A member of India's upper house in parliament, Parimal Nathwani, has claimed that there is an urgent need to re-look at censoring of films and that 'threadbare' censorship laws need to be reviewed.
In a statement condoling the death of the Delhi
gang rape victim, he said that while a strict punishment for crime against women was imperative to set deterrents in the system, at the same time, he said, stringent scrutiny of the sex, violence and crime-related aspects in Hindi cinema was also the
need of the hour. And to show off his depth of thinking, he spouted:
The argument that 'spectators want it and that is why we show it' is just rubbish. Also, to tell that films show what happens in the society is also
He demanded complete overhaul and restructuring of the censorship systems and laws, adding that the way in which sex and crime were projected in films had an adverse influence on sinful minds who were tempted to venture into
to the efforts of a fan based in Japan, Hammer Films finally acquired the surviving footage from the extended cut in 2011 for inclusion in a forthcoming definitive restoration. The film contained a number of extended scenes, among them a shot of
Dracula tearing his face off during the disintegration climax.
We have reviewed the restoration of the Japanese footage to Dracula. It was incredibly exciting to see the two long-lost moments in the context of the BFI's
Molinare have done a superb job restoring this footage, considering the state of the reels (you'll be able to compare and contrast on the eventual Blu-ray; we're going to release all four surviving Japanese reels
unrestored as a single extra).
The moment where the Count leans-in over Mina is full of transgressive threat and erotic charge (one can easily see how this moment had to be cut in 1958) though the footage does not actually include
a bite (contrary to wishful thinking in some quarters).
The face-clawing scene is truly magnificent and sits perfectly within the last few seconds of the film.
Note that although extra material was re-inserted, other
less important material was dropped to preserve the running time, and hence keep the audio track in sync.
The Christian Film & Television Commission, an nutter group in Hollywood, is petitioning the MPAA to change the rating of the 'ultra-violent' new western from Quentin Tarantino, Django Unchained , from R to NC-17. [Note that in UK terms R
is a 17A and NC-17 is in fact an 18 rating].
Founder and spokesman Dr. Ted Baehr spouted:
This movie ends with two of the most violent scenes we've ever seen in more than 27 years of reviewing movies. As
countless research studies and recent events in Connecticut have shown, some young boys and men like to imitate the violence they see in movies, TV, and video games.
The group claims that the movie shows blood erupting like lava from
bodies when people are shot. Also in the movie, a slave is eaten by dogs and a man hanging upside down is threatened with castration.
The group has started a petition calling for the NC-17 rating.
Django Unchained is a 2012 USA western by Quentin Tarantino. With Jamie Foxx, Don Johnson and Leonardo DiCaprio.
The BBFC have passed Django Unchained 18 uncut for strong bloody violence.
The running time was
noted as 165:11s for its cinema release.
Re Django Unshortened
Meanwhile Tarantino has been speaking about the length of the film. It seems that there is a longer version waiting to get
During a press day in New York City, Tarantino revealed that Harvey Weinstein had once suggested splitting Django Unchained into two films, a la Kill Bill . However Tarantino explained why he felt Django Unchained had to be one movie:
This had to be Django's journey from beginning to end. It had to be an odyssey. As Django and Schultz traverse America to get to Broomhilda. At one point Harvey was talking about splitting it up [into two films]. And I
said, No, it won't work here. You have to follow Django's journey to the end. There are so many emotions -- there's the action adventure, the gallows humor comedy that runs through it, there's the pain of the story, there's the catharsis, there's
the suspense, and hopefully at the end there's cheering, if the audience isn't cheering then I haven't done my job. That I got that cheer at the end was the biggest issue. As far of the pain of the story I could have gone further. I wanted to show more,
to show how bad it was. But I also don't want to traumatize the audience to the point that they aren't where I need them to be in the last reel.
That said, Tarantino hasn't ruled out the possibility of putting out a second, longer cut
of Django Unchained, although he's not exactly sure when:
I'm going to wait until the film goes around the world, does what it does. And then I'm going to make a decision. I make these scripts that are almost
novels. If I had to do this whole thing over again I would have published this as a novel and done this after the fact. Maybe next time. I could do what Kevin Costner did with the expanded edition of Dances with Wolves, and I could very well do
that. Because if I put some of that in I have to change the story. But I want this version to be the story for a while.
There are some very strong scenes, like the eye gouging scenes - which they cut away from in the version
we've seen. Were there any particular censorship problems with this one and how did you approach the violence given that most of it is tied into slavery which, for a lot of people, is still a sensitive issue?
I didn't have any censorship problems in this movie whatsoever. Not in terms of censorship. The MPAA got this movie immediately. They actually gave an R rating to a more rough, more violent version than what we're actually
presenting to the public as the released film. They got it right away. So I didn't have any problems with the MPAA whatsoever. I had more problems with the studio than the MPAA.
Basically what kind of happened was I could handle a
rougher version of the movie than what exists right now. I have more of a tolerance for it. But I kind of realized when I watched that version of the movie with audiences that I was traumatizing them too much. I traumatized them. And I want people to
enjoy the movie at the very end of it and after I traumatized them with the dog scene and traumatized them with the mandingo fight scene ... I cut their heads off. They grew another head and they continued watching it but they were traumatized and they
weren't quite where I wanted them to be at the very end because of that trauma. And so, as rough as it is right now it's a little easier to take.
Then came the flood of fake director's cuts that amounted to little more than marketing ploys, a way to con fans into shelling out
for yet another DVD.
And now we have situations like Bad Santa, of which there are three distinct versions, encompassing all of the above: the theatrical cut; an extended, raunchier cut sometimes called Badder Santa (a blatant
marketing ploy); and director Terry Zwigoff's preferred cut.
Which means that those who want to revisit it once a year around this time have to decide which Bad Santa best fits their anti-Yuletide spirit.
James Bond films are more than twice as violent as they used to be, New Zealand researchers from Otago University have claimed.
Researchers analysed 22 films in the Bond franchise, from Dr No in 1962 to Quantum of Solace in 2008,
to test the theory that popular movies are becoming more violent. Not only did the newer Bond films feature more violence, there was an even bigger increase in the amount of sever e violence, defined as acts likely to cause death or injury if they
occurred in real life.
The violent acts ranged from trivial, such as pushes or open-handed slaps, to severe, such as punches, kicking or attacks with weapons. Dr No featured 109 violent acts compared with 250 in Quantum of Solace, which included
nearly three times as many acts of severe violence.
Study co-author Associate Professor Bob Hancox said:.
There is extensive research evidence suggesting that young people's viewing of media violence can
contribute to desensitisation to violence and aggressive behaviour.
Canterbury University criminologist Professor Greg Newbold said:
The more graphic the violence and the more spectacular the
violence, the more appeal it has for kids, and the more money they [movies] make.
Newbold spouted that film violence was not a problem for children from good families, but it did have an impact on children from violent home
backgrounds, who identified with characters capable of extreme violence and domination.
Bob McCoskrie, director of nutter lobby group Family First, said the findings did not surprise him at all. He said film classifications were looser now than a
decade ago, which was helping to normalise violence, bad language and sexual content:
I think we'd be naive to think that we can continue to feed ourselves violent images and from there try to argue it has no influence
on our actions or our attitudes - especially perhaps for younger people.
Chief censor Andrew Jack said societal attitudes towards the likes of violence and sex had changed, and that was reflected in the types of films being made. Jack
said there had been no complaints so far about the latest Bond film, Skyfall, which was rated M, and one complaint each against the classifications of the previous two Bond films.
The writer, producer and actor of the movie Sadda Haq , Kuljinder Singh Sidhu, has contacted the Sikh Parliament (SGPC) alleging that India's Central Board of Film Certification has been unfair in terming some dialogue from the film as objectionable
and so banning the film.
According to Sidhu, among the content highlighted as Objectionable by the Censor Board, is the main character saying Raj Karega Khalsa and another dialogue based on Guru Gobind Singh's famous tenet where
he advocates the use of weapons when all peaceful means of redressing a wrong stand fails.
Sidhu added that the Censor Board has objected on a dialogue where a character says:
Sikh religion is yet not considered
and respected as independent religion and hence is treated as part of other religion.
The board has raised objections on 20 scenes and dialogues and placed a blanket ban on its release saying it is not fit for release.
When contacted, SGPC president Avtar Singh Makkar said: Raj Karega Khalsa is a slogan given by our Guru. Who is the Censor Board to object to this? After watching the film, we will take up the matter with the Censor Board.
The film, which according to Sidhu is based on
militancy period in Punjab, was slated to be released on October 26. The film was shown to the Censor Board on October 16 and 25. They decided to forward the same to review committee, which saw the film on November 14 and 21. The board
conveyed its objections on 20 scenes and dialogues putting a blanket ban on its release.
The film Footloose was submitted to the BBFC for classification in February 1984.
UIP hoped to receive a PG certificate, but the mix of sex, drugs and rock'n'roll wasn't just an issue for Rev. Moore and co. The BBFC examiners noted
scenes of violence, sex references and drug use in the reports published here, and recommended that Footloose required a 15 certificate.
UIP was adamant it wanted a PG and so the BBFC provided a list of six cuts which would
make the film suitable for PG. UIP removed all the moments in question - a total of 2 minutes and 48 seconds of footage - and the BBFC duly classified the film PG.
Hollywood studios have released 33 percent more R-rated films in 2012 than last year, but the wealth of adult offerings hasn't translated into a box office boom. Instead, audiences have flocked to PG-13
A video rental store in Hamilton, New Zealand has been forced to pull a movie from its shelves which was banned by
censors in 2011 for scenes of rape and sadistic violence.
United Video owner Mike Puklowski said he had no idea the film was banned even though the store promoted it as banned .
Censors last year approved a re-issue of the 1978
original on Blu-ray, but were scathing of the remake in a March 2011 decision by the classifications office:
The [2010 remake] contains long and realistic scenes showing the brutal terrorisation and rape of a woman by
a group of men. Later scenes show her implausible but sadistic vengeance against her tormentors.
It encouraged attitudes that contribute to sexual violence, torture by terror and other extremes of cruelty and violence,
particularly against women.
The treatment of the woman before she is raped, is an all-too-plausible and realistic version of the kind of abuse meted out to many women. There is minimal effort to explain the sadistic behaviour of
the male characters.
The length of the scenes and their gratuitous focus on [her] suffering offer maximum opportunity for misogynistic pleasure. Viewers are repeatedly invited to share the point of view of the rapists and are
therefore placed in the position of prurient voyeurs.
Some viewers may well identify with male dominance and power, and echo the men's enjoyment of the woman's terror and humiliation.
A spokeswoman from the
Office of Film and Literature Classification confirmed the film was 'objectionable', a ruling which meant possessing, or downloading it would be an offence.
Oliver Stone talks of creating a fourth version for 2013:
On Alexander, I released a shorter version [in theaters] because of Warner Brothers issues. And I [was] also rushed. [When] I released the director's cut --
it wasn't called a director's cut . It was called The Final Cut because [earlier] there was a rushed director's cut that I was responsible for. My third version three years later in 2007 was called A Final Cut and I actually added
forty some odd minutes -- which I think makes the film better.
I've been asked by Warner Brothers because they did so well with The Final Cut . They actually sold more than a million copies. They've asked me to go back next
year and do a fourth version.
I want to cut it down now because I added too much. I want it to come back a little bit. There's some trimming [needed].
History to date:
The 168 minute Theatrical Version
was passed 15 without BBFC for:
UK 2004 cinema release
The 160 minute Director's Cut was passed 15 uncut for:
The release of the local film Tanda Putera has been indefinitely delayed by the highest echelons of the Malaysian government.
The film was made by woman director Shuhaimi Baba with partial funding from government film support agency FINAS.
It deals with the aftermath of the 13 May 1969 incident, which saw rioting between the country's Chinese and Malay populations and some 200 people killed.
Certain scenes depicting the May 13, 1969 tragedy were questioned by many quarters, Information, Communications and Culture Minister, Rais Yatim said, explaining that the cabinet felt that the screening should be deferred for the good of the society.
Morituris is a 2011 Italy horror by Raffaele Picchio. With Valentina D'Andrea, Andrea De Bruyn and Désirée Giorgetti.
The film makers said in a press release that the Italian Culture Ministery (il
Ministero dei Beni Culturali), had decided to ban Morituris from Italian cinemas. The film censorship commission claimed that the film was a gratuitous essay of perversion and sadism. The commission unanimously reached the decision to ban the film
on grounds of:
offence to good morals, intending acts of violence and perversion against women, motivated by enjoying of overcoming and thrill of self strength, empowered by consume of alcohol and drugs. The avengers
find revenge against both boys, guilty of violence, and girls, victims of violence. At last, in acts of extreme perversion, a little mouse is used as a sex tool.
After a long wait, Al-Molhid (The Atheist), an Egyptian film directed by Nader Seif Eddin and inspired by a true story, has gained the support and approval of Al-Azhar University, and has been passed by the Egyptian censorship committee without
The film was referred to Al-Azhar by the censorship committee for a final verdict on its release. Following Al-Azhar's approval, the committee passed the film uncut.
Despite its approval by authorities, the team behind the film has
been receiving death threats from extremists in the country. Film producer Adham Afifi said:
We finished filming two months ago and by that time I had full approval of the script, and I was very pleased. I was
surprised shortly afterwards when I received threatening phone calls, in addition to Facebook pages opposing the film's release.
But I am determined to release Al-Molhid and am currently negotiating with a number of cinemas for a
screening during the upcoming winter-break.
Of course the film was only allowed on condition of depicting atheism as inferior to religion.
The film, the first in the history of Egyptian cinema to discuss atheism, tells the
story of a preacher who has an atheist son and keeps trying to talk him into changing his mind. The preacher is also the presenter of a religious program on a satellite channel and starts becoming the laughing stock of viewers after his son's beliefs
become known. He get calls on air telling him he is not fit for preaching since he is unable to make his son believe in God.
In order to avoid criticism by Islamists, Seif al-Din has said that the film presents a strong argument about the
existence of God and against atheism. According to Seif al-Din, The Atheist is not against religion as some might guess from the name, but is the exact opposite. Seif al-Din explained that through discussing the problem of atheism, the film stresses the
importance of faith and the evidence of the existence of God.
Yasmeen Khan examines Barbet Schroeder's once-controversial 1976 picture, restricted upon its initial release, which is given a Blu-ray upgrade and screened theatrically by the British Film Institute
Nekromantik is a 1987 West Germany horror by Jörg Buttgereit. With Bernd Daktari Lorenz, Beatrice Manowski and Harald Lundt.
A German motorway cleaner takes rotting bodies home to a lover
who has a necrophilia fetish. This involves the skinning of a rabbit, use of a metal pipe in conjunction with a condom, nudity, and graphic sexual scenes with dead bodies.
Just had the privilege of watching NEKROMANTIK on the silver screen (in Leeds, at the tail end of the film festival). Jorg B was
present for an affable Q&A... an enjoyable little evening (which seems a bizarre thing to say, given that twenty years ago you imagine cinemas being stormed by riot police for showing same).
Interestingly, one of the festival
facilitators happened to mention during his introduction that they'd had to submit Nekromantik to the BBFC in order to get it shown legally, and were told that, in this day and age, it would pass uncut at 18.
E la chiamano estate is a 2012 Italy drama by Paolo Franchi. With Jean-Marc Barr, Luca Argentero and Isabella Ferrari.
Italian erotic film E la chiamano estate (And They Call it Summer) which
was booed during its screening at the Rome Film Festival, scooped two prizes at the awards ceremony on Saturday to catcalls from the audience.
Italy's Paolo Franchi won the best director prize for his steamy tale of a man unable to have sex with
the woman he loves but who harbours a passion for prostitutes which strains the couple's relationship to breaking point.
Australian director P.J. Hogan, a member of the international jury said:
It is brave
filmmaking, obsessive filmmaking, uncompromising. It will be hated and loved.
This film angered many of us and it angered you. Many of you yelled at the screen during it, but many others stood up and applauded at the end.
The best film prize went to Marfa Girl , by US director Larry Clark, known for cult hit Kids.
That film, set in a small town in Texas, will only be available to watch online after Clark opted to shun the typical route of
cinema and DVD release, saying it cuts out Hollywood distributors.
The only way to kill a vampire in Stephenie Meyer's Twilight universe is to rip its head off -- not a very family-friendly method for the legion of young fans clamoring to see the final chapter of The Twilight Saga.
Condon showed the MPAA an early cut of the fifth installment some six months before the film was ready for release.
Apparently the MPAA's ratings board initially handed The Twilight Saga: Breaking Dawn: Part 2 a provisional R rating,
according to the director.
What did the MPAA take greatest issue with? The sound effects that accompanied the vampire decapitations:
Their big note was the accumulated intensity of [the film's critical scene]. In the end, there were very
specific suggestions about how we pull back on the sound and the crunching of the head being separated from the neck. And we did that.
Jack Reacher is a 2012 USA crime drama by Christopher McQuarrie. With Tom Cruise, Rosamund Pike and Richard Jenkins.
UK: Passed 12A for moderate violence and one use of strong language after
2s of BBFC category cuts for:
UK 2012 cinema release
The BBFC commented:
Company chose to reduce two moments of violence (a woman being suffocated by a man and a man being hit over the head with a rock) in order to achieve a 12A classification. An uncut 15 classification was
Ken Russell's true cut of The Devils has been screened sporadically at festivals since 2004. A rare viewing of the director's approved print was an intriguing prospect, and it was far from
Student of the YearKaran Johar's latest film, Student Of The Year , has hit rough weather. Radha, the song from the movie has caught the ire of Hindu Janajagruti Samiti (HJS), a right wing organisation.
Members of HJS demonstrated in Goa's
capital Panaji, demanding that the Censor Board ban the movie for derogatory references to Radha, the mythological character, who was Lord Krishna's lover and childhood friend. The organisation claimed that calling Radha sexy as the song's lyrics do, is
an insult to the sentiments of Hindus.
Recently, a voluntary organisation in Indore too had moved a petition before a local court seeking action against Johar and singer Shreya Ghoshal, among others, for using objectionable words against Hindu
deities in a song. Names of Radha and Krishna are being misused to promote the song, Shri Vision Social Empowerment and Welfare Association secretary Manish Vishnoi had said in a statement.
Martin Scorsese's 1988 film The Last Temptation of Christ has fallen under the suspicion of Russian prosecutors on the wave of recent global fuss over religious sentiment.
The investigation was initiated at the request of Viktor Grin,
deputy general prosecutor, who claims the film:
insults the feeling of millions of [Christian] believers and has a negative impact on public morals.
A spokesperson said that the Prosecutor's Office:
is currently conducting a psychological and linguistic probe of the film's concepts.
Experts of the Russian Institute of Culturology engaged in probing the film for extremism say they haven't found
anything unlawful in it. The Institute's director, cinema critic and historian Kirill Razlogov said:
Our institute has come to the conclusion that such works should not be subjected to investigation, as this is a work
of art and not a political statement.
The Last Temptation of Christ is based on a controversial 1953 novel by Greek writer Nikos Kazantzakis. The film interprets the life story of Jesus Christ and offers a disclaimer, saying that the
storyline is not based on the Gospels and thus differs from the commonly accepted view on Jesus' life.
A Canadian horror-comedy, Father's Day has been banned by the Australian Government Censorship Board two days before it was scheduled to screen at the Monster Fest Film Festival at Melbourne's Cinema Nova.
Festival Director and Monster
Pictures Manager Neil Foley commented:
This is an outrageous decision. Yes Father's Day is an edgy film, but it is an hilarious and over-the-top spoof that, despite it's gore, is actually one of the sweetest films in
the Monster Fest program!"
Father's Day tells the story of a one-eyed vigilante named Ahab who sets out to stop the murderous rampage of a psychopath dubbed "The Father's Day Killer"
The Australian Film Censorship Board explained:
The film is classified RC in accordance with the National Classification Code: films that depict, express or otherwise deal
with matters of sex, drug misuse or addiction, crime, cruelty, violence or revolting or abhorrent phenomena in such a way that they offend against the standards of morality, decency and propriety generally accepted by reasonable adults to the extent that
they should not be classified.
Father's Day screened earlier this year at Sydney's Night of Horror Film Festival' where it won awards for Best Feature Film and Best Director as well as numerous other awards. The film
had been granted a temporary festival exemption by the Classification Board on the occasion of the Sydney screening.
In the UK the film was passed 18 uncut by the BBFC for strong violence, gore & sex & scenes of sexual violence &
Texas Chainsaw 3D is a 2013 USA horror mystery thriller by John Luessenhop. With Alexandra Daddario, Tania Raymonde and Scott Eastwood.
Director John Luessenhop spoke about the film's MPAA rating:
It initially had an NC-17 rating so we recut the movie and it got an R rating. There are certainly some gory elements but I also think there is quite some suspense in the movie. I think in America it's very easy to get an R rating for
violence and blood scenes. There are plenty of those but there are also moments where it is just scary with a suspense build up so I hope some of those scenes are going to stand out, not just the gory scenes.
Sylvia Kristel (28 September 1952 -- 17 October 2012) was a Dutch actress, model and singer. Her most famous role is in the French film Emmanuelle . She died of cancer.
Kristel began modeling when she was 17. She entered the Miss TV
Europe contest in 1973 and won. She spoke Dutch, English, French, German and Italian. She gained international attention in 1974 for playing the title character in the softcore film Emmanuelle which remains one of the most successful French films
Kristel found herself typecast as Emmanuelle and often played roles that capitalised upon that image, most notably starring in an adaptation of Lady Chatterley's Lover (1981) and a nudity-filled biopic of the World War I spy
in Mata Hari . Her Emmanuelle image followed her to the United States where she played Nicole Mallow, a maid who seduces a teenage boy, in the controversial 1981 sex comedy Private Lessons .
Although Private Lessons was one of the
highest grossing independent films of 1981, Kristel saw none of the profits. She continued to appear in movies and last played Emmanuelle in the early 1990s.
Sylvia's Kristel's filmography included many reprises of the role over the following
Hating Breitbart, about the media reaction to the late conservative provocateur Andrew Breitbart, was given an R for strong language. Director Andrew Marcus submitted an cut version to the MPAA but again was denied a PG-13.
The release of a
documentary has now been delayed one week because of the rift between the filmmakers and the MPAA.
The movie originally contained several uses of the word 'fuck', which was routinely hurled at Breitbart when he'd show up at liberal gatherings.
Breitbart also uses the word a few times in the film.
Under current and long standing MPAA rules, if a film uses one of the harsher sexually derived words , such as 'fuck', more than a certain number of times, usually one, it receives an R
Director Andrew Marcus and distributors Rocky Mountain Pictures, who were hoping for a PG-13 rating, cut 9 uses of the word but left in some that were deemed important to the integrity of the film.
So the MPAA, consistent with its
rules used all other films, still rated the film R.
Marcus has been briefed about a rare previous exception to the MPPA Rule. He argued:
I first thought the MPAA was just doing its job and I can respect that,
but then I started researching. I found that The Social Network received a PG-13 and it uses the F-word twice, plus it has cocaine use, and it's all scripted.
Update: Less 'fucks' is still a few 'fucks' too many
The producers of a documentary about deceased conservative rebel Andrew Breitbart have lost a battle with the MPAA to get their film rated PG-13,
so it will open in limited release with an R rating because of a few uses of the word 'fuck'.
The movie, Hating Breitbart , was to open a week earlier, but writer-director Andrew Marcus was unpleased with the R rating it received because of
several utterances of the F word. He delayed the opening for seven days, took out most of the offending words -- leaving in the ones spoken by Breitbart -- and resubmitted the movie to the MPAA hoping for a PG-13 rating. The MPAA, though, didn't budge
and Marcus refuses to cut further. So an R Rating it is.
The current mood as well as the general atmosphere online over racial issues were among the reasons why local comedy Sex.Violence.FamilyValues was banned in Singapore three days before its scheduled release.
The 46-minute film,
which was originally given an M18 rating but was referred to the Films Consultative Panel (FCP) for review following public feedback. Singapore's film censors at the Media Development Authority said that the film had now been given a Not Allowed For
All Ratings classification.
The panel's Vice-Chairperson Cheryl Ng cited a scene in the film's trailer, which had been circulating online for several weeks, where a Chinese director was seen to be trading racial insults with an Indian porn
actor. She said the panel was
not only just looking at national stereotypes but racial stereotypes, and the comments are flung around by members of different races at one another.
the past few months where you see people commenting, like the bus is so smelly ... something like this that touches so close to our home and so close to our hearts can actually cause unhappy situations to escalate.
Tay Eu-Yen of The Butter Factory, which had backed the film, said on Facebook that the film is a satire that discourages racism by portraying and attacking stereotypes .
Ken Kwek, the director of Sex.Violence.FamilyValues
said he will lodge a formal appeal against the decision. Kwek said he would appeal against the decision before the one-month appeal window expires on November 6 and was not very keen on deleting any portion of the film if asked.
Singapore's film censors at the Media Development Authority (MDA) said the panel found some dialogue portions in
Porn Masala , one of three short stories in the 47-minute compendium, offensive to the Indian community.
Actor Adrian Pang, who plays the role of an ethnic Chinese pornographic director hurling insults at an ethnic Indian actor in comic
scenes, said the authorities should respect the intelligence of Singaporean moviegoers:
There are the powers that be who are watching over us and are obviously treating us with so little regard as a people that they
figure we do not have the maturity, the intelligence... to see a piece of entertainment with a healthy perspective and judge this as a piece of satire.
The BFI Uncut film season opens on Thursday 1 November at the BFI Southbank, London. The films featuring throughout the month long season reflect significant aspects of film classification from our 100-year history, and includes an 80s classic
which is to be screened uncut for the first time -- Indiana Jones and the Temple of Doom.
Steven Spielberg's film was submitted to the BBFC for classification in April 1984. The reports published here detail the concerns
Examiners had about a number of moments in the film. The sequence in the Temple of Doom of a sacrificial victim having his heart ripped out, plus various attacks upon the lead characters, were violent or horrific enough to exceed the limits of the
PG certificate United International Pictures (UIP) wanted. In a letter to UIP (also published) James Ferman, BBFC Director at the time, described the temple scenes as showing a very real world of terror, ritual violence, black magic and nightmare
Indiana Jones and the Temple of Doom is a 1984 US action adventure by Steven Spielberg. With Harrison Ford, Kate Capshaw and Jonathan Ke Quan.
UK: Passed 12 uncut for moderate violence and fantasy horror with
previous BBFC cuts waived for:
UK 2012 Paramount Indiana Jones Complete Adventures R0 Blu-ray
at UK Amazon released today on 8th October 2012
Previously cut in the UK
Passed PG after 1:06s of BBFC cuts for:
UK 2008 Paramount R2 DVD
UK 2003 Paramount Trilogy R2 DVD
UK 1992 CIC VHS
UK 1986 CIC VHS
UK 1984 cinema release
The BBFC cuts were:
Cuts to a close-up of a heart being ripped from the chest and the subsequent self healing of the chest wound.
The deletion of the line 'Leave him alone you bastards' when the Chinese kid is about to be whipped
Deletion of the
Chinese Kid burning a guard's stomach with a flaming torch (and hence discovering an ability to heal)
The sequence in which a sacrifice victim is being lowered into the fiery pit has been shortened and set to different music.
Cut to the
first 1s or 2s from the shot of his fall in order to delete the image of his head hitting the side of the cliff.
Supervised by director Steven Spielberg and renowned sound designer Ben Burtt, Raiders of the Lost Ark has been meticulously restored with careful attention to preserving the original
look, sound and feel of the iconic film. The original negative was first scanned at 4K and then examined frame-by-frame so that any damage could be repaired.
The sound design was similarly preserved using Burtt's original master
mix, which had been archived and unused since 1981. New stereo surrounds were created using the original music tracks and original effects recorded in stereo but used previously only in mono. In addition, the sub bass was redone entirely up to modern
specifications and care was taken to improve dialogue and correct small technical flaws to create the most complete and highest quality version of the sound possible while retaining the director's vision. The result is an impeccable digital restoration
that celebrates the film and its place in cinematic history.
Alongside this, for the first time ever on Blu-ray, Indiana Jones and the Temple of Doom is presented in its uncut format, 28 years after it was first released in
cinemas. The original release was cut in 1984 in the UK to obtain a PG rating, however fans can now witness all the gory cut extras in all their glory.
The installments in the franchise have won a combined seven Academy
Awards?. Relive every heart-pounding thrill like never before as all four films arrive together, for the first time presented in 1080p high definition with English 5.1 DTS-HD Master Audio accompanied by a collection of documentaries, interviews,
featurettes and new bonus features.
Taken 2 is a 2012 France action thriller by Olivier Megaton. With Liam Neeson, Famke Janssen and Maggie Grace. See IMDb
UK: Passed 12A after
BBFC category cuts were implemented for:
UK 2012 cinema release
The BBFC commented:
This work was originally seen for advice. The company was advised that the film was likely to receive a 15 rating but that their preferred 12A rating could be achieved by making changes to three scenes.
These were to reduce elements of violence and threat. When an edited version of the film was submitted for formal classification, the scenes had been reduced and the film was consequently rated 12A.
No real bite or brawn thanks to a muzzling 12A rating.
Where the 15-rated original had moments of real, visceral
brutality - including one scene intriguingly dubbed crunchy by the BBFC - there's a weird effort made here to pull off the same trick with much blunter tools.
Collider interviewed the Director of Taken 2 , Olivier Megaton and revealed that his was somewhat perplexed at the censorship process to cut the movie down to a US PG-13. He called for a PG-15 where he feels that the movie would b
He said that the movie would be released MPAA Unrated on DVD and Blu-ray and that this would restore about 10 minutes of footage that was removed from the fight scenes.
Iron Sky is a 2012 Finland/Germany/Australia action comedy sci-fi by Timo Vuorensola. With Julia Dietze, Christopher Kirby and Götz Otto. See IMDb
US : The original version is MPAA R Rated for:
US 2012 Entertainment One Blu-ray at US Amazon just released on 2nd
US 2012 Entertainment One R1 DVD at US Amazon
just released on 2nd October 2012
The team behind Iron Sky is now readying a special extended version of the film to be released in Scandinavia on DVD. The new cut will include about 25 extra minutes.
Blind Spot Pictures producer Tero Kaukomaa said:
We have a lot of fans that are waiting to see it. There is a fan base everywhere, it's not just in Europe, it's global.
He said that the extended version could be released outside of Scandinavia as well;
distributors are in discussions now.
Kaukomaa also spoke to Screen last week about the planned Iron Sky sequel and prequel. Iron Sky 2 will venture deeper into the conspiracy theory of Hitler's secret weapons and the Nazi UFOs, with Mars also
involved this time. Kaukomaa said:
We think it's worthwhile to do a sequel and a prequel. The dialogue with the fan base is not ending when the film is out. There is enough interest to do more.