Stage News

Polish police have arrested 12 people who tried to block the entrance to a theater performance they claimed to be pornographic.

Scuffles broke out late Saturday in Wroclaw when members of a Catholic organization tried to stop theater-goers from seeing Death and the Maiden , based on the work of Nobel Prize-winning writer Elfriede Jelinek.

The protesters objected to the presence on the stage of porn stars.

The government's new culture minister, Piotr Glinski, had previously called for the show to be canceled, noting the theater is sponsored by the state budget.

Natalia Kaliada, director of the Belarus Free Theatre, moved to the UK in 2011 after fleeing a state where freedom of expression is severely restricted, activists can be arbitrarily detained and opposition journalists are routinely harassed.

But now she notes that Britain is not entirely free of state censorship either. Speaking at an arts symposium called No Boundaries she said her company was:

Highly sensitive to any form of control because of its experience in Belarus. I paid the price, and my family paid the price, for speaking our minds freely while living under a dictatorship.

Now, living in a democracy, I start to develop a fear of speaking freely in our shows in case we will lose our funding. Creative conformism is blooming in democratic countries, and so you have to ask whether the only way to secure funding today is to create safe art.

She questioned why there was so much fear in the UK about standing up for provocative artistic work :

We understand that censorship under a dictatorship is imposed by the external ruling regime. Censorship from within a democracy is often self-imposed by the individual.

Nadia Latif, director of the play, called Homegrown , told the Symposium:

We jump to support artists struggling to make work in the regimes of the East, but here in our haven of Western liberal democracy we hesitate to stand behind those pushing against a more insidious authoritarianism.

An ad, in the Evening Standard, for the musical The Book of Mormon featured the quote SO F**KING GOOD IT MAKES ME ANGRY , which was attributed to Jon Stewart on the Daily Show. Issue

1. Two complainants challenged that the ad was offensive and unsuitable for publication in a widely available newspaper.

2. One complainant challenged whether the ad was unsuitable for children to see.

ASA Assessment

1. Not upheld

The ASA noted that F**KING was partly obscured by asterisks, but acknowledged that the intended meaning of the word was still clear. However, we considered, in the context of the ad, the word did not have a sexual meaning, but emphasised the extent to which Jon Stewart enjoyed the musical, while reflecting the adult content of the Book of Mormon and the language Jon Stewart used in his comedy. Therefore, we considered the word would be interpreted in a light-hearted context. We understood that the Evening Standard had a predominantly adult readership, and that the editorial sections reported on serious news events, while also regularly using explicit language. Therefore, we did not consider the ad would be offensive to those who were likely to see the ad. For those reasons, we concluded the ad was not likely to cause serious or widespread offence.

2. Not upheld

We noted that the Evening Standard had a predominantly adult readership and referred to explicit language in its editorial section. We considered its content included news events about serious topics that would not be of particular interest to children. Therefore, we considered that the newspaper in which the ad was published was unlikely to appeal to children and concluded that its placement was not irresponsible.

Followers of an ancient Indian religion are to gather outside a Birmingham theatre to protest over a play that depicts their guru as a villain.

Members of the Central Valmiki Sabha International organisation are 'outraged' that the production - Tagore's Dance Drama: Valmiki Pratibha - shows the group's guru, Bhagwan Valmiki GI, as a robber, looter and killer.

Worshippers from across the UK will demonstrate outside the Mac arts centre in Edgbaston on Sunday, the day the play is due to be performed. Representatives of other faiths, including Sikhs and Christians, are also expected to join the protest.

Jagdish Rai, general secretary of Central Valmiki Sabha UK, said:

There is a great deal of upset within our community. There has never been any evidence to suggest that our guru was a thief, he came from royalty. We will not have this and this is why we are planning this protest.

There are people from all faiths attending because they want to support our cause. If someone was saying something against their faith, they would feel the same.

This will be a peaceful protest. We are not interested in violence, we just want to get our message across. There will be a lot of people there because there is a great strength of feeling about this.

We are fine for the play to go ahead, but we want them to eliminate the part where they depict the person we worship as a thief and a thug because we do not believe this to be the case.

The play is being performed by Nrityakunj, a South Asian dance, drama and arts company based in Manchester, and choreographed by artistic director Mitali Dev. It has already been staged in London, Manchester and Liverpool.

The opening night of William Tell at the Royal Opera House has been marked by boos over a rape scene with nudity. Some opera goers also booed at the end of the performance when the production team came on stage for the curtain call.

The BBC news report suggests that the booing may not have been totally aimed at the depiction of the rape, but may be connected with fundamentalist opera goers who feel that directors should stick more closely with operas as written. And in this age of the PC bully, they feel that their views should be heard above those of the director and other opera goers.

The Opera House issued a statement after the performance of Guillaume Tell apologising for any distress caused. Director of opera Kasper Holten said:

The production intends to make it an uncomfortable scene, just as there are several upsetting and violent scenes in Rossini's score. We are sorry if some people have found this distressing. 'Brutality and suffering'.

The scene puts the spotlight on the brutal reality of women being abused during war time, and sexual violence being a tragic fact of war.

Rossini's opera of the Swiss patriot, William Tell, who shoots an arrow that splits an apple atop his son's head, was directed by Damiano Michieletto.

The Stage gave the production one star. George Hall called it:

A dire evening in which the gratuitous gang-rape scene provoked the noisiest and most sustained booing I can ever recall during any performance at this address.

Michael Arditti, the Sunday Express theatre critic said the production represented a new nadir for the opera house and heads should roll .

But some were upset at the booing in the audience. Janice Evans wrote she was:

In shock at this level of intolerance exhibited in the ROH. I felt abused by their aggression and ashamed of their disrespect for the performers.

The Royal Opera's production of William Tell will be broadcast live on BBC Radio 3 on Tuesday 14th July at 5.50pm. The production is also being shown as live at cinemas and caries a BBFC 15 rating.

Protesters gathered outside a Tel Aviv theater with tape across their mouths to protest Culture Minister Miri Regev's repeated vows to censor voices that insult Israel.

Regev, a member of Prime Minister Benjamin Netanyahu s right-wing Likud Party who has been unabashed in her disdain for artistic projects that criticize the Israeli occupation, was at Tel Aviv's Einav Theater to present an award. She was booed by the protesters as she entered the theater, and heckled by several audience members as she took the stage.

The event occurred one day after Regev, in a televised interview on Israel's popular Channel 2 network, referred to artists as "tight-ass, hypocritical and ungrateful" people, comments she later backpedaled from a bit by clarifying that she only meant two specific left-wing artists.

The background to the tension is that filmmakers and producers rely heavily on public funds for most of their productions. Regev has repeatedly said she will not hesitate to cut public funding for projects that she feels defame or threaten the State of Israel, and earlier this week she blocked funds for Haifa's Al-Midan Arab Theater, which is currently staging a controversial production about the life of an Arab terrorist. She threatened to do the same for a joint Arab-Jewish theater after its director, the actor Norman Issa, refused to perform in the occupied West Bank. Issa later relented, and his funding was not cut.

A June anti-censorship event featuring four short plays addressing the critical and growing incursion of censorship into arts and culture has been cancelled by the venue, the Sheen Center for Thought and Culture in Greewich Village, New York

The event was a benefit for the National Coalition Against Censorship and the controversy was ignited by the segment, Mohammed Gets A Boner, a monologue that Neil LaBute contributed to the quartet of plays, called Playwrights For A Cause .

William Spencer Reilly, executive director of the Sheen Center, told the New York Times that when the the contract for the event was signed in February, he wasn't aware of the title of the play, which the Times deemed unfit to print. After reading the script, Reilly said, he cancelled the show because of the play's clear offense to Muslims. He said:

When an artistic project maligns any faith group, that project clearly falls outside of our mission to highlight the good, the true, and the beautiful as they have been expressed throughout the ages. The center will not be a forum that mocks or satirizes another faith group.

LaBute said the Sheen Center was was absolutely within their right to cancel the contract but added that he's saddened by the decision:

This event was meant to shine another light on censorship and it was unexpected to have the plug pulled, quite literally, by an organization that touts the phrase 'for thought and culture' on their very Web site. Both in life and in the arts, this is not a time to hide or be afraid; recent events have begged for artists and citizens to stand and be counted.

LaBute earlier praised the Coalition Against Censorship for:

Doing really important work at a time when people are actively striving to take away some of our most basic freedoms. I, for one, feel that these are the front lines for an artist--when you are asked to write/fight for what you've said you believe in. It is no longer enough to pay lip service to these ideas--it's time to stand up and be counted.

A play by the French writer Michel Houellebecq has been yanked from a prominent summer festival in Croatia, with officials alluding to fear of violence arising from Houellebecq's writings about Islam.

The Elementary Particles , a new stage work adapted from Houellebecq's own 1998 novel, was set to play at the Dubrovnik Summer Festival in July. But now a spokeswoman for the festival has confirmed that the play was cancelled following a risk analysis carried out by the Croatian Security and Intelligence Agency. She said that, based on that analysis, the Croatian Ministry of Interior determined that the play would represent a security risk.

But saying that, this particular piece, The Elementary Particles, doesn't contain the author's incendiary views on Islam. The novel's plot follows the sexual lives of two half-brothers, Michel and Bruno, the former of whom is a biologist who is researching a potentially new race of human beings.

Student Union censors and university chaplains ordered a sketch featuring Mohammed cut from a student comedy show, because it supposedly caused great offence.

Bath Impact , the student newspaper, reports that union officials said the censorship decision had been taken to maintain the inclusivity of the university and to avoid complaints. However, it has emerged that chaplains were involved in the Union's decision, and that they had denounced the scene as graphic and offensive.

The Comedy Writing, Improvisation and Performance Society (CWIPS) staged a performance called The Bible According to CWIPS . But just four hours before the opening night a union official who attended a rehearsal told the society that a sketch depicting the religious character Mohammed, called Cooking With Christ , had to be cut from the show.

The Chaplaincy is said to have described the cut sketch as extreme , but the organisers commented that they had:

Worked very hard in order to make sure [the] material was enjoyable and pleasant for people of all faiths and background.

NSS president Terry Sanderson said:

This is another example of Islamic blasphemy codes being normalised. The decision taken assumes that Muslim students would have been offended, and takes that as a sufficient reason to curtail the students' artistic expression.

It is also very troubling to see 'inclusivity' being used as a spurious reason to shut down parts of the performance. It is telling that only material related to the Islamic Prophet Mohammed was cut. There is an atmosphere of hysteria around satirising or criticising Islam, particularly since the Charlie Hebdo attack. We must start reclaiming ground from those who would silence free expression and satire.

Save Soho is a coalition of performers, residents and politicians who have now come together out of concern after the closure and repossession of world renown club Madame Jojo's.

Save Soho's aim is to protect and nurture iconic music and performing arts venues in Soho that are disappearing at a terrifying rate. These closures are an attack on Soho's vibrant creative history and enduring character. With the support of the mayor of London, Save Soho is reaching out to to the landowners, so that we can offer them the rich experience of all our supporters in the entertainment industry to advise on future plans. Together, we can safeguard the future of the performing arts in Soho.

Stephen Fry, Chairman of Save Soho said:

Save Soho is not about shrieking at landowners or trying to shame them or anything of that nature. Save Soho is really hoping to be given a small consultational part in their plans.

Tim Arnold, Founder of Save Soho said:

Soho has always depended on building around and adding to what has gone before, not by demolishing it.