Two digital outdoor ads displayed on large screens in two stations in central London, for the film Alien: Covenant, seen in early May 2017:
a. The first ad began with a spacecraft approaching a planet followed by scenes on the planet. In one scene a man in a dark room shined a torch on an alien egg, the top of which began to slowly open. A close-up showed an alien-like mouth
suddenly exploding from it, towards the camera. A woman in distress was then shown running down a corridor, being chase by an arachnid-like alien, followed by a close-up of her screaming. An arachnid-like alien was then shown running
towards the camera. The final shot showed a woman hiding from an alien which was just on the other side of a door frame.
b. The second ad featured large on-screen text which stated in turn: RUN, HIDE, SCREAM and PRAY. The text appeared next to brief clips from the film, including the scene with the woman in distress running down a corridor being chased by an
alien, the alien egg slowly opening, the close-up of the woman screaming, a woman looking panicked and shouting through the glass window in a closed door, the close-up of the alien-like mouth suddenly exploding towards the camera, and the
final shot of a woman hiding from an alien which was just on the other side of a door frame.
Three complainants, one of whose children had seen the ads, challenged whether the ads were likely to cause fear or distress, and whether they were suitable to be shown in an untargeted medium.
ASA Assessment: Complaints upheld
The ASA understood the film was rated as a 15 by the BBFC and considered that the advertiser should therefore have taken particular care to ensure that scenes included in the ads would be suitable to be shown in a public space where
children were likely to be present.
The ads contained scenes of characters who were clearly in distress, as well as images of an alien mouth suddenly exploding from an egg out towards the viewer, and a woman being chased by an alien. We considered those scenes were likely to
frighten and cause distress to some children and that the ads were likely to catch their attention, particularly as they were shown on large screens. We concluded the ads were not suitable to be shown in an untargeted public medium and
therefore breached the Code.
The ads must not appear again in their current form. We told Twentieth Century Fox Film Company Ltd to target their ads more carefully in future to avoid the risk of causing undue fear and distress to children.
Shakespeare Must Die is a 2012 Thailand horror drama by Ing Kanjanavanit.
Starring Pirun Anusuriya, Sudhisak Bamrungtrakun and Minta Bhanaparin.
Thailand's Administrative Court has rejected a petition by the producer and director of a feature film against a ban imposed by the Film and Video Censorship Committee five years ago.
Shakespeare Must Die was banned from being screened in Thailand on the grounds that the movie's political content might cause divisiveness among people in the country.
The film, directed by Smanrat Ing K Kanjanavanich and produced by Manit Sriwanichpoom, is an adaptation of Macbeth , a tragedy by English writer William Shakespeare. It depicted both an ambitious general who becomes king through
murder, and another world in which the country's leader believes in superstitious, megalomaniac and murderous dictatorship. He is known only as Dear Leader and has a scary, high-society wife. The movie clearly alluded to prime minister
Thaksin Shinawatra who was popular with working people but alienated the Thai elite.
The Administrative Court ruled that even though the story is fictional, the movie's content might cause disunity among people. It contains scenes based on a photograph from Bangkok's 1976 student uprising and violent scenes from red-shirt
Manit said the filmmakers would appeal the court's verdict. I feel like we didn't get justice, he said.
Charlize Theron and Sofia Boutella's lesbian sex scene from their new film, Atomic Blonde, has been totally cut by
Indian film censors at the CBFC. The list of CBFC cuts says:
Delete the visual of the hand touching the bare breast in bed of two ladies, and delete the entire love-making (having sex).
In addition to the sex scene, shots of Theron's bare butt in the bathtub have been asked to be removed. Shots of her nipples visible under a sweater, and a separate scene in which she is topless, have also been ordered out. Words like
cunt, cock, balls, bitchh, prick , and cocksuker have been asked to be removed from the subtitles, but not from the soundtrack.
The Cable Guy is a 1996 USA comedy thriller by Ben Stiller.
Starring Jim Carrey, Matthew Broderick and Leslie Mann.
An upcoming video release has just been passed 12 uncut for moderate sex references, violence with previous BBFC cuts waived.
UK Censorship History
BBFC category cuts were required for a 12 rated 1996 cinema release and the subsequent VHS releases. The BBFC cuts were waived for 12 rated 2017 home video. The film is uncut and PG-13 rated in the US.
From IMDb. Previously a single 4 sec cut was made to this black comedy, in order to secure a required 12 cert.
The cut occurs towards the end, when Jim Carrey and Matthew Broderick, are fighting on top of the TV satellite. A couple of shots of Carrey headbutting Broderick and an ear clap have been removed.
Complaints to the BBFC have been outlined in the BBFC Annual Report covering 2016:
The film Deadpool generated the largest amount of public feedback in2016, with 51 complaints.
Some viewers were concerned about the level of violence in the film. The BBFC responded that the violence is strong and frequently bloody, this often occurs during fast-paced action sequences with little focus on detail. There is also a comic
tone to the violence, and the film's fantastical setting further distances it from reality.
The BBFC also received complaints about sex references and strong language in Deadpool. The BBFC responded that though strong sex references do occur throughout the film, most of these are in the form of comic verbal quips or innuendo. Deadpool
contains frequent use of strong language ('fuck', 'motherfucker'). However, there is no upper limit on the number of uses of strong language at 15.The sex references and language are therefore acceptable at the classification.
The BBFC received 30 complaints about Suicide Squad .
Most of the feedback was from children under the age of fifteen, or their parents, who had hoped that the film would achieve a lower classification. The sustained threat and moderate violence in Suicide Squad were too strong to warrant a 12A.
The BBFC received 20 complaints regarding Miss Peregrine's Home for Peculiar Children.
Some members of the public believed the film to be too scary for a 12A classification. Te BBFC responded that scenes of horror in Miss Peregrine's Home for Peculiar Children involve some monster characters known as Hollows which feast on
eyeballs. These scenes are infrequent and the fantasy setting of the film as a whole reduces the intensity of these moments.
Nineteen members of the public wrote to the BBFC regarding the level of violence in Jason Bourne , classified 12A.
Some complaints focussed on the term moderate violence and argued that this did not reflect the level of detail depicted. The BBFC responded that although there are some heavy blows, little is shown in terms of injury detail, with the focus
instead placed on action.
Sausage Party attracted 19 complaints.
Some of the feedback concerned the film's sex references. A scene in Sausage Party shows food products taking part in an orgy, during which various sexual activities are depicted, but in an unrealistic manner. Given the animated nature of the
film and the comic context, this scene is acceptable at 15.
Some members of the public complained about the film's three uses of very strong language ('cunt'). The comic and non aggressive delivery of the very strong language in Sausage Party means that it is acceptable at 15.
Other complaints about Sausage Party focussed on drug use. Drug references in the film are either unrealistic (for example, food products smoking joints) or involve non-existent drugs (for example, bath salts). As such, they are permissible at
15, where drug taking may be shown but the work as a whole must not promote or encourage drug misuse.
Eighteen members of the public wrote to the BBFC about the violence in 10 Cloverfield Lane (12A).
There is a scene where a character is shot; however, this takes place off screen, and no impact or detail is shown. Another scene shows the antagonist being injured by a barrel of acid, his face visibly burnt. However, there is no significant
focus on the injury detail. There are several scenes of moderate threat in the film which create a dark tone that the BBFC recognised as being at the upper end of the 12A level. At 12A,moderate physical and psychological threat is permitted as
long as horror sequences are not too frequent or sustained, and the overall tone is not disturbing.
The BBFC received ten complaints about Batman v Superman: Dawn of Justice regarding threat, violence and the dark tone of the film.
Moments of threat include characters being held at gunpoint, and some nightmarish dream sequences. The BBFC responded that the violence and tone sit within a known fantasy context consistent with both BBFC Classification Guidelines and past
instalments of the Batman series at the 12A classification. There is limited detail of injury in the film and, in the few moments where injury is seen, there is no emphasis on either injuries or blood.
George A (for Andrew) Romero has dies aged 77. He was an American-Canadian filmmaker, writer and editor, best known for his series of gruesome and satirical horror films about an imagined zombie apocalypse, beginning with Night of the Living
Dead (1968), which is often considered a progenitor of the fictional zombie of modern culture. Other films in the series include D awn of the Dead (1978) and Day of the Dead (1985).
Aside from the Dead series, his works include The Crazies (1973), Martin (1978), Creepshow (1982), Monkey Shines (1988) and The Dark Half (1993).
Romero is often noted as an influential pioneer of the horror film genre, and has been called an icon and the Father of the Zombie Film.
India's film censors have ordered that a documentary about the economist and Nobel laureate Amartya Sen be altered to remove words including 'Hindu' 'India' and 'cow', the director has said.
Suman Ghosh said he was told by censor board officials that his one-hour documentary about Sen, a Harvard professor and essayist, could be released only if certain words were bleeped out. Those words reportedly included cow, Hindu India, Hindutva,
a reference to the religious nationalist ideology of India's ruling party, and Gujarat, the home state of the country's prime minister, Narendra Modi .
I was quite shaken, Ghosh said of the Central Board of Film Certification (CBFC) decision, against which he said he would be appealing. I was shocked but I thought, I have to argue.
In the documentary, named after his book of essays The Argumentative Indian, Sen criticises what he sees as the restricted vision of India espoused by Modi's rightwing nationalist party. In one reportedly censored scene, Sen lauds the
value of vigorous argument and debate, in contrast to chastising people for having mistreated a cow or some such thing.