The Hospital is a 2013 USA horror by Tommy Golden and Daniel Emery Taylor. With Jim O'Rear, Daniel Emery Taylor and John Dugan.
UK: Passed 18 uncut by the BBFC for strong violence, sex and sexual violence for:
2014 Point Blank R2 DVD at UK Amazon released on 3rd March 2014 (But read the reviews first, some are
Tesco censors have removed a horror film featuring strong sexual violence from sale in all stores nationwide after being alerted to the content by the Citizen, a local newspaper.
The Hospital is rated 18 by the BBFC and was on sale for
£ 8 in a Gloucester Tesco store. The theme of the film was about snuff movies being filmed at the abandoned hospital. It features scenes of rape of both men and women as well as scenes of sexual torture
using an electric drill.
Matt Holmes, the easily shocked and rather unobservant Content Editor of the Citizen, said:
I love horror films and I am not easily shocked... BUT ... I wasn't prepared for
the graphic sexually violent scenes depicted in this film.
I would have no problem with the film being sold online or available for rent but I didn't expect to see it for sale in Tesco.
I was also surprised
having watched it that there was nothing on the cover warning of the extreme nature of the content as you normally see on films like this.
Actually the DVD's cover describes the film as bloody, violent and creepy as hell and
said it was the sickest film since Rosemary's baby. (admittedly Rosemary's baby is hardly the 'sickest' film around)
The newspaper adds that the BBFC warning does not make reference to the extreme sexually violent content of the film.
Actually the BBFC consumer advice reads: Contains strong violence, sex and sexual violence :.
A Tesco spokesperson said:
The Hospital is approved for general release and rated 18. However,
on this occasion, we've made the judgement to remove it from sale. We are always pleased to listen to feedback and remain focused on offering the most popular titles to our customers.
New licensing restrictions on buskers in Camden have been declared lawful by the high court.
Busking without a licence is to become a criminal offence in Camden, punishable with fines of up to £ 1,000. As well
as implementing a fine, officials can confiscate instruments.
It is proposed that licences can be obtained on standard conditions for a 12-month period at a fee of £ 19. They can only be used by
solo or dual performers. The conditions restrict hours of performing from 10am-9pm, and also restrict the use of certain types of instruments, such as drums, wind instruments and the use of sound amplification.
The restrictions were due to be
imposed for the first time last month, but the council agreed to await the outcome of the legal challenge before going ahead.
Comedians Mark Thomas and Bill Bailey and musician Billy Bragg are among celebrities who took to the streets to protest
over the restrictions being introduced by the council in the north London borough after noise complaints by local residents. Bragg, who spent his early career busking around London, said licensing would hurt a fundamental aspect of UK culture.
Mrs Justice Patterson, sitting in London, ruled that Camden council had adopted a policy that was both necessary and a proportionate response to the issue of busking .
The ruling was a defeat for the Keeping Streets Live Campaign, which was
ordered to pay £ 7,500 in legal costs.
David Wolfe QC, appearing for the campaign group, asked for permission to appeal, arguing that the ruling raised important legal issues and would have an impact on
street entertainment across London. The judge refused permission, which means the campaigners will now have to consider asking the court of appeal itself to hear their case.
Jonny and the Baptists have wound up the UKIP political party with their Stop Ukip Comedy Tour.
The comedy duo have come under fire for their song about Ukip that suggests the party believes all Eastern Europeans live off benefits and
won't let us watch Jim Davidson and wants the Queen's jubilee [to] be every day.
Despite Nigel Farage insisting politicians should let people tell their jokes, The Stop Ukip Comedy Tour has been inundated with complaints from
party supporters targeting venues.
Ukip's deputy leader Paul Nuttal has condemned the distasteful satire , calling on the Arts Council to investigate funding given to theatres hosting the act. He spouted:
Everyone is entitled to their own opinion and Ukip is very much the party of free speech ...BUT... I think it is wrong that taxpayers money is being used to back this production.
This blatantly party political
rubbish is being staged to coincide with the run-up to the Euro elections in May and I am appalled that one of the venues in the much lauded Royal Exchange Theatre in Manchester. I would have hoped they had higher standards than giving this show house
I have written to the Arts Council about this matter and also the Royal Exchange expressing my views about this distasteful satire.
The website Chortle has reported that in fact the pair have received no
funding for their tour apart from ticket sales.
A campaign by Ukip to stop a comedy tour called Stop Ukip has backfired massively.
After leaders attempted to censor musical comedians Jonny & the Baptists' new satirical show, the group has now proudly announced additional dates to
their tour schedule following an outpouring of support from the industry and general public, alongside soaring ticket sales across the country.
The Huffington Post UK reported last week that Ukip suffered a serious sense of humour fail after
launching a battle to stop the comedy duo from touring. But contrary to the intentions of Ukip supporters, news of their campaign against the comedy show quickly saw thousands taking to Twitter to express support for the group -- including fellow
comedians Marcus Brigstocke, Dara O'Briain and Robin Ince as well as local councillors, MEP Catherine Bearder and members of the public.
In just three days, Jonny & the Baptists' official UKIP comedy music video achieved over 10,000
additional YouTube views
The comedians said:
The only victory to be claimed is for fans of the Streisand Effect, once again showing that an attempt to censor something only ends up publicising it more.
Every ticket sold on this tour goes directly to paying our rent and keeping us off the streets - so if anyone else wants to start a campaign against us, our landlord would be very grateful.
In my You Can't Read This Book , I gave 10 rules for fighting back against dictatorial regimes and movements. The simplest, and the most important was:
If you are frightened, at least have the guts to say so.
Once one did not write the word liberal and add hypocrite . Since the Rushdie Affair, the reflex has become automatic. The worst aspect of the fear the ayatollahs spread was that Western intellectuals were afraid of admitting that they were
afraid. If they had been honest, they would have forced society to confront the fact of censorship. As it was, their silence made the enemies of liberalism stronger.
Atheist students at a London South Bank University have had a poster featuring a flying spaghetti monster banned by union officials, out of fear that religious students would be easily offended by it.
The South Bank Atheist Society (SBAS)
poster featured the monster in place of God in a mock-up of Michelangelo's famous Creation of Adam fresco from the Sistine Chapel, but it was removed from the freshers' fair last week.
South Bank Atheist Society president Choe Ansari said:
This incident is just one of a catalogue of attempts to censor our society. I never expected to face such blatant censorship and fragile sensibilities at university. I thought this would be an institution where I could
challenge beliefs and in turn be challenged.
All I have seen is religious sensibilities trumping all other rights with no space for argument, challenge or reasoned debate. It is not what I expected when I came to university.
Union censors at the London South Bank University removed the posters from the society's stall overnight and then barred representatives from printing off more, ludicrosuly citing the visibility of Adam's genitals as offensive. But when
society members offered to blur out the genitals, they were told the problem with the poster concerned religious offence.
London Southbank University student union has unreservedly apologised after staff censored an atheist society's Flying Spaghetti Monster poster. The student union said in a statement:
It is not currently nor has
it ever been the union policy to censor student groups or the materials they produce and as such this was not an authorised act and we have now ensured that staff know that they should not do this,
In recognising the distress
caused to the society by our actions we have met with and apologised to The Atheist Society president and vice president.
The Atheist Society are as welcome at the students' union as any group or society and we completely respect
and support their right to freedom of expression and free speech.
The French comedian at the centre of the quenelle iracism row has been banned from entering the UK, the Home Office has said.
Dieudonne M'bala M'bala had said he would visit the West Bromwich Albion striker, who faces a ban for performing the
comic's quenelle gesture. The quenelle involves touching or gripping your shoulder with one hand while holding the palm of your other hand outstretched and pointing to the ground. Some describe it as a combination of the bras d'honneur with
a bent arm (which means up yours ) and the Nazi salute.
Dieudonne has been convicted six times of hate speech against Jews.
A spokeswoman for the Home Office said:
We can confirm that Mr Dieudonne
is subject to an exclusion order.
The Home Secretary will seek to exclude an individual from the UK if she considers that there are public policy or public security reasons to do so. 'Indecent'
Sex education videos used in schools are to be given age ratings for the first time amid evidence that growing numbers of concerned parents are pulling their children out of classes.
From February, the government will scrap a regulation which
exempts sex education videos from age classification. So for example, the BBFC will decide whether sex education videos are PG rated and so suitable for primary school. If the depictions of sex in the videos are anything more than implied and the
language is goes beyond mild references and innuendo , they will be effectively banned from primary school. Also schools will be told to send parents letters detailing the content of sexual education videos before they are shown in class.
The new policy follows 'outrage' over a sex education video made by Channel 4 called Living and Growing . The video included a segment for eight year olds showing a naked cartoon couple chasing each other around a bedroom with a feather
before having sex. Another segment, aimed at children from five, asked them to name the body parts on a drawing of a naked man and woman.
Ed Vaizey, the culture minister, said:
Ensuring children are protected
from inappropriate content in the best way possible, is vitally important. The new classifications will mean that children are better protected from harmful content and parents will have the information they need to make confident decisions about whether
certain DVDs are suitable for their children to watch.
The BBFC will be given the powers after a consultation found that teachers were concerned that growing numbers of parents, particularly from ethnic minority backgrounds, are
pulling their children out of sex education classes. The consultation, conducted by the BBFC, also assessed parent's concerns about Channel 4's controversial Living and Growing DVD, which was shown in thousands of schools. Teachers said that the feather duster
scene, in which a cartoon couple chased each other, conveyed a message that sex is fun and something for children and teenagers to be excited by .
David Austin, the head of Policy at the BBFC, said:
We hope to help schools and help parents find out more about the content of sex education videos before their children see them. What we haven't tended to look at [in the past] is sex education videos for younger children.
There was a lot in the [Living and Growing] video that was suitable. There was one with a cartoon with a woman straddling a man having sex, there was another of a man chasing a woman with a French tickler.
Parents didn't like that, and the company has started selling an edited version.
The government has secure a victory against freedom of speech campaigners.
The transparency of lobbying, non-party campaigning and trade union administration bill makes it much harder for charities to get their voices heard during election periods,
exactly when their contribution is needed most.
The government's aim was to force small-scale charities, community groups and the like on to a complicated regulatory regime. Such would have been the chilling effect of this law that most
local-issue campaigning during elections would have been stifled when it came to election time. No surprise the legislation was dubbed the gagging bill .
As it was, bitter opposition to the proposals finally forced ministers to the
negotiating table. Instead of lowering the threshold at which charities must begin reporting their activities to the Electoral Commission watchdog, it was increased to £ 20,000. There were other, smaller retreats
too, on how long election time actually means, it was reduced from one year to 7.5 months.
Government officials are planning to review the historic D-notice system, which warns the media not to publish intelligence that might damage security, in the wake of the Guardian's stories about mass surveillance by the security services based on leaks
from the US whistleblower Edward Snowden .
Sources said Jon Thompson, the permanent secretary of the Ministry of Defence, was setting up an inquiry into the future of the committee, raising fears that the voluntary censorship system also known as
the DA-notice could be made compulsory.
The committee is supposed to be consulted when news organisations are considering publishing material relating to secret intelligence or the military. It is staffed by senior civil servants and media
representatives, who give advice on the publication of sensitive stories. Minutes of a recent meeting reveal the comment: The events of the last few months had undoubtedly raised questions in some minds about the system's future usefulness.
In his latest report, its secretary, Air Vice-Marshal Andrew Vallance, raised concerns about the parallel publication of Snowden's revelations by newspapers around the world, noting that at the outset the Guardian had avoided engaging with the
DA-notice system before publishing the first tranche of information .
A storm of protest greeted publication of new guidelines by the British Board of Film Classification (BBFC). It always does. Children as young as 15 are to be allowed to watch films filled with obscene language, reported one newspaper. As a
former chief film censor myself, I don't object to these expressions of outrage, though they are often unfair. For the activity comprises an unarguably good bit -- classifying films on grounds of suitability for different age groups in order to help
parents. And also a controversial bit -- preventing people watching what they might otherwise wish to see, indeed interfering with their freedom.
In these circumstances, you should be exposed to vociferous challenge.
Another lesson you learn as a censor is that the BBFC must take society as it is, rather than seek to change it, as various pressure groups would wish. I believe this stance to be completely realistic. How
could a body employing just 60 people, managed by a handful of executives, have any expectation of holding back movements in social behaviour against which the government itself, the political classes more generally and the major faiths fail to have an
This powerlessness is going to become more acute. Because today's parents, as a result of developments in technology and the social media, are losing control of their children's viewing habits. The plethora of devices
means the dynamics of film-viewing -- in terms of frequency, audience and impact -- has greatly changed in the past few years.
Not only is the BBFC press release rather vague, but the consultation report is
contradictory. Time and time again, we are told that the majority agreed with the BBFC's classification of certain films, yet the only people quoted most of the time are those who disagree.
One could easily imagine the Board are
allowing the vocal but irrational opinions of the minority to hold sway, in search of an easy life -- censoring and classifying according to the delusions of the most censorial. But that would be silly, wouldn't it?
Board wouldn't survey so many people, be told -- as they continually boast -- that they are getting it right, and then still tighten up restrictions because some people are too dumb to realise that Ted isn't a kid's film, too weak minded to be able to
tell their kids that ghosts are not real - When you bring in supernatural, where you can't explain it away, then you have got problems. (Female, with children 6 -- 10) - or so prudish that they are shocked by the use of arse and crap
in a U rated film?
The Daily Mail picks up on the relaxation of strong language in the 12 and 15 categories. The changes are:
BBFC Guidelines 2009
BBFC Guidelines 2014
language at 12/12A
Moderate language is allowed.
The use of strong language (for example, ‘fuck’) must be infrequent.
(In practice this meant a maximum of 4 or 5 uses of 'fuck' in a 12 rated film)
There may be moderate language.
Strong language may be permitted, depending on the manner in which it is used, who is using the language, its frequency within the work as a whole and any
special contextual justification
Strong language at 15
There may be frequent use of strong language (for example, ‘fuck’).
The strongest terms (for example, ‘cunt’) may be acceptable if justified by the context.
Aggressive or repeated use of the strongest language is unlikely to be acceptable.
(In practice there is a limit of 3 or 4 uses of the word 'cunt' assuming them to be non aggressive, non sexual, and not based on power imbalance. In addition these allowed used must be grouped together)
There may be strong language. (ie 'fuck')
Very strong language (ie 'cunt') may be permitted, depending on the manner in which it is used, who is using the
language, its frequency within the work as a whole and any special contextual justification.
The BBFC press release added:
Regarding language, the public wants the BBFC to be more flexible about allowing very strong language at 15. Context, not just frequency, is the most important factor in how
language in films is perceived by the public.
The Daily Mail article spouted:
Children 'as young as 1'5 (sounds so much more outrageous than 15-17 year olds) are to be allowed to watch films filled with obscene language.
Swear words are now
so commonplace among teenagers that age ratings will be relaxed, censors said yesterday.
The British Board of Film Classification claims parents accept it is game over when protecting their children from bad
language. Controversy: The Woman in Black, starring Daniel Radcliffe, received more complaints than any other film in the past four years, according to the British Board of Film Classification
Under the new rules, even
12-year-olds could potentially be exposed to more profanities.
And the Daily Mail rounded up a little outrage from its panel of sound bite campaigners:
Pippa Smith, of the christian moralist campaign, Safermedia
It is truly outrageous -- parents and children are being let down by a regulator who is no longer interested in regulating.
Everyone except the BBFC and broadcast media knows children will
copy the swearing they hear. Films make it cool. We dread to think what this latest announcement will mean for films deemed acceptable by the BBFC -- an industry-funded body --for our children.
Margaret Morrissey, of the family group
Parents Outloud, asked:
If no standards are set by adults, what chance do our children have of being polite and decent grown-ups and parents?
Philip Davies, a Tory MP on the culture, media and sport
select committee, said:
This reflects the general decline in good behavioural standards. It makes children think it's perfectly normal and reasonable to use bad language. I would rather they weren't exposed to even
worse levels of swearing.
They are still children at 15 and are already exposed to things in films at a younger age than I would care for them to be exposed to. I would like to think that people would want to bring up their
children to know that that isn't acceptable.
Vivienne Pattison of Mediawatch said:
Swearing is not tolerated anywhere else in life -- kids can't do it at school, you can't do it in public. So it is
quite extraordinary that they're just saying "Well, it's a free-for-all in 15-rated films". There is this idea that you just have to accept obscene language because we've got an evolving contemporary society and that's just how it is. But,
actually, no we don't.
The Daily Mail leader writer whinged:
In page after page of an exhaustive survey, parents tell the British Board of Film Classification of deep concerns over their children's
exposure to obscene language in the playground and online.
The BBFC's response? With the perverse logic of the liberal intelligentsia, it concludes that the fight to protect the young from words that have become part of their
vernacular is game over , and no longer worth fighting.
Hence its hugely controversial decision to make films containing foul language accessible to ever-younger audiences.
But then what's new? For
decades, the BBFC has brought ever-more graphic obscenities and pornography into mainstream cinema.
Is it any wonder the battle for decency is being lost, when a body set up to defend standards proposes abject surrender?
The BBFC will launch a crackdown on sexual content and swearing in films
The Daily Telegraph featured seemingly contradicted the Daily Mail by saying that the BBFC will launch a crackdown on sexual content and swearing in films. However they were referring to BBFC changes in the children's categories rather than the 12
and 15 categories that were mentioned by the Daily Mail.
The Daily Mail also ran big headlines: Film ratings to be toughened up. Apart from a few lines of BBFC political correct vagaries about sexualisation then the toughening up claim
seems to based on BBFC comments about horror at 12 an 15.
BBFC Guidelines 2009
BBFC Guidelines 2014
Threat/Horror at 12/12A
Moderate physical and psychological threat may be permitted, provided disturbing sequences are not frequent or sustained.
There may be moderate physical and psychological threat and horror sequences.
Although some scenes may be disturbing, the overall tone should not be.
Horror sequences should not be frequent or sustained.
Threat/Horror at 15
Strong threat and menace are permitted unless sadistic or sexualised.
There may be strong threat and horror.
A sustained focus on sadistic or sexual threat is unlikely to be acceptable.
From my reading of the rather subtle rewording it would appear that one borderline 12/15 film every blue moon may be move from 12 under the old guidelines to 15 under the new guidelines. I think the Telegraph will be disappointed if they think Film
ratings are to be toughened up.
Finally David Cooke reiterates most of what was said in yesterday's press release in a Huffington Post article. But he does make the point that if film censors actually censored according to the wishes of the Daily Mail sound bite panel, then they would
end up simply being ignored:
Public trust is crucial to an organisation such as the BBFC. It is vital that the public - parents in particular - trust that the classification decisions we make reflect their own
sensibilities. If for example, we were to classify depictions of strong, unsimulated sex as suitable for all, or restrict mild language to older teens or adults only, the public would soon start to lose confidence in, and so ignore, the BBFC's
We therefore go to great lengths to ensure that our decisions are in tune with society's concerns.
But, As David Flint comments, it seems a shame that the BBFC go to the trouble of ascertaining
that the majority of the public thought they got it right about, say The Woman in Black, and then somehow give more credence, or at least more column inches of PC pandering propaganda to a handful of whingers and moralists.
The British Board of Film Classification (BBFC) is publishing new Classification Guidelines today alongside the results of the large-scale public consultation which underpins them. The new Classification Guidelines will come into force on 24 February
Speaking to more than 10,000 members of the public from across the UK from December 2012 and throughout 2013 has highlighted public trust in the film classification system. 95% of parents with children under 15 say they
check the BBFC classification before watching a film and 89% of film viewers consider classification as important. 92% of film viewers agreed with the classification of films and videos they had seen recently, with even the most complained about film of
the past four years, The Woman in Black, receiving 89% support for its 12A rating. Only 11% thought it should have received a higher rating.
Specific changes to the Classification Guidelines as a result of the public consultation
Greater weight will be given to the theme and tone of a film or video, particularly around the 12A/12 and 15 level;
Particular attention will be given to the psychological impact of horror, as well as
strong visual detail such as gore;
Regarding language, the public wants the BBFC to be stricter with the language allowed at U and more flexible about allowing very strong language at 15. Context, not just frequency, is the
most important factor in how language in films is perceived by the public.
A specific issue highlighted by the consultation is in relation to sexual content, where the public is particularly concerned about the sexualisation of girls, and pornography. The content of music videos and the ease of accessibility
of online porn are special worries.
Parents are also concerned about risks to vulnerable adolescents including self-harm, suicide, drug misuse and premature access to sexual content, including what some describe as the normalisation
in films and videos of behaviours which parents consider inappropriate.
David Cooke, Director of the BBFC, says:
Regular public consultation is crucial to continued public trust in what
we do. Our new Classification Guidelines reflect explicitly concerns raised by the public during the 2013 consultation and will, I believe, ensure that we continue to be in step with what the public wants and expects in order to make sensible and
informed viewing decisions.
There is also room for continued improvement. Although it is 12 years old this year, the 12A rating remains confusing for a significant minority, with up to 27% of consumers unable to describe
accurately what 12A means. We and the film industry will work during 2014 to improve understanding of this very important rating as well as raise awareness of BBFCinsight information, which is vital in helping parents decide if a 12A film is suitable for
The new Classification Guidelines are now available online and will come into force in six weeks time, on Monday 24 February 2014. The consultation exercise, which began in December 2012 and was
completed in 2013, involved more than 10,000 members of the public from across the UK, and for the first time involved teenagers as well as their parents. The consultation process issued hundreds of films and videos to households across the UK and asked
for their views on the classification of this material. The research continued through the spring of 2013 with focus groups in England, Wales, Scotland and Northern Ireland looking at how the public thinks specific issues, such as sex, violence and
language, in films and videos should be handled. Over the summer several thousand members of the public completed questionnaires about classification generally and about 60 specific films and videos, including some of the most controversial films of the
past four years.
Large-scale public consultation is used to revise the BBFC Classification Guidelines every four to five years and is supplemented with additional in-depth research on specific issues.
Nicolas Anelka has been suspended for five matches, fined £ 80,000 and ordered to complete a compulsory education
course, despite a three-man panel of consisting of a QC, an FA official and a former player or manager clearing him of any anti-Semitic intent.
The commission said the FA had proven Anelka's conduct was:
and/or indecent and/or insulting and/or improper and included a reference to ethnic origin and/or race and/or religion or belief.
We did not find that Nicolas Anelka is an anti-Semite or that he intended to express or promote
anti-Semitism by his use of the quenelle.