They are hardly the most controversial of bands, with their upbeat songs and wholesome Scandinavian image -- but it appears that even Abba have fallen foul of PC sensibilities.
The Swedish band has changed the lyrics to some of its classic hits to make them more acceptable to today's PC world. Tracks rerecorded for this summer's blockbuster movie, Mamma Mia! Here We Go Again, have been altered to remove any hint of
inappropriate relationships between young girls and older men.
The biggest change comes in the 1976 song When I Kissed The Teacher , about a female student besotted with her male teacher. It originally featured the line:
One of these days, Gonna tell him I dream of him every night. One of these days, Gonna show him I care. Gonna teach him a lesson alright.
But the film version changes the teacher's gender and the emphasis:
What a mad day, Now I see everything in a different light. What a mad day, I was up in the air. And she taught me a lesson alright.
Ex-Radio 1 DJ Mike Read commented:
Rock 'n roll was founded on young love and you can't rewrite history ....BUT... you can see why people have started looking at songs and asked, Should we still be playing that?
The Montreal International Jazz Festival has explained its decision to censor a show
featuring a white woman singing songs composed by black slaves.
Festival CEO Jacques-Andre Dupont said the decision to abruptly cancel SLAV partway through its run was made for a mix of technical and human reasons, including security concerns raised by the escalating vitriol surrounding the show. He
also said that the show's star, Betty Bonifassi, had broken her ankle and indicated she was no longer able to continue.
He said that while many protesters were peaceful, the festival and the theatre where the show was performed were concerned by the aggression of some protesters and the rising division and anger surrounding the show. He said Bonifassi's decision to
not continue was prompted both by her injury and the criticism.
Dupont said the festival and the production company would absorb what he said would be hundreds of thousands of dollars in losses associated with cancelling the show, including paying the performers.
SLAV, one of the hottest tickets at this year's jazz festival, was the subject of protests claiming 'cultural appropriation' of black culture and history. It was described as a theatrical odyssey based on slave songs and a journey through
traditional Afro-American songs, from cotton fields to construction sites, railroads, from slave songs to prison songs.
Black activists denounced the show and its mostly-white cast, and U.S. musician Moses Sumney cancelled a gig at the festival in protest.
Amid a storm of international media attention, the festival announced Wednesday it was cancelling the remaining performances and apologizing to anybody who had been hurt.
The renowned Quebec playwright Robert Lepage who directed the show criticized the decision to cancel it, calling it a direct blow to artistic freedom. He said in a statement that actors pretending to be someone else is at the very heart of
When we are no longer allowed to step into someone else's shoes, when it is forbidden to identify with someone else, theatre is denied its very nature, it is prevented from performing its primary function and is thus rendered meaningless.