The Lahore High Court in Pakistan is hearing a petition to remove a huge sculpture of Satan that is frightening children outside the Lahore Museum, Daily Pakistan reported.
Ambreen Qureshi, the petitioner, told the court:
This sculpture has nothing to do with our culture whereas the purpose of a museum is to preserve our history and culture.
The 20-foot-high, animal-man hybrid sculpture by Irtbaatul Hassan, a student at Punjab University of Arts and Design, was placed on the grounds of Lahore Museum on 11 January as part of an outdoor statue exhibition. Hassan's sculpture was
intended to highlight the differences between man and animals, which are incapable of self-reflection, according to The News on Sunday.
The controversial sculpture has already been covered up with cloth and taken away, it said.
A McJesus Sculpture Has Provoked Violent Protests in Israel. The gallery is now fending off government censorship as well as the artist's own request to remove the work in solidarity with a pro-Palestinian boycott of Israel.
Jani Leinonen's McJesus (2015) has become the subject of violent protests at Israel's Haifa Museum of Art. the Rev. Archimandrite Agapious Abu Sa'ada of the Greek Melkite Catholic Archeparchy of Acre told Haaretz:
We denounce the exhibition and the injury to the holiest symbol of Christianity by an institution that is supposed to serve citizens of all religions,
Hundreds of Arab Christians were on hand Friday to protest the controversial work, while police mobilized to prevent them from entering the museum and removing the work by force. Three policemen were injured by protesters throwing stones, while
officers Officers, meanwhile, used tear gas and stun grenades to clear the crowd, according to the Independent .
The demonstration followed a letter on Thursday from Israeli culture minister Miri Regev calling for the work to be removed and threatening to revoke the museum's government funding.
McJesus was installed in September as part of the exhibition Sacred Good, which looks at religion and faith through the lens of consumerism. The museum describes the piece as a way to address the collaboration between religious systems and the
So far, the museum has refused to take the work off display, instead meeting with church leaders and officials from the Haifa Municipality and determining that the most appropriate response to is to hang a sign at the exhibition entrance warning
visitors of potentially offensive content.