G.I. Joe: Retaliation is a 2013 USA action thriller by Jon M. Chu. With Dwayne Johnson, D.J. Cotrona, Channing Tatum.
The latest installment of the Hollywood film franchise GI Joe , has been
banned in Pakistan for its negative portrayal of the country, according to officials of the Central Board of Film Censors.
GI Joe: Retaliation starts off with an American special security team recovering lost nuclear warheads in Pakistan.
The story depicts Pakistan as an unstable country in which terrorists are on the verge of stealing the country's nuclear assets.
Censor Iftikhar Durrani, the adviser on national regulation and services, explained that the film portrays
Pakistan negatively, not just on the issue of the war on terror, but also in the context of the country's international standing:
There is a scene which shows the assassination of the Pakistani president and the
imposition of martial law, which is not a fair representation of the country.
Meanwhile, Atrium Cinema elaborated that the film had been banned as it showed Pakistan in a negative light:
initial scenes depicting Pakistan as a failed state and fictionally portraying foreign invasion of Pakistan's nuclear installations.
India's Central Board Of Film Certification (CBFC) has written new rules about slapping scenes in movies.
A film titled Bazar-E-Husn is being issued an adults only 'A' certificate with three cuts for its depiction of violence against women.
Says producer AK Mishra:
They have asked me to delete three slapping scenes, including the one in which a villain slaps his wife. I was told by the committee members that they have a directive from the board
that atrocities against women cannot be shown in cinema.
The CBFC letter addressed to the producer states that only the visuals of slapping scenes after marriage could be retained. The remaining slapping scenes have to be deleted.
Insisting that this is a period film, Mishra says, I find these rules ridiculous. He has refused to accept the cuts and now the film has been appealed to the revising committee.
A group of Arab youths have reportedly attacked an Israeli film director, Yariv Horowitz.
Horowitz, who directed the film Rock the Casbah was participating at the Aubagne Film Festival in France when he was attacked by a group of Arab
youths just before the film won the best film award.
He is reported to have lost consciousness and has been subsequently treated. Horowitz is said to have returned immediately to the festival after treatment. Authorities are estimating that the
attack was racially motivated. Horowitz was attacked immediately after the screening of the film by a group of Arab youths. The director lost consciousness and was treated at the festival. After recovering from the blows he received, he returned to the
festival area in good condition .
After the violent incident, Horowitz's film won the Special Prize of the Jury for Best Picture.
The film Rock the Casbah, starring Yon Tumarkin, follows the story of young soldiers in the first
intifada in Gaza. The soliders are located on the roof of a Palestinian family whose son is involved in the murder of one of their battalion.
producers have now sold the 47-minute pastiche of three comedies to a U.S. distributor and are close to finalizing a deal with iTunes.
The film was banned in Singapore last October when censors deemed one segment in which a Chinese porn director
played by Adrian Pang rants against an Indian actor racially offensive . After the scenes in question were deleted the film was allowed to open.
The full, unedited version has been acquired by U.S. distributor Virgil Films and
Entertainment, which will release it VOD and online.
Evil Dead director Fede Alvarez spoke of his experience of film censorship at the MPAA:
The MPAA is actually a bizarre thing. You don't have to try to understand it.
We didn't butcher any
scene or anything. We just had to trim. We took out frames here, You know, when she cut her tongue, we were showing a lot. You see the tongue, you get to see the tongue moving. Probably there was a version where we showed more frames. We've cut about 20
frames here, that kind of stuff, where you take that out and you get your R rating.
They were very nice to us. They were very nice to us because they were saying it was supernatural horror, which means it's not real, like the
other is real. It's kind of a fantasy universe, so that makes it more friendly. Don't ask me.
There are controversial subjects, and then there is Mohamed. Yet the fear of controversy appears not to have deterred film-makers in Iran and Qatar, who are producing a pair of rival biopics of the seventh-century religious character Mohamed.
As a protagonist, Mohamed poses a unique challenge: much of the Muslim world forbids his depiction on screen.
The Iranian director Majid Majidi, whose $30m (£19.8m) biopic began shooting last October, reportedly intends to show parts of Mohamed's body, though not his face. While Iran's Shia population may be flexible about such imagery, Sunni Muslims
elsewhere are not. Cairo's Sunni-led al-Azhar University has already demanded the unfinished film be banned.
Meanwhile in Sunni-majority Qatar, Alnoor Holdings announced plans to spend $1bn on its own series of epic movies about the life of
Mohamed. The team has hired the Islamic theologian Yusuf al-Qaradawi and Lord of the Rings producer Barrie Osborne as technical advisers. They are being understandably very cautious, Osborne told The Hollywood Reporter.
A day in the life of a banned Iranian film director. Smuggled out of the country and endangering all those who helped out in the production.
documentary, shot partially on an iPhone and smuggled into France in a cake for a last-minute submission to Cannes, depicts the day-to-day life of acclaimed director Jafar Panahi (OFFSIDE, THE CIRCLE) during his house arrest in his Tehran apartment.
While appealing his sentence six years in prison and a 20 year ban from filmmaking Panahi is seen talking to his family and lawyer on the phone, discussing his plight with Mirtahmasb and reflecting on the meaning of the art of filmmaking.
India recently traumatised by a particularly nasty gang rape incident in Delhi. Somehow films seem to have been selected to carry the can, and so censorship has had to be ratcheted up a notch. But it is not easy to find much else to censor when nudity
and sex have been banned for years anyway. However a suitably ludicrous scapegoat was found in dance numbers where an admiring chorous line of guys swarm round a female singer. These so called 'item songs' now seemed destined to invoke an adults only A
certificate from the film censors. And the first victim has inevitably kicked up a bit of a todo.
The Central Board of Film Certification's (CBFC) initial decision to give Priyanka Chopra's item number Babli Badmaash in Shootout At
Wadala an A certificate has taken the film industry by shock and surprise. An A certification disallows the producers, Balaji Motion Pictures and audio label, Sony Music, from promoting the track on television during prime time.
Tanuj Garg of Balaji Motion Pictures said:
After submitting Babli Badmaash for certification, we were informed that it would get an 'A' because it was an item track. We were shocked and informed the CBFC that the industry was not aware of such a rule. We were
later told that there was no blanket directive; songs would be certified according to their content.
Soon after, the Film and Television Producers Guild wrote to the Information & Broadcasting Ministry, stating that the industry
deserved to be informed about the new regulation. The guild explained how most of these special songs are mainly used as a promotional song/video. If dance numbers are going to be held back after being labelled item songs , all pre-release
marketing plans will go down the drain, they said.
The film industry, understandably, is against any arbitrary change in the certification of item songs. A senior producer asked:
What is an item number? How does
one define it? It is a phrase with no formal dictionary meaning. It is an industry-coined phrase. A rule cannot be made about something that is so inherently vague and subjective.
In the meanwhile, the industry is waiting with bated
breath to see if Babli Badmaash is cleared by the board's appeals committee.
Meanwhile the Censor Board has claimed that there is no move yet to give A certificate to all dance numbers and such film songs will be examined on a case-to-case
basis. Leela Samson, Chairperson, CBFC, said in a statement:
For the last few weeks there seems to have been an impression in the media, and also within the film industry, that CBFC has adopted a rule to certify all
dance numbers with an 'A' certificate. I would like to unambiguously clarify that no such decision has been taken either by the Board or by I and B Ministry, and nor is such a move being contemplated,
The guidelines governing
certification of films, trailors, or any part thereof, simply state that they will be certified depending on the age-group of audiences that they are suitable for. Hence, dance numbers too will continue to be examined purely on a case-to-case basis to
see whether they are suitable for a U, UA, or A certificate.
The Director of Breaking Dawn Part 2 , Bill Condon, has been hyping the DVD/Blu-ray release on March 2.
He ludicrously claims that a sex scene between Robert Pattinson and Kristen Stewart 'is so hot' that it had be to censored for the
children's PG-13 rating. He says via a press release and in a making of DVD extra:
We had one shot that the MPAA complained about where there's a closeup of Rob kissing [Kristen's] shoulder. They thought they
saw nudity, but there wasn't any, but they have filthy minds, clearly... We had to keep showing it to them until they were sure they weren't seeing anything naughty.
As Twilight series devotees know, there was a lot of ground to
cover in adapting Breaking Dawn to the screen. Between the wedding, the honeymoon, the birth, and everything in between, naturally there were things that didn't make it into our final cut. But I wanted to make sure that for all the Twihards out there,
there was a chance to see some of these cut scenes.
Kamal Haasan's Vishwaroopam is returning to cinemas in Malaysia, but only after 16 dialogue cuts were made to avoid offence to muslim viewers.
The film was yanked from Malaysian theaters the day after it opened on January 25, even though it
had been approved by the Film Censorship Board (LPF). According to The Hollywood Reporter, the LPF acted in response to letters of protest filed by the Malaysian Indian Muslim Congress and the Federation of Malaysian Indian Muslim Associations
complaining of religious insensitivity,
Film Business Asia reports that the distributor has not yet announced when the film would return to theaters. In the meantime, pirated DVD copies have circulated widely in Malaysia.
A Good Day To Die Hard is a 2013 USA action thriller by John Moore. With Bruce Willis, Jai Courtney, Sebastian Koch.
We find John Moore deep in the bowels of the John Ford dubbing theatre on the Fox lot
in LA where, surrounded by his trusted editing team, he's going over two separate versions of the movie. One version of the movie is Moore's Director's Cut, which will be substantially longer than the 97 minute-long theatrical version, with the
Moscow-levelling car chase around 30% longer.
The second is the 12A version that Fox have requested specifically to play in the UK (the version that will play in the US is filled with swearing and splashes of claret, and is
R-rated). On screen, we watch as someone has a gun put to his head, and his brains promptly blown out. That won't be in the UK, says Moore, half-laughing, half-sighing.
If, reluctantly, we accept that cinemas and distributors are looking for certificates that don't involve refusing someone a ticket (heck, that might require an usher), then can those of us who want to see our films unsullied at least have another option?
Can we - as was suggested by one of our readers (JP) here - have in the UK a 15A certificate, that keeps the parental option open, but also prevents studios chopping films to fit in with existing guidelines?
The other reason a 15A or PG-15 certificate would not be good for adult cinemagoers, is that there are sometimes things that are simply not aimed at, or intended for children. Sometimes films are made, that are made by adults, for adults, and only
A Good Day To Die Hard is a 2013 USA action thriller by John Moore. With Bruce Willis, Jai Courtney, Sebastian Koch.
UK: Passed 12A for strong language and violence after advised category cuts were implemented
UK 2013 cinema release
The film will be shown uncut in the US with an R rating (would be called 17A in Britain). No doubt most of the western world will see this uncut version too.
The BBFC commented:
During post-production, the
distributor sought and was given advice on how to secure the desired classification. Following this advice, certain changes were made prior to submission
This work was originally seen for advice in an unfinished form.
The company was advised that the film was likely to receive a 15 certificate but that their preferred 12A classification could be achieved by making a number of cuts to both language and visuals. When the finished version of the film was
submitted for formal classification, edits had been made:
to reduce the number of uses of strong language (both fuck and motherfucker) and
to reduce sequences of bloody violence, including blood sprays when characters are shot in the head, and
punches to restrained individuals.
The formal submission was consequently rated '12A'.
Bleeding Cooll website asked 20th Century Fox why they censored the upcoming cinema release of A Good Day to Die Hard . This was studio's response:
Everyone at Fox is excited that John McClane is back on the big screen in the latest installment of the Die Hard franchise, this time with his son and on foreign soil in Russia.
We can confirm
that working with the BBFC some minor cuts were made in order to achieve a 12A certificate.
We believe the movie will delight the Die Hard fans and the 12A certificate, similar to Dark Knight Rises and Skyfall
, will allow both adults and teenagers to enjoy the latest movie in the franchise.
Comment: Proper Censorship
14th February 2013. From David
Ah, fuck. The director's so
proud of making sure it's a proper R-rated movie this time, so naturally in the UK it gets cut down to be a 12A instead of a 15. I guess I'll be waiting for the inevitable harder cut DVD to see A Good Day To Die Hard.
they better fucking not pull that 12 DVD, uncut 15 Blu-Ray shit.
Comment: Proper Censorship
14th February 2013. From Andrew
There's a lot of heat over this
disgraceful decision to give us a butchered Die Hard 5 , and a lot of talk as to why the UK seems to get lumped with snipped versions STILL.
It seems to me that the BBFC's choice to offer a cuts advice service is to
blame (as well as, of course, the studio for being happy to give UK audiences a neutered product). Do other censorship bodies from other countries offer to coordinate with the studio during the editing phase over exactly what cuts are needed to achieve a
Do other countries not end up with so many butchered films because they don't offer this service, or to the same degree?
Well Germany, which tends to be the other European country most likely to
cut films has decided that the will screen the uncut R Rated version. So maybe this Doe Hard fiasco will be just us.
Comment: A Good Day to Die Soft
15th February 2013. From MichaelG
This current trend for cutting films for the cinema (to make them available to a wider audience, naturally) is something of a paradox when you look at the situation once the film hits DVD and the film companies can't wait to get Extended Harder Cut
or Uncut Version screaming at you from the cover of the box ('Taken 2' and Savages are the two latest examples I can recall). Anyone else think this is odd? They seem to be alienating the audience the film was intended for at its cinema
release, but then clamouring to get them back for the DVD release, probably knowing full well (even though the BBFC don't seem to) that a younger audience are still going to watch an uncut version on DVD. Times have certainly changed since a cut cinema
release would be further cut again for home viewing...
Comment: A Good Day to Blame Fox
15th February 2013. From Andrew N
Ok, first up, let me stress that i am in no
way condoning any previous (Ferman era especially) BBFC decisions. HOWEVER, the current net trend of slating them, everytime something gets watered down, is pretty dumb. Seeing as the they are simply ADVISING distributors of what would need TO BE done,
to get an inappropriate film, into an appropriate rating. I (like you) don't rate censorship in any way, shape, or form. HOWEVER, this is not about censorship. It's about the almighty Dollar.
Read the answer Fox gave to
Bleedingcool.com, they completely dodged the question, and went straight for the sale. Familiar character, you all watched the last one yadda yadda yadda.
The thing is, John McClane has now become a caricature of the original
character. He's not the dude from Die hard, he's an all American hero who can't be killed. And just to prove that, they put him in more and more ludicrous situations. Sadly, these situations are very appealing to young boys. Ticket buying, money spending
young boys. And Fox knows this. Because despite the flood of net nerds digitally bashing the 4th movie, it did amazing business. Which means somewhere in the U.S. (the UK played at 15, regardless of the cut ) 10's of millions of people flocked to
the local multiplex to see it.
And Fox knows this. Why wouldn't they?
So why the 12? Or to be more exact the 12A . Well it's the A that's Fox's ace in the hole. You see in the UK, ANYONE can see any
film 12A or below. Providing they're with an adequate guardian. However, in the U.S. ANYONE can see an R rated film (again, providing they're with an adequate guardian). The only difference being that the R rating carries an age restriction of 17, not
12. So anyone under 17 can go and see McClane jumping out of windows into a questionable CGI drop. And here's where the line blurs, and the bean counters take notice.
Because that 5 year gap (12 - 17) is the EXACT demographic of
today's Die hard fan. And while a BBFC 15 falls right in the middle, no parent in the UK can legally take a nagging 11 year old to see it. And those nagging 11 year olds spend a shit load of money, on tickets, concessions, and more to point, they always
travel in groups.
Die hard is an adult film, would anyone really have objected to ANOTHER 15 rated Die hard movie in the UK (baring in mind, 3 out of the first 4 now carry this rating, and it's only a case of time before Die hard
2 is dropped to it)?
Yes they would've. But all of those people work for Fox, and couldn't give two shits about your viewing pleasure, as long as you (and more importantly your kids) keep paying.
Oh and as
a final note, watch out for the (guaranteed) HARDER CUT on home video. As once again, Fox try to sell you something you should've already been privvy too.
Chances are, you'll buy it too.
In these cases of
cutting adult films for kids, lay of the BBFC, and go for the money hungry distributors. They're the ones cutting your films. No one else.
Offsite: Do Newspaper film critics reckon Die Hard 5 is best left to the
12 year olds?
Quentin Tarantino's Django Unchained has been passed A (adults only) in India with all the violence intact buts cuts to scenes with minor nudity.
Indian viewers will see a cut version with three missing sequences with fleeting nudity:
a glimpse of the unclad form of Broomhilda, played by Kerry Washington, in a pit (she has been punished by her owner);
the sight of Django, played by Jamie Foxx, emerging undressed out of a bathtub;
and a trussed-up, nude Django.
Tarantino could well kick up a fuss about the cuts if he wished to. Hollywood's resident enfant terrible has final cut rights---the right to veto objections by producers and distributors and decide the final shape of his work.
This isn't the
first time a Tarantino film has come to India a few minutes shorter than its original running length.
The World War II drama Inglourious Basterds was released in 2009 without a scene in which an American soldier bashes in the head of a Nazi.
The two-part Kill Bill, released in 2003 and 2004, was punished even more severely. The CBFC axed
scenes of heads and limbs being chopped off. Another sequence indicating that the lead character, The Bride, is being raped and prostituted by a medical orderly while she is in a coma was censored.
Iron Sky is a 2012 Finland/Germany/Australia action comedy sci-fi by Timo Vuorensola. With Julia Dietze, Christopher Kirby, Götz Otto.
The Berlinale spectacle of last year, the science fiction comedy about Moon Nazis, Iron Sky is
The brand new Director's extended cut incorporating Timo Vuorensola's full vision will be screened for the first time in Berlinale for hundreds of fans and supporters on Sunday. Vuorensola explained:
able to bring in many of the scenes I really enjoyed and now are prepared in full quality. The film is now almost 20 minutes longer, and much more epic in pacing, and finally in the form I originally wanted it to be.
Maniac is a 2012 France/USA crime horror by Franck Khalfoun. With Elijah Wood, America Olivo, Sammi Rotibi.
It has now been passed 18 uncut for strong bloody violence for:
UK 2013 cinema release
Perhaps a notable uncut rating as the response from film festival screenings was that it was very likely to be cut.
The film has also been mentioned as a possible first victim for the BBFC's change of guidelines on the subject of violence and
sexual violence. The BBFC listed an extended set of factors to be taken into account when considering sexual violence. The press release about the change of rules gave few clues about the practical effects of the rule change, so hopefully the uncut
release of Maniac is an indication that the rules haven't "tightened up" quite as much as the tabloid press suggested.
There seem to be two running times noted for the film, 89 and 93 minutes. However uncut festival screenings
were amongst those noted as 89 minutes so perhaps just technical differences on how it is projected.
Distribution have informed blu-ray.com that it has been confirmed by the BBFC that Franck Khalfoun's Maniac has not been cut back from its original Fright Fest reel which has now been
rated as an 18.
Reign of Assassins is a 2010 China action film by Chao-Bin Su. With Michelle Yeoh, Woo-sung Jung, Xueqi Wang.
UK: An edited version was passed 15 without BBFC cuts for strong violence for:
UK 2013 cinema release
UK: An unknown version will be released for:
UK 2013 Entertainment One R2 DVD at US Amazon released on 23rd February 2013
The uncut version runs at ~120:00s whereas the UK cinema releases runs at 102:59s
In ancient China, in a time of
inter-clan warfare, Drizzle is the top assassin of a gang known as The Dark Stone. In order to escape from The Dark Stone and rid her life of violence and bloodshed, Drizzle decides to undergo a drastic procedure to alter her appearance, to change her
name to Zeng Jing (Michelle Yeoh), and to move to the Capital. Keeping a low-profile as a shopkeeper, she falls in love with and marries a messenger (Jung Woo-Sung). However, their peaceful life is soon disrupted when Zeng's identity as Drizzle is
unveiled in a dramatic fight and confrontation with The Dark Stone, who will stop at nothing in their efforts to rule the martial arts world.
Director Bejoy Nambiar has decided to remove Lucky Ali's song Ya Hussain from his new film David after some groups objected to
A section of the Muslim community had urged Nambiar to remove the song as they felt it does not befit their definition of propriety. The song accompanied a sequence in the film, which showed a Moharram procession. Nambiar
They (Muslim groups) objected to the song. But they were kind enough to accept my invitation to discuss the matter. After a lengthy discussion, it was decided that it would be better if I didn't hurt
anyone's sentiments. So I've decided to remove the song.
There is also a Hindi Version featuring 3 Davids as opposed to 2 Davids in the Tamil Version
The release of bi-lingual Bollywood action thriller David was banned in Pakistan by the film censor board in Islamabad.
Certain groups within the Indian community recently protested against the film and challenged a sequence in the film
which showed a Moharram procession during a song. Director Bejoy Nambiar invited some of the protesters to view a private screening of the offensive content so that an agreement could be reached. However, after the song titled Ya Hussain was viewed by
the section of the audience in question, Nambiar himself decided to cut it from the film, based on their reactions.
The Chairman of Pakistan's Central Board of Film Certification (CBFC) Rai Akbar told The Express Tribune that the film had been
screened and the board felt that it failed to pass the criteria due to its controversial nature. He waffled:
It was very clear that the film could not be screened in Pakistan, because it failed to pass the basic
criteria given by the censor board. There were several issues with the film, but our main point was that the film was not suitable for viewing in Pakistan.
Local distributor Amjad Rasheed, head of International Multi-Group of
Companies, agrees that there are several moments in the film which portray religion in a negative light:
The CBFC has stopped it because of some covert religious references in the film and I as a distributor completely
stand by their decision.
Kathryn Bigelow's Zero Dark Thirty will not be shown in Pakistan's cinemas.
Distributors have decided not risk the wrath of the country's censors, its military and terrorist groups with a movie about the CIA's hunt for Osama bin Laden.
Mohsin Yaseen, general manager for marketing at Cinepax, said derogatory references to Pakistan's military and intelligence agencies meant any distributor would face awkward questions. It's a touchy subject for a Pakistani audience, he
Yaseen said his company had recently bought the rights to distribute an Indian film, Tere Bin Laden, which poked fun at the al-Qaeda leader. Pakistan's censors insisted on so many cuts, he said, it was not possible to show the film at all.
He said : When Zero Dark Thirty came out, we thought it best just to keep away from it. He added that other film distributors were in broad agreement.
The film is available on pirated DVDs and has proved a hit with audiences.
Tommy Wirkola: No -- thank god. I was afraid. I actually made sure they could never cut it to PG-13.
Collider: I mean the film that exists now is fairly violent -- Was it more violent than
this and how so?
Tommy Wirkola: It was.
Collider: Like Dead Snow-level of violence?
Tommy Wirkola: Never that extreme. But there was a scene where [Hansel and
Gretel] burst into a house and there's a witch. She puts up her hands and they tell her to step aside. She steps aside and behind her is a tiny little baby hanging from a rope that's she's about to eat. [Hansel and Gretel] end up saving it -- but people
were shocked. Again -- I'm not stupid. I see that's too much. So it's about
Movie censors in China have slashed 40 minutes from Tom Hanks and Halle Berry's epic Cloud Atlas .
The film opened with a 130-minute running time, cut down from 169-minute version that was released worldwide. The film is R Rated in the
US (which would be 17A in the UK).
A report in the Shanghai-based Dongfang Daily said expository sequences and passionate love scenes were cut from the film, while gory sequences depicting a character being shot in the head or another
having his throat slit remained.
The Hollywood Reporter speculates that a romantic relationship between budding composer Robert Frobisher (Ben Whishaw) and his Cambridge schoolmate Rufus Sixsmith (James D'Arcy) is highly likely to have been
dropped from the Chinese version of the film. Same-sex romances remain a taboo for Chinese censors.
In another scene, set in a 22nd century Korean city called Neo-Seoul, a human-replicant waitress is shown having sex with her foreman. This was
probably censored too.
British film maker Michael Winner has died from liver disease at the age of 77.
His wonderful career started in Britain with a varied assortment of generally light hearted films, often starring Oliver Reed.
He moved across to the US
where his films took a harder edge, most notably with the Death Wish series with Charles Bronson.
These got him into all sorts of censorship tussles with the UK censor, James Ferman. The ongoing tussle was noted in a lecture by Ferman when he
recalled the particularly heavy cutting inflicted on Death Wish 2. Referring to 3:42s of cuts to two gang rapes, Ferman quipped:
I cut three minutes 42 seconds of that stuff, a record I think. Winner was furious.
Thereafter Winner was something of a champion against censorship. He regularly took part in TV discussions, arguing the case against censorship.
Shoot to Kill (1960) Some Like It Cool
(1961) Old Mac (1961) Out of the Shadow (1961) Play it Cool (1962) The Cool Mikado (1962) West 11 (1963) The System (1964) You Must Be Joking! (1965) The Jokers (1967) I'll Never Forget What's'isname (1967) Hannibal Brooks (1969) The Games (1970)
Lawman (1971) The Nightcomers (1972) Chato's Land (1972) The Mechanic (1972) Scorpio (1973) The Stone Killer (1973) Death Wish (1974) Won Ton Ton, the Dog Who Saved Hollywood (1976) The Sentinel (1977) The Big Sleep (1978) Firepower (1979) Death Wish II (1982) The Wicked Lady (1983) Scream for Help (1984) Death Wish 3 (1985) A Chorus of Disapproval (1988) Appointment With Death (1988) Bullseye! (1990) Dirty Weekend (1993) Parting Shots (1999) Burke & Hare (2010)
The new Bond film will be released in China but with key scenes removed and alternative translations written into the subtitles to appease the country's film censors.
Sam Mendes' Skyfall Chinese release has been hampered by the
inclusion of politically and culturally controversial narrative events which take place in Shanghai and Macau.
The cut version omits a scene set in Shanghai where a French hitman (Ola Rapace) shoots a Chinese security guard. References to
prostitution and corruption in China have either been edited out or obscured in the subtitle translations.
In particular the backstory to villain Raoul Silva (Javier Bardem) who was tortured by the Chinese government after working for MI6 in Hong
Kong has had all references to China removed.
The scene where Daniel Craig's Bond and the character Severine (Berenice Marlohe) are at a Macau casino and he enquires if her tattoo is the mark of an infamous prostitution ring remains intact but the
subtitles have been changed to refer to a gang.
A Utah group claims that the Sundance Film Festival's lineup features 'obscene' movies and is therefore at odds with Utah's culture of family values, and wants the state to pull its financial backing.
The Sutherland Institute claims the
state shouldn't back a festival that features films about porn stars and women having affairs with one another's adult sons. This is referring to a pair of mainstream Hollywood movies, the R Rated Lovelace and the not yet rated Two Mothers starring Naomi Watts and Robin Wright.
Derek Monson, Sutherland Institute's director of public policy spewed:
There are a lot of people here that find that kind of thing objectionable. We are a family friendly state and we endeavor to be so because
we value the benefits that strong families bring to society.
Utah state officials stand by the backing, saying the money is an investment in a festival that brings major economic impact and international exposure to the state.
Utah expects to spend $300,000 supporting the festival again this year, but the University of Utah estimated that last year's festival brought $80.3 million in economic impact for the state.
Japanese filmmaker Nagisa Oshima, best known for directing In The Realm of the Senses , has died at the age of 80.
The 1976 film, also known by its Japanese title, Ai No Corrida , featured unsimulated sex between the actors.
Oshima also directed singer David Bowie in the WWII prison-camp drama Merry Christmas Mr Lawrence.
His most controversial project reflected his lifelong criticism of censorship. In The Realm of the Senses, a film based on a true story of
obsession in 1930s Japan, was incredibly explicit for the time, with the two protagonists engaging in increasingly intense, graphic and bizarre sexual practices. In the final scenes, the male protagonist has his genitals severed by his lover, a
The film fell foul of censors in Germany, the UK and the US - where it was seized by customs officials ahead of a planned screening at the New York Film Festival. The film wasn't passed uncut in the UK until 2011.
However, the sticking point wasn't the explicit sex, it was a scene with a young boy having his penis yanked in a non-sexual way.
Oshima's companion film, the more restrained Empire of Passion , won him the best director prize at the Cannes
Film Festival in 1978.
Instead of going for the easy target of the movie business, the government should take practical steps to identify and assist people who are suffering from mental illness and who are at risk of
committing unprovoked acts of violence.
Quentin Tarantino clashed with Channel 4 News anchor Krishnan Guru-Murthy during a an interview ahead of the London premiere of his new film, Django Unchained . The Oscar-winning film-maker repeatedly refused to offer an opinion on the link
between screen violence and true-life violence and at one point told Guru-Murthy: I'm shutting your butt down.
Django Unchained charts the fortunes of a black slave turned bounty hunter in the American deep south. The film's supporting
characters find themselves variously shot in the face, bludgeoned with a hammer, and torn apart by dogs.
Interviewed by Channel 4 News on Thursday night, Tarantino admitted that he relished making violent films but insisted: It's a movie, it's
a fantasy. It's not real life. When asked how he could be sure that there was no link between enjoying screen violence and enjoying real violence, however, the director refused to respond:
I'm not answering your
question. I'm not your slave and you're not my master ... It's none of your damn business what I think about that.
On the eve of the entertainment industry's White House meeting to discuss gun violence in films and video games, Motion Picture Association of America president Chris Dodd told The Hollywood Reporter that his industry will consider voluntary guidelines
but will vehemently oppose any government restrictions on content.
Dodd and spokesmen from various sectors of the entertainment industry will meet with Vice President Joe Biden, who has been charged by President Barack Obama with
recommending legislation to curb gun violence.
We want to explore what we can do to provide parents and others with the information for them to make choices on what they want to see and what they want
their children to see. That's a legitimate space for us to be in. It's all voluntary. What we don't want to get involved with is content regulation. We're vehemently opposed to that. We have a free and open society that celebrates the First Amendment.
The Twilight Saga: Breaking Dawn Part 1 is a 2011 US fantasy by Bill Condon. With Kristen Stewart and Nikki Reed.
An Extended Version claiming to be a France exclusive will be released on DVD
on the 8th February 2013. And in passing it is interesting to note that Breaking Dawn is rated as Tous Public [U] in France.
The Extended Version contains 7 additional scenes:
Revised opening scene with the Volturi
Extended flashback of the young Edward Cullen
New scene during the honeymoon
2 new scenes in the Cullen home
Extended version of the fight scene between Edward / Jacob and the
China is wrestling with how to reconcile its extreme censorship system with the need to create films the world will want to watch.
Xie Fei, a professor at the prestigious Beijing Film Academy, recently sparked a debate on government control
over the film industry when he called for replacing the country's censorship procedures by a movie rating system with ratings similar to those used in the United States. Xie wrote in an open letter:
In the past few
years, there were so many unwritten laws when censoring movies. Unwritten laws such as: 'ghosts are not allowed in contemporary settings,' 'extramarital affairs are not allowed,' 'certain political incidents are not allowed,' etc. The censorship system
[in China] is not defined by law, but done according to individuals.
Such rules are killing artistic exploration.
Beijing-based filmmaker Dayyan Eng responded saying that with more foreign films entering the
domestic market, local directors struggle to compete. He blames it partly on the censorship system.
It's [Censorship] restricting what we can make. And I think that everyone has been finding out, especially this year,
because the local films have been killed by Hollywood.
If Hollywood is allowed to make whatever they want, and actually most of them, the big budget ones anyway, are being shown in China, we are at a disadvantage because the
system that's in place to regulate or censor this things is not the same for Chinese films and for Hollywood films.
Eng's latest film, Inseparable , was the first wholly local production to feature a Hollywood star, Kevin
Spacey. Eng says the censorship system influenced the way he wrote his movie.
When I first started out doing the story and writing the script and even up to shooting and editing it, in a way I have to censor myself a
little bit. For example, there would be certain scenes I want to do, but I would think 'Maybe it is not going to pass the censorship if I do it this way, if I go too far' so I tend to pull myself back little bit.
lawmakers recognize that domestic films are facing increasing pressure to compete with foreign films, they did not directly respond to Xie Fei's suggestions that a US-style rating system was better than China's censorship rules.
surfaced in 2007, after nude scenes in the Ang Lee film Lust Caution were cut before the film's release in China. But censors put an end to the idea when a senior official from SARFT said that such a system would not be appropriate for
But now, with a growing number of actors, directors and producers sharing their views online, it has become easier for critical voices to contribute to the national discussion. Film producer Robert Cain has consulted Hollywood and Chinese
studios on co-productions since 1987. He says that by not establishing a rating system, the Chinese government is patronizing its public:
There is no need to treat everyone in China like a child or an infant that can
be hurt by certain topics in movies. Everyone knows that people have sex, everyone knows that crime takes place and it seems very hypocritical to me that the government wants to pretend, at least in films, that these things don't happen in China.