jesus character irreverently refers to God as "Pops," himself as "lord and savior," and is continually obsessed with alcohol and drugs.
The Parents Television Council is a US moralist campaign group. It writes in a press release:
The Parents Television Council has warned parents and advertisers about the premiere of VH1's Dating Naked series, a reality show with contestants who date each other in the nude, and which begins on Thursday, July 17 at 9/8 Central. Previews for
the series show contestants naked on camera for the whole show, with the nudity being partially obscured through pixilation. PTC President Tim Winter said:
The core of the TV show's premise -- people dating in the nude -- should be troubling for most parents, and it should absolutely land the show on any responsible advertisers' do-not-buy list. VH1 obviously thinks this is an 'edgy' show, perhaps even
groundbreaking, but what's clear is that this is the kind of TV programming that is an affront to most families.
Because of the forced-bundling of cable network programming, every cable subscriber in the country must pay VH1 for this sordid material. Parents should not be required to underwrite this program with their subscription dollars, and advertisers should be
mindful not to associate their hard-earned brand reputations by sponsoring it. Corporate sponsors should heed the market research showing how brands were perceived negatively when their ads appeared alongside explicit content.
The PTC is sending an urgent call of caution to parents. We will be holding publicly to account any companies and products that choose to advertise on the premiere of this program and on any subsequent episodes. And we will cite the actions of this
Viacom-owned network in our comments supporting Cablevision's antitrust lawsuit challenging the legality of Viacom's network-bundling scheme.
It was truly a once-in-a-lifetime opportunity, the chance to see the Monty Python troupe live in their final show at London s O2 arena.
But just minutes into the show, which started at 7.30pm, an hour-and-a-half before the television watershed, chunks of dialogue were rendered inaudible by a beep. Not just any beep, either, but the shrillest, whiniest, most grating beep you'll ever hear
in your life. The picture clumsily cut away to a long shot of the venue, presumably lest lip readers could see the colourful, but ludicrously banned, strong language
One routine was obliterated entirely when the broadcast cut away to a pre-recorded item featuring Michael Palin in drag, explaining why the television audience weren't allowed to see it.
Ofcom (or "effing Ofcom" as it was briefly renamed in our house) decided some of the show's content breached its pre-watershed guidelines. If Gold had refused to kowtow to its demands, it would have been heftily fined. The post-watershed second
half of the show was broadcast without interference. While the censoring didn't completely ruin the whole evening, it certainly marred our enjoyment.
Gold repeated the show last night, with the missing content reinstated, but that's hardly a substitute for the thrill of of being part of a live communal TV event.
Ofcom has published research on consumer attitudes and trends in violence shown on UK TV programmes.
The research supports Ofcom in its role in protecting TV viewers, especially children. It looks at how violence on TV has changed since Ofcom issued guidelines to broadcasters in 2011 to avoid programmes being shown before 9pm that might be unsuitable
The research comprises two separate reports. The first study focused on public attitudes towards violence on TV among people from a range of ages and socio-economic groups.
The second was an analysis of four popular UK soap operas, which looked at instances of violence, or threats of violence, and people's views on them. Research findings
The first report, on the views of audiences, found that different demographic groups showed subtle differences in their views about violent content. However, all agreed that children should not be exposed to any sexual violence on TV before and straight
after the watershed.
People considered the time of broadcast to be the single most important factor in determining the acceptability of violent content on TV. Viewers were prepared to tolerate moderately violent scenes before the watershed; however, all agreed that strong
scenes with a vulnerable victim were unacceptable before 9pm.
The research also found that viewers have a sophisticated ability to analyse contextual factors when assessing whether violent scenes were acceptable. Many people said they watched violent content for a number of reasons. Some said it made genres, such
as action or drama, seem realistic and provided tension, therefore contributing to their TV viewing experience.
The study of soap operas not only looked at violent scenes, but also measured those with menacing or threatening behaviour, and violence that was implied off-screen.
It found that violence in soaps was usually clearly indicated in advance, so viewers were unlikely to be surprised when it took place. The research showed 79% of violent scenes were judged credible and rarely surprised viewers. Broadcasters
have also used violence in soap operas to help raise awareness and generate public debate around social issues such as domestic abuse.
Instances of strong scenes, portraying violence that might make the viewer uncomfortable, were very infrequent, at 6% overall. Depictions of terror during violent scenes, such as the imbalance of power in a fight, near fatal violence and post-traumatic
stress flashbacks, varied between 3% and 5% in the soaps covered.
The report also found that the amount of violence, or threats of violence, has varied over the years. EastEnders has shown a decline from 6.1 violent scenes per hour in 2001/2002 to 2.1 in 2013.
The level of violence in Coronation Street has remained fairly steady, at around three scenes per hour over the same period. There was an increase in Emmerdale, from 2.5 to over 4 scenes per hour, while Hollyoaks has also shown a rise, from 2.1 scenes
per hour between 2001 and 2002 to 11.5 scenes per hour in 2013.
The Parents Television Council is calling on its members and other concerned citizens to file indecency complaints to the FCC over a recent episode of CBS' Reckless that contained explicit sexual content.
The TV-14 (SLV)-rated episode aired on June 29, 2014, at 9 pm ET/PT and 8 pm CT/MT and included these scenes: The episode opened with a woman being pulled over by a police officer and handcuffed to a fence while the officer and the woman had sex. Another
scene showed a male attorney watching a video of a woman who was purportedly drugged and then undressed and sexually assaulted by four men on the hood of a police car. In another scene, the same attorney and a female attorney watch the same video of the
sexual assault together and subsequently talked about how it turned them on.
PTC President Tim Winter said:
We believe these sexually explicit scenes on CBS' 'Reckless' constitute a violation of the broadcast indecency law due to the patently offensive sexual content airing when children are likely to be in the audience. It is even more troubling that CBS
chose to rate the episode as appropriate for 14-year-old children. This is just the latest example of the strained credibility of the TV content rating system.
CBS must be held accountable for using the publicly owned airwaves to beam to every home in the nation repeated graphic depictions of a woman ostensibly being sexually assaulted. As such, we are asking members and others concerned about how TV impacts
children to file FCC indecency complaints over this episode.
The watershed is 50 years old this month. In July 1964, Parliament passed the law that led to measures to protect children from seeing harmful or offensive material on TV in the evenings.
Fifty years on, new Ofcom research shows that most adult TV viewers are aware of the 9pm watershed as a valued way of indicating what is suitable for young viewers.
Ofcom's research shows that 98% of adults in the UK watch TV. Among TV viewers, 94% are aware that the watershed requires broadcasters only to show programmes unsuitable for children after a certain time (compared to 91% in 2008).
Today, more TV viewers believe the watershed is at about the right time (78% in 2013 compared to 70% in 2008), Ofcom's report on UK audience attitudes to broadcast media shows.
In the past five years, there have been falls in the number of viewers saying there is too much violence (35% of adult viewers in 2013, down from 55% in 2008), sex (26% in 2013 versus 35% in 2008) and swearing (35% in 2013 versus 53% in 2008) on
One reason for this is a change in attitude among older viewers. The number of viewers over 65 who believe there is too much swearing (78% in 2008 compared to 55% in 2013) and violence (75% in 2008 compared to 52% in 2013) has fallen over the past five
Among those adults who had been offended by something on TV in the last 12 months (18% of adult viewers), nearly four times more people are likely to continue watching the programme than in 2008 (5% in 2008 versus 19% in 2013) and less likely to turn off
the TV altogether (32% in 2008 compared to 19% in 2013). Protecting viewers in the future
While on-demand TV is estimated to account for only 2.5% of TV viewing, Ofcom recognises this poses new challenges.
Ofcom is working with Government, other regulators and industry to ensure that children remain protected if they choose on-demand TV over traditional broadcast TV, where Ofcom's strict watershed rules apply.
This would mean that consumers have a clear understanding of the protections that apply on different platforms and devices, and know which regulatory body to turn to if they have any concerns.
Of course the moralist campaigners are not impressed by the decline in whinges.
Pippa Smith of Safermedia said the report showed x-rated content has become normalised and viewers are desensitised to it.
ABC Family Channel's new program Mystery Girls does not involve innocent detectives fighting crime as parents might hope, but instead is just another show primarily about sexual encounters.
The show airs during primetime when children are likely watching. The season premiere aired Wednesday evening at 8:30 p.m. ET/7:30 p.m. CT, and with a 14 DL rating it is not suitable for young viewers.
The majority of the content in this nonfamily channel program is adult oriented and includes sexual references and innuendos. The first episode centered on the search for a lost sex tape, which involves forgotten identity of the partner in the tape, not
remembering all past sexual partners and a fake funeral.
Mystery Girls is not the Nancy Drew type detective program one might expect on a family network. This show is inappropriate for any network but especially for a family channel. This program is vulgar and vile and needs to be removed from the air
Warning to parents! ABC Family Channel has introduced yet another sex laden adult sitcom. The Young & Hungry premiere aired Wednesday evening at 8:00 p.m. ET/7:00 p.m. CT and, with a 14 DLS rating, is not suitable for
young viewers. The show is airing at a time when children are likely watching. Not only is the program broadcast during primetime, but it will attract a young audience with the title and with the main character being played by the same actress who played
the best friend of Disney's Hannah Montana .
The show includes sexual references, innuendos, foul language, homosexual attraction, one night stands and excessive alcohol consumption. Specific examples of content aired during the new thirty-minute family channel sitcom are
Main character, a young personal chef, gets drunk and sleeps with her new boss after the boss's girlfriend breaks up with him
Discussions about sex preferences and experiences during majority of the episode
Boss and girlfriend both admit to sleeping with someone else the night before
Boss and girlfriend make up and sleep together
Girlfriend is mentally unstable and extremely selfish, with bizarre behavior and unhealthy relationships
Crude humor about utensils used during an OBGYN visit
This program is obscene for any network but especially for a family channel. This show is indecent and offensive and needs to be removed from television immediately. Young & Hungry is a kiddy version of the lewd show Two and
a Half Men .
No doubt moralist campaigners will now be calling for an 11pm watershed for all TV deemed to be made for an adult audience.
Perhaps something missing from the ASA analysis is that considering a range of ages from 10 must surely distort the analysis. Surely 10 year olds go to bed an awful lot earlier than 15 year olds so considering the average is likely underestimate the
amount of kids staying up at the higher end of the range. I would suspect that it may be 11pm to 12pm before the teenagers turn off.
The ASA challenged the scheduling of 576 alcohol ads that were broadcast after 9 pm on the seven Box TV music channels in the period February, March, April 2013. In total, the ASA found that the scheduling of 268 ads breached the
BCAP Code and the scheduling of 308 ads did not.
Rule 32.2.1 of The UK Code of Broadcast Advertising (the BCAP Code) states that alcohol ads should not be shown in or around programmes commissioned for, principally targeted at or likely to appeal particularly to audiences below
the age of 18.
Broadcast Committee of Advertising Practice (BCAP) guidance recommends the use of audience indexing, a statistical tool, to determine the representation of children in relation to the audience as a whole. BCAP guidance states that
an alcohol restriction should be applied in programmes where the 10- to 15-year-old audience, indexed against the total audience of all individuals over four years old, produces an index of 120 or more. An index of 120 would mean that 10- to 15-year-olds
are 20% over-represented in the programme audience compared to the audience as a whole. Presumably an index of 100 would mean that the program is viewed by an average cross section of all ages.
There were 576 alcohol ads broadcast in programmes on the following channels licensed to Box Television Ltd in the period February, March and April 2013:
4Music (126 ads); described on the 4Music website as a channel that brings you closer to the hottest artists right now .
Heat (22 ads); described on the Heat website as a channel that brings you the best in entertainment and celebrity news .
Kerrang (138 ads); described on the Kerrang website as the music channel for the world's biggest selling rock magazine .
Kiss TV (93 ads); described on the Kiss TV website as the beat of the UK on TV .
Magic TV (43 ads); described on the Magic TV website as offering feel good favourites twenty four hours a day .
Smash Hits (69 ads); described on the Smash Hits website as hits now and always .
The Box (85 ads); described on The Box website as providing fresh music first .
There were 219 ads broadcast between 9 pm and 9.59 pm; 143 ads between 10 pm and 10.59 pm; 102 between 11 pm and 11.59 pm and 102 ads broadcast after 12 am.
The ASA Compliance team challenged whether it was appropriate to schedule alcohol ads in the programmes on these channels because the data indicated that many were likely to appeal particularly to audiences below the age of 18.
ASA Assessment: Complaints upheld in parts
The ASA acknowledged that the audience figures for 4Music were low and agreed that a time slot based restriction was a reasonable scheduling approach when attempting to comply with the spirit and intention of the Code.
In accordance with the advice of the statistical expert as to the potential for the audience indexing score to be useful to some degree, we noted that the average index score in the 9 pm to 9.59 pm time slot on 4Music varied from 134 to 136. After 10 pm
the average index dropped to 95 to 97 and remained below the 120 cut-off point for the rest of the night in every weekly period.
We considered that a 10 pm restriction would have been more appropriate based on the spirit and intention of the rule, based in turn on the hard audience information available and knowledge of the audience profiles.
2. The Box, Smash Hits and Heat
The Box: average index score 9 pm to 9.59 pm: 121 to 141
The Heat: average index score 9 pm to 9.59 pm: 140 to 158
Smash Hits average index score 9 pm to 9.59 pm: 143 to 154
All fell to under 120 after 10pm (but this still means a lot of kids are watching)
We considered that a 10 pm restriction for alcohol ads on The Box, Smash Hits and Heat would have been more appropriate.
Average index score 9 pm to 9.59 pm: 219 to 241
Average index score 10 pm to 10.59 pm: 172 to 196
The average index score continued to exceed 120 until 00.59 am
We therefore considered that an 11 pm restriction would have been more appropriate.
Average index score 9 pm to 9.59 pm: 132 to 169
Average index score 10 pm to 10.59 pm: 133 to 148 some week, under 120 others
Fell to under 120 after 11pm
We therefore considered that an 11 pm restriction would have been more appropriate.
5. Magic TV Complaints not upheld
The average index score for the preceding 52 weeks did not exceed 120 in any time slot.
We therefore concluded that the third party had demonstrated that the decision to allow alcohol ads from 9 pm on Magic TV was a reasonable scheduling decision.
The complainant contacted the BBC about Have I Got News For You , broadcast on 25 October 2013. His complaint concerned a reference made to Prince Harry by the host, Jo Brand, when she was talking about the royal christening of Prince George. She
George's godparents include [x] Van Cutsem. I presume that's a nickname, in that [x] Van Cutsem and Harry then snorts 'em.
The complainant considered this an outrageous unfounded allegation . The complaint was dismissed at lower levels of BBC complaint handling but was escalated to an appeal to the BBFC Trust
The appeal was considered by the Editorial Standards Committee. The Committee noted the complainant's concern that Have I Got News For You alleged
Without any evidence being provided, that a serving soldier who is also fourth in line to the throne has committed a serious criminal offence and breached the Army's discipline code.
The Committee noted the response of the Complaints Director at Stage 2:
The nub of this, it seems to me, is whether a viewer might reasonably take from this that it was actually being alleged that Prince Harry was a cocaine user and I have to say that I think, on balance, that this is very unlikely. Have I Got News For You
has a well established reputation for humour that is robust, often uncomfortably personal and sometimes simply grotesque. That alone, it seems to me, helps to guard against anything said on the programme being taken as necessarily true.
The Committee agreed with this view and also noted that it was in the tradition of British comedy to extract broad humour from the Royal Family.
The Committee did not believe that there would be a reasonable prospect of success for an appeal on the grounds that the programme had breached the BBC's Editorial Guidelines on Accuracy. The Committee therefore decided that this appeal did not qualify
to proceed for consideration.
Jerry Springer is a long running talk show shown on a number of Ofcom licensed channels including Pick TV. The licence for Pick TV is held by Sky.
A complainant alerted Ofcom to the unacceptable level of violence shown in this programme.
Ofcom noted that the broadcast was preceded by the following on-screen message: The Jerry Springer Show may contain adult themes or strong language. Parents are cautioned this program may not be suitable for children .
We noted that over the course of its 55 minute duration violent altercations broke out on 12 separate occasions during the programme.
Ofcom noted in particular:
hApproximately six minutes into the programme two women, Chameer and her friend, TJ, began to fight. TJ struck Chameer around the side of the head and the two women continued to try to hit one another as security staff attempted to keep them apart. After
around 10 seconds, the two women were separated. At this point, TJ removed her shoes, ran at Chameer, and tackled her to the ground.
Around 32 minutes into the programme, Monique walked out onto the stage and passionately kissed another guest on the programme, Lauren. She then briefly flashed her bare breasts at the studio audience (although her breasts were pixelated in the
broadcast). A fight then broke out between Lauren and Monique, and a third woman, Jessica. Jessica tried to land blows on Lauren and Monique but security staff intervened. The three women then grappled with each other, predominantly by pulling at one
another's hair. Jessica then pulled Monique onto the ground and dragged her along by her hair. After the women were finally separated by security staff, Jessica was shown to drop a clump of Monique's hair onto the studio floor.
Later, Jessica grabbed Monique by her hair once more. Security staff intervened as another fight broke out between the three women. A member of security picked up Lauren in an attempt to pull her away and Lauren appeared to try and kick out at Jessica.
All three women also pulled at one another's hair both before and after they fell to the floor. Jessica was again seen dropping a clump of Monique's hair on to the studio floor.
There were a further five incidents where participants in the programme landed single punches or slaps on others before security had the opportunity to intervene. Many of these violent acts were also repeated in recaps and teasers at the beginning and
end of each part.
Rule 1.11: Violence, its after-effects and descriptions of violence, whether verbal or physical, must be appropriately limited in programmes broadcast the watershed (in the case of television)â?¦and must also be justified by the context.
Rule 2.3: In applying generally accepted standards broadcasters must ensure that material which may cause offence is justified by the context (see meaning of context below). Such material may include, but is not limited to, offensive language, violence,
sex, sexual violence, humiliation, distress, violation of human dignity, discriminatory treatment or language (for example on the grounds of age, disability, gender, race, religion, beliefs and sexual orientation). Appropriate information should also be
broadcast where it would assist in avoiding or minimising offence.
Sky denied there was any breach of the Code as it believed that given likely audience expectations the level of violence in the programme was within the bounds of acceptability . Sky said that Jerry Springer is a very well established programme
and has been broadcast to UK viewers for a considerable number of years. In addition, the Licensee said that the programme format has remained consistent over this time with each episode featuring feuding families, partners or friends airing their
grievances. Sky also highlighted that this episode of Jerry Springer had been broadcast on other channels without being the subject of an adverse finding by Ofcom .
Ofcom Decision: Breach of Rules 1.11 and 2.3
In Ofcom's view, the cumulative effect of these very frequent violent altercations (including, on two occasions, particularly vicious fighting that resulted in clumps of a guest's hair being pulled out) resulted in a programme that contained a
significant level of violence.
In this case, although the broadcast was during the day while children were at school, there was clearly the potential for some children to be available to view this programme which contained a large number of violent, and in some cases very violent,
altercations. Taking all the factors into consideration, Ofcom concluded that the cumulative level of real violence featured within the programme was not justified by the context. The programme was therefore in breach of Rule 1.11
We concluded that in the particular circumstances of this programme the violent content was not justified by the context. Therefore generally accepted standards were not applied and this programme was in breach of Rule 2.3.
This Decision relates to the content of this particular episode and not the programme Jerry Springer in general. Having viewed other episodes, Ofcom is aware that while the nature of the material is broadly similar, the strength of the content, and
particularly violent content, can differ between episodes. Ofcom reminds broadcasters of the potential for individual episodes of well-established series to raise potential issues under the Code and the need to comply episodes on a case by case basis.
On the edition of The Graham Norton Show that aired last Friday, Samuel L. Jackson was a guest and he was asked specifically about when his films are re-dubbed for TV. He explained that as he almost always did the re-dubbing himself he would come up with
the most ridiculous phrases possible to replace that specific expletive, including Maryland Farmer (I think the Americans pronounce it Marylyn), Money Feelers and Monkey Fighting . They showed the re-dubbed version of the famous clip
from Snakes On A Plane, using the phrases Monkey Fighting and Monday To Friday in place of the two expletives.
The same interview seems to have inspired a further look at ridiculous overdubs on US TV.
I can understand bleeping offensive words but changing entire iconic lines from movies like The Departed, Scarface, The Usual Suspects, or Pulp Fiction into absolutely ridiculous stuff is offensively stupid.
Captivated and Grossed Out: An Examination of Processing Core and Sociomoral Disgusts in Entertainment Media
By Bridget Rubenking ( University of Central Florida) and Annie Lang (Indiana University)
While disgust repels and offends us, it has functionally evolved over time to compel our attention---both to core disgusts (i.e., blood, guts, body products) and sociomoral violations (i.e., injustices, brutality, racism)---making it a quality of many
entertainment messages that may keep audiences engrossed and engaged. An experiment exposed participants to two types of core disgusts and sociomoral disgusts in TV/film messages and collected self-report emotional responses, psychophysiological
indicators of dynamic emotional and cognitive processing, and recognition memory for content. Results demonstrate that no two disgusts are alike: Sociomoral disgusts captivate our attention and elicit a slower, more thoughtful response pattern than core
disgusts, and the nature of the core disgust elicits different responses as well.
Irish state broadcaster RTE has censure for politically incorrect remarks by fashion designer Paul Costelloe. The radio and TV censors of the Broadcasting Authority of Ireland (BAI) claimed that the comments were offensive to women.
Costelloe caused 'outrage' during an interview on RTE Radio One's The Business show in February when he spoke of young Irishmen in London damaging English virgins. The designer, who lives in London, was speaking about the Irish in Britain.
Certainly the Irish are never short of chatting up and, you know, we have that skill and I'm sure these young guys are doing great and damaging a lot of young English virgins, so there you are, and good luck to them.
The BAI upheld a single complaint, saying:
The manner in which sexual relationships were described by the guest would cause undue offence.
Accompanied by his 91-year-old girlfriend Marjorie McCool today, the self confessed cougar chaser Kyle Jones told ITV1's This Morning intimate details about his active sex life with the granny porn star, all at around 11.45am.
Listening to Ms McCool, from Pittsburgh in America, share intimate details about remaining young - and limber- thanks to her healthy sex life, alarmed the usual few easily offended tweeters whose trivial tweets aren't worth repeating.
The great grandmother, told how she was able to get her 'leg above her head' and proceeded to note the sex kept her young. Concluding the interview Philip Schofield noted : It is important to note Marjorie is heavily involved with granny porn.
The Express solicited a few whnges from the perennial provider of outraged sound bites, Miranda Suit of the religious morality campaign, Safermedia. She said:
When it comes to sexually explicit conversation or topics we usually find that across day time TV they handle the topics very carefully or sensitively. While I'm sure today's topic were meant it good humour, having a woman talk explicitly about her
sexual relationship pre-watershed should raise alarm bells - children could be watching.
We have to be very careful about exposing our children and young people to sexualised conversation, phrases such as 'granny porn' are too adult, could cause confusion and is therefore irresponsible of the shows producers.
An ITV spokesperson said:
This Morning covers a wide range of material that is in the news and of interest to our viewers. The interview was pre-recorded, covered several aspects of Kyle and Marjorie's relationship and we believe was suitable for broadcast on our show.
When Irish comic David McSavage made a sketch depicting nuns lusting over the muscular body of Jesus dragging a cross, he might have expected some controversy.
And true enough, state broadcaster RTE declined to air the scene, ruling that it could cause undue offence .
However McSavage has now branded the decision dictatorial and said the censorship was typical of an attitude that led to the best and the brightest leaving the country in their droves .
The Wild Nuns sketch is a parody of the Diet Coke advert, which first aired 20 years ago, when female office workers eyed up a half-naked window cleaner. In McSavage's version, made for the Savage Eye series, it is nuns in an orchard swooning over Jesus:
Since the ban, McSavage released the sketch online himself to show what we're up against. He told the Irish Times: These things are important. Ultimately you are talking about freedom of speech and who says where the line is.
Geo TV, Pakistan's leading TV news station which dared to criticise the country's feared spy agency has been ordered off air.
Pakistan's TV censor suspended Geo News's operating licence for 15 days and fined it £60,000 for news reports that did not please the head of the military's Inter-Services Intelligence directorate (ISI), General Zaheer-ul-Islam.
The channel's president, Imran Aslam, condemned the decision, saying the forces of might have prevailed . It seems that justice has bowed down to forces that are above the law, Aslam said.
Amnesty International said it was a serious attack on vestiges of press freedom in the country:
It is the latest act in an organised campaign of harassment and intimidation targeting the network on account of its perceived bias against the military.
The row began on 19 April when Geo's coverage of an attempt to kill Hamid Mir, the channel's best-known journalist, enraged the military. Geo gave prominence to claims by Mir's brother that the ISI was behind the gun attack, which left the journalist
seriously wounded. He claimed the hit had been ordered by Zaheer-ul-Islam, and the channel aired photographs and video of the otherwise little-seen spy chief.
Moralists from the religious campaign group call for followers to write to advertisers of the TV drama, Mistresses:
Mistresses season premiere aired on ABC this week and the name says it all. I suppose the name Living in Sin didn't sound as appealing. This unoriginal show is strikingly similar to Desperate Housewives, with four friends who get
themselves tangled in a web of lies and hurt the ones they love. Mistresses airs on Monday evenings at 10:00 p.m. ET/9:00 CT.
The program Mistresses includes inappropriate content such as adultery, cheating, lies and deceit in explicit and sensually graphic scenes. Our society doesn't need more negative influences than it already has on broadcast airwaves. Even though the
program airs a little later in the evening, it is not late enough since the bedroom scenes are soft p*rn and are included in some previews which air earlier in the evening when children are likely watching. (An asterisk is used to ensure our emails get
through to those who have signed up to receive our alerts. Otherwise referencing specific words would cause our emails to be blocked by some Internet filters.)
Mistresses centers around a group of four women who have no regrets and feel little or no remorse about committing adultery with someone else's husband - or cheating on their own.
Hollywood is continuing to push casual s*x between unmarried couples, some with multiple partners, as acceptable when clearly it is morally wrong.
The brave comedian Bassem Youssef has decided to call it quits on his TV show, claiming it is no longer safe to satirise Egyptian politics.
The television satirist seen as the barometer for free speech in post-revolutionary Egypt , Bassem Youssef , has ended his show because he feels it is no longer safe to satirise Egyptian politics. He told repoerters:
The present climate in Egypt is not suitable for a political satire program. I'm tired of struggling and worrying about my safety and that of my family.
Youssef's announcement followed a decision by his host channel, MBC-Misr, to suspend his show during Egypt's recent presidential election campaign, in what was perceived as an attempt to stop him mocking Egypt's incoming head of state, field marshal
Abdel Fatah al-Sisi .
A Pakistani court has ordered police to register a case against Geo TV, actress Veena Malik, her husband Asad Khatak over a programme that supposedly contained blasphemous content. The court ordered that a case also be registered against Geo media group
owner Mir Shakilur Rehman, anchor Shaistan Lodhi. Malik and her husband were guests on the programme.
The court issued the order on a complaint that Lodhi, in her programme Utho Jago Pakistan on Geo entertainment, had allegedly insulted the family members of the religious character Muhammad.
The Pakistan Electronic Media Regulatory Authority (PEMRA) said it had received over 5,000 complaints against the programme. It has already served a show-cause notice on Geo Entertainment network for airing supposedly objectionable content and sought
immediate explanation from the channel.
Religious parties, including Jammat-ud-Dawah, held demonstrations in various parts of the country on Friday and Saturday and demanded that the accused be tried under the blasphemy laws.
Meanwhile, both Ms. Lodhi and Ms. Malik have gone underground fearing violence from extremists.
Clerics across Pakistan condemned GEO for broadcasting a staged wedding of two celebrities on its morning show.
The problem was not the involvement of Veena Malik -- an actor who once scandalised the country by appearing nude on the cover Indian FHM magazine with ISI written on her arm. Instead offence was taken at the performance of a Sufi song about the
marriage of Muhammad's daughter -- a popular element to many ordinary weddings in Pakistan -- and that a comparison was being drawn with Malik.
Many fundamentalist Islamic sects take a dim view of Sufi culture, which often revolves around singing, poetry and visiting the shrines of holy men.
ITV has sparked a little 'outrage' of a few viewers for airing an advert for the Church of Scientology in a prime-time slot.
The broadcaster was accused of allowing the controversial religious cult to target vulnerable people after it showed its advert following Coronation Street .
It sparked 24 complaints to the Advertising Standards Authority (ASA), which responded that the advert does not breach any of its regulations.
Depicting a montage of smiling people and imposing buildings with a voiceover, thet advert encourages viewers to Imagine science and religion connecting . It ends with the statement: Imagine everything you have ever imagined is possible as
the Scientology website is displayed on the screen.
The director of Mediawatch-UK Vivienne Pattison said that although she understands the concerns people have about the Scientology advert, there is little that can be done to stop it. She said:
There aren't actually any rules saying you can or can't advertise religion, which is how they have managed to get away with it.
Lawyers are to write to Barack Obama and the ambassadors of every country in which Top Gear airs asking them if the BBC motoring series should continue to be broadcast, following Jeremy Clarkson's mumbled use of the N-word .
Lawrence Davies, director of law firm Equal Justice, claimed Top Gear was racist and told MediaGuardian his firm did not accept the apology Clarkson has made. He also asked who had approved the scene when Clarkson is shown choosing between two
cars by reciting the words to the nursery rhyme eeny, meeny, miny, moe and then apparently mumbling the word 'nigger'. Davies said:
We are to write to every ambassador and the US president next week asking them to consider the evidence and then to decide if this racist show should be broadcast in their country in future.
Davies also attacked education secretary Michael Gove for defending Clarkson on ITV's Good Morning Britain:
Michael Gove, a close ally of Clarkson's friend, the PM, rallied to Clarkson's defence today. We worked with him on the Baby P whistleblower case so we know him well. That the person responsible for our children's education should condone an apologetic
racist before the actual investigation has begun (let alone concluded) is an absolute disgrace.
Deputy Labour leader Harriet Harman also chipped into the outrage and called for the BBC to sack Jeremy Clarkson. She screeched that anybody who used the word in whatever context should have no place at the BBC.
The BBC is still deciding what action to take and has yet to confirm if Clarkson will take part in the next series of Top Gear, which is due to begin filming soon. The BBC published the following response to complaints recieved:
We've received complaints regarding Jeremy Clarkson allegedly using a racist term during the filming of an episode of Top Gear .
Jeremy Clarkson has set out the background to this regrettable episode. We have made it absolutely clear to him, the standards the BBC expects on air and off. We have left him in no doubt about how seriously we view this.
Update: Farange takes a stand against PC extremism
Jeremy Clarkson has admitted that he will be sacked by the BBC if he makes another supposedly offensive remark. Writing in his weekly Sun column the presenter also attacked the BBC for urging him to apologise over the footage, complaining he could not
say sorry for something he had not done. He said:
I've been told by the BBC that if I make one more offensive remark, anywhere, at any time, I will be sacked.
And even the angel Gabriel would struggle to survive with that hanging over his head.
It's inevitable that one day, someone, somewhere will say that I've offended them, and that will be that.
Speaking on a campaign visit to Dover, Nigel Farage said:
The more controversial Jeremy Clarkson is, the more people watch his programme, and the more money the BBC makes out of marketing a show that sells globally and makes them a fortune.
I would think it's just typical Clarkson, getting very, very close to the line of being offensive but perhaps not quite going over it.
Offsite Comment: The N-word: do we have to spell it out?
Top Gear is to be investigated by Ofcom following complaints presenter Jeremy Clarkson used a derogatory term. An episode of Top Gear, broadcast on BBC Two on March 16, showed Clarkson using the word slope , as an Asian man walked over a bridge in
The scene led to a complaint of casual racism , with Clarkson accused of referring to people of different races in pejorative terms .
The complaint will now be investigated in full by TV censor Ofcom, which will consider whether the broadcaster breached its codes.
Offsite Comment: Clarkson: the c-word that counts is context
The hysteria over his n-word mumble marks a new stage in the war on words.
Comment: Living PC Language
10th May 2014. From Alan
A living language changes, as does acceptability of vocabulary in various contexts.
Go back to the middle ages, and Wyclif translates the Old Testament text on the ritual impurity of eunuchs by referring to the ballogys brused or kut off and he manages to employ a euphemism using twice as many naughty words as he avoids when he
writes of the part of the bodye from which turdes are shatten out . Can't imagine a modern translation of the Bible referring to bollocks being bruised or cut off, or to the part of the body from which turds are shit out!
The other evening, I was looking at the photos in the bar at Birmingham Town Hall, showing the history of the building, illustrating -- appropriately left to right -- meetings addressed by Paul Robeson, Harold Wilson and Oswald Mosley. The poster put up
by a Communist body for Robeson's speech happily used the not-quite-so-bad N-word, referring to Robeson's fight for American negros . (That's how they spelled it, with no E in the plural.) The National Association of Colored People in the USA
still retains the use of coloured , now regarded as offensive on both sides of the pond.
I remember about twenty years ago reading a news report of a fight between a black man and a white man who had called him a fucking nigger . The paper had asterisked the F-word while printing the N-word in full. It struck me as a bit odd, since I
don't think fucking was the word that made the black guy punch his lights out!
Going back 30 years or so, I remember a vicar's wife bemoaning the fact that you could no longer refer to a lovely clothing colour as nigger brown . A couple of minutes later, she reduced her husband, her son, and her son's mate (me) to
horrified and uncontrollable mirth as she added, I believe in calling a spade a spade.
The BBC Trust has said it will not consider an appeal calling for further action to be taken over Jeremy Clarkson's apparent use of the N-word in filming for Top Gear , because the clip was never actually broadcast on the BBC2 motoring show.
Complainants whinged that BBC management did not seem to take Clarkson's offences seriously, was inconsistent in sanctions applied to protect him for commercial reasons, and that there had not been meaningful apologies .
One Million Moms have another whinge about US TV. The religious campaigners write:
CBS's newest program, Bad Teacher, is exactly what the title suggests; a show about a bad teacher, in more than one sense. What could be misleading is the main character not only lacks teaching skills, experience and education, but also is lying
about who she is just to try to snag a rich, divorced father. Of course, with a TV-14 DL rating you can be assured this will not be for family viewing. However, the name of the show and the school ground setting along with elementary age cast members
will attract young viewers. The content in this program (and even in its commercials) is inappropriate for children and teens and will send the wrong message to America's youth. New episodes air on Thursday evenings at 9:30 p.m. ET/8:30 CT.
Unacceptable content in the program includes: sexual innuendos, one night stands, sleeping around, smoking weed, alcohol at school, greed, lying, deception and plans to go away for romantic weekends with different divorced, rich dads whom the teacher
CBS's newest show is irresponsible and an insult to all good teachers. It is appalling that CBS is airing a show that features immoral behaviour in a positive light while attempting to draw in young viewers with the title and adolescent setting of the
Ofcom announced in its latest complaints bulletin that it would be keeping a beady eye on religious broadcasters:
Targeted monitoring exercise: religious programming
Recent sanctions and investigations by Ofcom into religious programming have highlighted concerns around the compliance of religious content with the Broadcasting Code.
Ofcom therefore formally notifies broadcasters that we are conducting a targeted monitoring exercise of television services which broadcast religious programmes.
Broadcasters are put on notice that any serious or repeated failings in this area will result in Ofcom taking further regulatory action, for example, the consideration of the imposition of statutory sanctions.
Reg Bailey, censorship campaigner and chief executive of the Mothers' Union, who 'advises' Downing Street on the sexualisation and commercialisation of childhood, has called for the introduction of a cinema-style ratings system for all broadcast content.
He insisted the rise in time-shifted viewing of TV -- on the internet or other catch-up services -- meant the old 9pm watershed could not survive in its current form:
If you go to the age-rated system -- 12, 12A, PG -- it is simpler and has a high trust level.
Figures show ten% of all television viewing is now time-shifted rather than live.
Vivienne Pattison, director of campaign group Mediawatch-UK, said:
I am the parent of a seven-year-old who has no concept of linear television. He has no idea of not watching when he wants to watch. If you have a young teenage audience at 6.30pm and then you put out a version with extra spicy bits later at night --
well, who do you think that is aimed at?
She suggested curious youngsters were using catch-up services to watch shows as Channel 4's The Joy of Teen Sex and My Daughter the Teenage Nudist, as well as the post-watershed spin-off of the soap opera Hollyoaks.
Tony Close, director of content standards at Ofcom, said:
The TV watershed is an important way to protect children. We recognise the growth of on-demand TV viewing poses new challenges. We are working with government to ensure that children remain protected.
A spokesman for the Culture, Media and Sport department said:
More needs to be done to ensure safety measures and tools that prevent children watching post-watershed programmes, such as [parental] locks and Pin protection, are more widely used. We will keep progress under close review and if necessary consider the
case for legislation to ensure that audiences are protected to the level they choose.
The Parents Television Council is calling on Fox Broadcasting to immediately remove the explicit video, Easter Bunny's Coming, from its YouTube Channel for its Animation Domination High-Def (ADHD) programming block.
The video short, which is produced and copyrighted by Fox Broadcasting Network, contains graphic cartoon images of fornicating rabbits, multiple unbleeped f-words, harsh references to male sexual anatomy and vulgar slang for ejaculation.
PTC President Tim Winter said:
Nine months ago we issued an urgent warning to parents, as well as a harsh condemnation to Fox Broadcasting and potential sponsors, regarding the network's new 'ADHD' programming block. Fox has now validated our concerns by creating the most explicit
material we've ever seen produced by a broadcast television network. Though still being distributed by Fox only via the Internet, the network is using its weekly broadcast to promote the website, and children are clearly in the cross hairs. And the
recently tarnished retailer, Target, appears to be underwriting explicit material on the 'ADHD' website.
We thought we had seen the worst of 'ADHD' when Fox aired a segment several months ago with high school characters gleefully taking cell phone pictures of their genitals and texting the photos to other students. That content pales in comparison to the
material in this new video.
The animated Easter Bunny clip, which runs 2 minutes and 19 seconds in duration, features over a dozen unbleeped 'f-words;' depictions of dozens of fornicating rabbits; more than a dozen instances of a vulgar slang term for ejaculation; a depiction of a
male character eating rabbit feces; and music lyrics that are grotesquely sexualizing and misogynistic. An overt reference to Christians and Jews only adds to the offensive nature of a video being promoted during Holy Week and Passover.
The 'ADHD' Easter Bunny segment isn't some random Internet video, it's easily X-rated material that directly targets, and appeals to, children. The content is produced and copyrighted by one of the major commercial broadcast television networks and
they're using the publicly-owned airwaves as a promotional vehicle to drive traffic to the 'ADHD' website. The suits at Fox will need to explain how such a use of their broadcast licenses fulfills their statutory public interest obligation.
The Parents Television Council welcomed the news that Fox Broadcasting has decided to cancel its Animation Domination High-Def (ADHD) programming block, and praised the efforts of parents and families across the country for raising their voices.
According to Broadcasting & Cable: Some [Fox affiliates] had tired of fielding calls from upset viewers.
PTC President Tim Winter said:
Parents and families across the country rose up and called on their local Fox affiliates not to air 'ADHD' because of the violent and sexually explicit content, which routinely used familiar and beloved children's characters as tropes. We congratulate
our members on their activism which has led Fox Broadcasting to make this wise decision.
Religious morality campaigners, One Million Moms, praise the CBS TV comedy Mom :
CBS is Still Making Moms Look Awful
If possible, try to imagine the worst possible characteristics a mother could have. Then multiply that by ten, and you have the entire theme of the television program Mom. The characters of the mom and her mother both set terrible examples and are
the farthest from positive role models for women today. Children will also see this program - which airs entirely too early considering the content presented - and they will be affected negatively by this broken television family.
CBS's newest program, Mom , could mislead parents with this title, but with a TV-14 DL rating, you can be assured this will not be for family viewing. The name of the show along with the age of the child cast members will attract young viewers.
The content in this program and in its commercials is inappropriate and will send the wrong message to America's youth.
Offensive content in the program includes: teen pregnancies, affairs, sexual innuendos, drug use, alcohol abuse, crude language and mocking Christianity.
New episodes air on Monday evenings at 9:30 p.m. ET/8:30 CT.
A complainant contacted BBC Audience Services on 2 September 2013 to complain about a comment made by Gary Lineker on Match of the Day on 31 August 2013.
The two signings that Ian Holloway talked about are ... have confirmed Jimmy Kebe the winger from Reading and also from Huddersfield the right back Jack Hunt - have to be very careful with that one. Next, Manchester City versus Hull City...
Gary stressed the letter H on the word Hunt, apparently in order to avoid the possibility of a mis-interpretation of the word Hunt , which, following the word Jack , might have either been heard by some viewers as a verbal use
of the word 'cunt'.
The complainant felt that for Gary to say he had to be very careful with that one was a crude and inappropriate comment about Jack Hunt's name on a family show .
Audience Services responded on 12 September 2013 saying that it was most definitely not the case that Gary Lineker had made an offensive comment . They noted that no laughter had accompanied the comment be careful with that one
, and that nothing had followed which could be interpreted as crude or inappropriate . Audience Services apologised if the complainant had found the comment unacceptable, but said there was certainly no intention to cause offence
The complainant was not satisfied with the response and made a follow-up complaint on 8 October 2013 and then escalated his complaint to the Trust. He said that it was indisputable that Gary Lineker was: making a reference to the worst word in
the English language. He said that the sentence had no purpose other than to emphasise the potential c word trip-up .
The BBC Editorial Complaints Committee Decision
The Committee considered the response of Audience Services in relation to Match of the Day and noted that Audience Services had apologised for any offence that had been caused, but had assured the complainant there had been no intention to cause
offence and Gary Lineker had not used offensive language. Trustees noted that the complainant had watched with his teenage son and regretted any embarrassment he may have felt. However Trustees considered that the comment made by the presenter was
elliptical and would be within the expectations of the audience of the very well established programme.
The Committee therefore decided that this appeal did not qualify to proceed for consideration.
Saudi Arabia's senior clerics have banned muslims from watching the Islam-inspired TV cartoon series, The 99 .
The television series based on a superhero comic book is being aired by Saudi-owned satellite channel MBC3, based in the United Arab Emirates.
But in a fatwa published on Saudi websites claims the series to be blasphemous because the superheroes of its title are based on the 99 attributes ascribed to the religious character Allah in the Koran. The clerics, led by the kingdom's mufti,
Abdulaziz al-Sheikh, said:
The 99 is a work of the devil that should be condemned and forbidden in respect to Allah's names and attributes.
The original comic strip version has been sold around the world and has also spawned a merchandise range and a theme park in Kuwait as well as the Arabic-language television series.
Industry insiders have disclosed some of the hidden censorship rules that restrict TV dramas and movies in China.
Taboo topics involving ghosts and home-wreckers are avoided in accordance to China's film censorship system, a recent NetEase report has revealed . China's administrative provisions on TV content restrict dramas from publicizing heresy or
superstition [ie religion], a policy that industries have long struggled with, as stories involving spirits and immortals are deeply embedded in Chinese myths.
Another rule forbids plot lines that threaten social morality, for example, people who break up marriages in TV shows must never be glorified and should always end up in misery.
TV shows with plots involving children born out of wedlock are not allowed, as China's family planning policy looks down on the idea of illegitimate children. Young love and campus violence is also a big no-no, as such topics are believed to have
an impact on the psychological health of minors, according to the report.
BBFC vs Channel 5. Zathura and lessons in home built flame throwers
8th March 2014
Thanks to Andrew
Zathura: A Space Adventure is a 2005 USA family action comedy by Jon Favreau.
With Josh Hutcherson, Jonah Bobo and Dax Shepard.
Zathura is a strange film. Not only is it a non apologetic rip off of the considerably more successful Jumanji, but it's also incredibly watchable. The premise (while simple), is about as appealing to children as it gets. Two pre teen
brothers are trapped in a sci fi Jumanji-esque board game, that carries out all of the games forfeits in the real world, resulting in CGI carnage for all involved.
Sadly though these plot points weren't enough to stop the BBFC getting their heavily starched undies in a twist.
As is often the case, they were more concerned with the real life elements of this film. And by element, I mean fire. Like a lot of family friendly American films, Zathura features the BBFC's much feared IMITABLE TECHNIQUES. And to be honest, I
kind of agree with them. Showing a 7 year old the results of dousing a couch in flammable liquid as a way of salvation is a pretty dumb thing to do. Yes you can argue that they would struggle to find such combustible fluids that easily around the
house, you can't argue that they can (and will) find a can of deodorant, another fire friendly everyday item that the films protaganists use (with great ease) to light up Kristen Stewart (I imagine several Twilight haters relish this scene). Both
techniques are shown to be very simple to do, and are done with THE BEST INTENTIONS. So, yeah, maybe the BBFC had a valid point, and may have actually thought outside the box for the greater good..................
Unlike Channel 5. It's now 11.20am, the film started at 10, and wouldn't you know it, British kids are now being shown how to ignite their sisters and make a couch flammable.
Mr Selfridge is a fictional drama series loosely based on the lives of the London department store founder Mr Selfridge, his family and fictional characters representing various members of staff in the department store at the start of the
The series was originally broadcast on ITV at 21:00. This episode was part of a repeat of the series broadcast from 20:00 on ITV3, which specialises in repeats of programmes of contemporary and classic dramas.
A complainant alerted Ofcom to a sex scene broadcast at 20:15 which featured the character Lady Mae Loxley, a London socialite, and Victor Colleano, a waiter at Selfridges & Co. The complainant considered it to be unsuitable for broadcast
before the watershed. The scene in question took place in Lady Mae's bedroom and was approximately ten seconds in duration. It started immediately after the end of the first advertising break in the programme with sounds of heavy panting. It
showed Victor on top of Lady Mae having sex and the couple reaching a sexual climax. During the sequence the couple were shown naked from the waist up, with the rest of their bodies covered by a duvet, and with Lady Mae's long hair fully
covering her breasts.
Ofcom considered Rule 1.20 of the code which states:
Representations of sexual intercourse must not occur before the watershed (in the case of television)...unless there is a serious educational purpose. Any discussion on, or portrayal of, sexual behaviour must be editorially justified if
included before the watershed...and must be appropriately limited.
ITV said that this period drama had very little content that would be problematic for children and was expected to appeal to adult viewers rather than children. Although ITV accepted that the scene was briefly sexual it considered it
was editorially justified by the context because it revealed a turning point in the relationship between Lady Mae and Victor. ITV said that the scene was post-coital...and neither character was shown nude . It also considered that
despite some sexual content the scene was sufficiently brief and that there was no explicit depiction of intercourse . However, ITV apologised for the offence caused and said it had reconsidered the content in light of the
concerns raised. Consequently, the Licensee said it would edit the scene for any future scheduling before the watershed and would reserve the original version for 21:00 transmission only.
Rule 1.20 states that any representations of sexual intercourse must not be broadcast before the watershed unless there is a serious educational purpose, and that any portrayal before the watershed of sexual behaviour must be editorially
justified and appropriately limited. We noted ITV's comments that the scene was briefly sexual and that there was no explicit depiction of intercourse . Although the sequence was brief and only showed the characters' naked bodies
above the waist, it clearly depicted the couple having sex and reaching a climax.
Given that this scene was featured in a period drama series for general entertainment, there was clearly no editorial intention for this scene to be considered as having a serious educational purpose as required by Rule 1.20. Further, it was
Ofcom's view that, although this scene had some editorial justification in the context of this period drama, this was not sufficient (and nor was the sequence appropriately limited) to justify its broadcast in this programme at 20:15.
Ofcom took into consideration however that this scene was relatively brief, limited to some extent in what it showed, and was scheduled on ITV3, which typically broadcasts dramas with a greater appeal to adults. Ofcom also took into account
that ITV would edit the scene for any future showings of this programme before the watershed. We therefore concluded that this matter should be resolved.
The Parents Television Council is calling on its members to file indecency complaints over an episode of Fox Broadcasting's Dads , which featured an implied depiction of and references to semen, and references to masturbation. The
episode was rated TV-14 and aired at 8 pm Eastern/7:00 pm Central on January 14.
The following are the sexual scenes that were featured in this episode:
Veronica: You don't have a caring bone in your body.
Eli: Yes, I do. My bone cared for her twice last night. And a bendy third time.
Warner uses a UV light to disinfect Veronica's desk.
Warner: These things are amazing. It even lights up semen.
Warner's dad enters, waving "Hi" to everyone. The UV light picks up traces of semen, presumably, on his hand.
Camila tries to watch television with David and Crawford nearby.
Camila: What about that show "Girls"?
David: Hey, I'm trying to get erections, not lose them.
PTC President Tim Winter said:
We are urging members of the public to file a formal FCC indecency complaint over this episode of 'Dads.
Parents who have been told repeatedly by the entertainment industry to rely on the TV content ratings system have been fooled once again given this episode's very low TV-14 rating. How is a semen scene appropriate for 14-year-old children?
If parents can't rely on the television ratings system to give them accurate and consistent information about the programs their families might be watching, then the system is worthless -- serving only to give the networks cover as they
continue to push the limits of what is deemed acceptable for the broadcast medium.
We urge the FCC to investigate this 'Dads' episode on behalf of families across the nation.
If members of India's Central Board of Film Certification (CBFC) have their way, there will be a mature slot on satellite television. In a meeting with secretary of information and broadcasting ministry Bimal Julka, the board members asked for the
introduction of the special slot.
A senior CBFC member explained:
At present, all movies certified 'Adult' come to us for recertification before they can be shown on satellite television. Movies can be shown on satellite television only if the content is UA or U, which means content may have to be removed from an
A-certified movie for it to be televised. We are suggesting that the ministry reserve a late-night slot for films with mature content.
A Russian television station that made its name covering massive street protests against President Vladimir Putin has been taken off the air by three television providers in a move the channel's chief said was censorship.
Dozhd (TV Rain), an independent-minded television station with a strong online presence, has aired aggressive reporting critical of Russian authorities and even-handed broadcasts on Ukraine's anti-government protests.
General Director Natalia Sindeyeva said three providers had dropped the channel in and around Moscow. The station was still available on two major providers in the Moscow area.
The Dozhd has been under pressure since it ran exposes on expensive property owned by high-ranking Kremlin officials. And more recently Dozhd has faced criticism after poking old wounds by asking if Leningrad, now St Petersburg, should have been given to
Nazi Germany to save lives during a 872-day blockade during World War Two.
Putin's spokesman Dmitry Peskov told Russian agency Interfax that the survey was beyond what was acceptable from the moral and ethical point of view of our people .
Three major television networks are acting as censors to tame girl groups being sexy on the screen.
K-pop girl groups such as Girl's Day, Dal Shabet, AOA and Rainbow Blaxx will have to scale down the level of body exposure and sexy choreography.
Kim Ho-sang, chief director of Music Bank , a music show aired by the country's biggest broadcaster KBS, said he had demanded girl bands adjust the concept of their onstage dress and dancing, or face disadvantages in
programming. He explained:
We will check whether they follow the demands during rehearsals. If there is too much exposure, we will ask them to change the outfit on that day. When the dance moves are too provocative, we will keep the camera distant.
Two other nationwide broadcasters, MBC and SBS, are implementing similar guidelines.
Agencies behind the affected musicians said they will follow the rules. We've decided to eliminate the part where the girls stroke their legs with feathers, said Dream Tea Entertainment that manages Girl's Day in a statement.
BBC Trust respond to complaint about political correctness in using the term 'Asians' to describe a group of child sex abusers rather than the narrower and more obvious groupings of 'Pakistani' or 'Muslim'
The complainant wrote to the BBC Trust following the decision of the Head of Editorial Compliance and Accountability, BBC News, not to uphold his complaint about BBC news reporting, which he felt was pro-immigrant and pro Muslim .
He referred, first, to a story which he said was reported by the BBC as being about three Lincoln men being jailed for the theft of lead, when the men had, in fact, been three Latvian immigrants.
The second story he referred to in his appeal was, he said, the Oxford sex case , in which the defendants had been referred to as Asians , when, in fact, there were seven defendants from Pakistan and two from North Africa. This, he said,
was an insult to Thai, Chinese, Malays and all other Asians.
BBC Initial Decision: Complaint not upheld
The Trust's Senior Editorial Complaints Adviser (the Adviser) replied to the complainant explaining that in reports of this nature, the Adviser considered that it would generally be good practice for BBC reporters to stick to the facts as presented in
court. Clearly, where an individual's nationality was relevant to the case, and was highlighted as such in court, it would be a different matter. But, as far as she could see from her research on other cases of lead theft from churches, this did not seem
to be a peculiarly Lithuanian (or Latvian) or, indeed, immigrant crime. The Adviser thought that, for these reasons, the Trustees would be unlikely to find that the BBC's report on the lead theft had breached any of the guidelines.
The second case in the complainant's appeal referred to use of the term Asian , when defendants in the sex grooming case in Oxford had, said the complainant, been from Pakistan and North Africa. The Adviser considered that the Head of Editorial
Compliance and Accountability, BBC News, had given a full account of references in the Oxford case which had demonstrated that the BBC had reported the men's origins on some relevant occasions. She also noted the references at Stage 2 to coverage of the
Rochdale sex rings, the fact that it had been a feature of the case that there had been no agreement on the part of the authorities as to the role played by race and religion, and the BBC's exploration of these issues.
The Adviser considered there was no reasonable prospect of the Trustees finding the reports complained about had been in breach of the Accuracy and/or Impartiality or any other Guidelines, and the appeal would not, therefore, be put before the Trustees.
The complainant requested that the Trustees review the decision not to proceed with his appeal.
BBC Trust Editorial Complaints Committee Decision: Not to proceed with appeal
The Committee was not of the view that evidence had been presented which would be likely to lead it to conclude that BBC News reporting was in breach of Guidelines with regard to the original appeal, which cited the Lincoln and Oxford criminal cases.
The Committee did not believe the complainant's appeal had any reasonable prospect of success but joined with the Adviser in hoping the complainant would be reassured that this was an area the Trustees had given some thought to and would be discussing
further with the BBC Executive.
The Committee therefore decided that this appeal did not qualify to proceed for consideration.
The christian moralist campaign group, One Million Moms has called for sponsors to withdraw from the Disney Channel show, Good Luck Charlie . The group spews:
Alerting all parents! If Good Luck Charlie goes through with introducing LGBT content, then the floodgates will be opened for all programs on the Disney Channel - a trend that will be almost impossible to stop.
Disney Channel has very few sponsors and advertisers on its network. Care.com was the only Disney Channel sponsor that was promoted during the January 19, 2014, newest episode of Good Luck Charlie. Care.com often sponsors programs on the Disney network.
An upcoming episode in this last season of Good Luck Charlie will feature a family with two moms, a first for Disney Channel. Because Good Luck Charlie is coming to a close, the characters are only expected to appear in one episode. However, one episode
is enough, especially since the network repeatedly airs reruns of all its programs.
One Million Moms launched an email campaign in 2013 that urged Disney officials to abandon their plans to corrupt the children's network with LGBT content. However, Disney officials have not responded to the thousands of emails protesting their plans.
Disney has decided to be politically correct instead of providing family-friendly programming. Disney should stick to entertaining, not pushing an agenda.
The Indian government has decreed that the international movie channel, WB (Warner Brothers) will have to shut down for 1 day as punishment for nota applying 31 cuts to the PG-13 rated US comedy, It's a Boy Girl Thing .
The film is rated as UA in India which is a parental guidance rating. The Central Board of Film Certification (CBFC) had stipulated 15 voluntary cuts and l6 compulsory cuts in the film for TV broadcast, but these were not implemented.
The film channel had apologised and said that the broadcast was a mistake but the state censors had got very heavy with the film channel claiming:
The Visuals shown are very offensive and obscene as the private parts of male and female are focused upon. The portrayal of the sex change is in bad taste and is indecent. The visuals are not fit to be viewed by children and also not suitable for
unrestricted public exhibition. These visuals also denigrate women.
The winter season premiere of The Fosters aired this past Monday on ABC Family Channel. The 14-D (the D is for suggestive dialogue) rated show is packed full of inappropriate content for what is supposed to be a family
The controversial plot includes a lesbian couple raising children together, but that is only the beginning of the not family-friendly content in this program. But because family is a misleading part of the network's name, we
thought another warning was needed for anyone who continues to watch the channel.
ABC Family's show The Fosters is about two women attempting to redefine marriage while also raising foster, adopted and biological children. New episodes will continue to air on Monday evenings at 9:00pm ET/8:00pm CT. In
addition, frequent promos are airing for this series during primetime and during G rated programs on multiple channels. These promos include the two women nude in bed together while hugging and kissing, teen with a bloody face and teen bashing in a car
windshield with a baseball bat.
Unacceptable content in the season premiere included:
Lesbians on their honeymoon lying naked in bed together while hugging and kissing
Grandmother admits to staying with a past boyfriend she did not really like only because she loved his bed
Engaging in casual conversation with prostitutes and asking for their help