Images captured on a household surveillance camera could breach data-protection rules, the European court of 'justice' (ECJ) has ruled .
By clarifying European legislation, the judgment could have significant consequences for householders in the UK who use CCTV and keep or try to use the images, according to a legal expert.
The case related to a Czech man, Frantisek Rynes, who installed a surveillance camera after he and his family were subjected to attacks by unknown individuals. The camera filmed areas including a public footpath and the entrance to the house opposite.
After someone fired a catapult at his home, breaking a window, Rynes gave the recordings to the police, allowing them to identify two suspects, who were subsequently prosecuted.
However, one of the suspects challenged the legality of Rynes recording and holding the images. The Czech office for the protection of personal data, found that although Rynes had been trying to expose the perpetrators of a crime, he had infringed
data-protection rules and issued him with a fine.
And of course Euro judges agreed:
The operation of a camera system, as a result of which a video recording of people is stored on a continuous recording device such as a hard disk drive, installed by an individual on his family home for the purposes of protecting the property, health and
life of the homeowners, but which also monitors a public space, does not amount to the processing of data in the course of a purely personal or household activity, for the purposes of that provision.
The controversial performance installation Exhibit B by Brett Bailey is set to begin a seven-day run on Sunday in Paris's Centquatre contemporary arts centre.
Campaigners wanting the exhibit banned and claim that the show is racist. Galvanised by the example of the UK where protesters succeeded in getting the show cancelled at London's Barbican theatre in September, the French Collective Against Exhibit B
continues to call for a boycott .
But the theatre refuses to back down to the harassment and says the show will go ahead in the name of both free speech and future dialogue over the many difficult issues the show raises.
Unfortunately, there'll be a heavy police presence, says theatre director Jose'-Manuel Goncalves: People, families, won't be able to circulate like they usually do. But the show will go on at Centquatre. He says:
This is not a racist work. If it were, there are laws in France which would ban it. It's an important work. As many people as possible have to see it.
Tickets are sold out, not just for tonight but for the week-long run.
A department store in western Sweden is banning toys after a few customers complained over a number of miniature soldiers bearing Nazi symbols.
The toy soldiers at the Geka*s store in Ullared are manufactured by Cobi and some bear uniforms resembling those worn by the Gestapo during the Second World War. The symbols on the toy soldiers are reported to include swastikas and eagles.
When I looked closely at the figures I saw that there are German tanks with smiling soldiers from the Nazi era, a father told the Expressen daily.
Geka*s CEO Boris Lennerhov has confirmed that the firm plans to shelve the toys.
The EU has issued formal censorship rules surrounding the so-called Right to Be Forgotten (RTBF).
The formal considerations that the EU data censors want considered in evaluating any RTBF request are:
Does the search result relate to a natural person -- i.e. an individual? And does the search result come up against a search on the data subject's name?
Does the data subject play a role in public life?
Is the data subject a public figure?
Is the data subject a minor?
Is the data accurate?
Is the data relevant and not excessive?
Is the information sensitive within the meaning of Article 8 of the Directive 95/46/EC?
Is the data up to date? Is the data being made available for longer than is necessary for the purpose of the processing?
Is the data processing causing prejudice to the data subject?
Does the data have a disproportionately negative privacy impact on the data subject?
Does the search result link to information that puts the data subject at risk?
In what context was the information published?
Was the original content published in the context of journalistic purposes?
Does the publisher of the data have a legal power, or a legal obligation, to make the personal data publicly available?
Does the data relate to a criminal offence?
In most cases, it appears that more than one criterion will need to be taken into account in order to reach a decision to censor. In other words, no single criterion is, in itself, determinative.
The document asserts that successful RTBF requests should be applied globally and not just to specific country domain search results, as Google has been doing:
[D]e-listing decisions must be implemented in a way that guarantees the effective and complete protection of these rights and that EU law cannot be easily circumvented. In that sense, limiting de-listing to EU domains on the grounds
that users tend to access search engines via their national domains cannot be considered a sufficient means to satisfactorily guarantee the rights of data subjects according to the judgment. In practice, this means that in any case de-listing should also
be effective on all relevant domains, including .com
But any such global de-listing sets up a conflict of laws between nations that recognize RTBF and those that do not. Google had been notifying publishers that their links were being removed, causing some to republish those links for re-indexing. This has
frustrated some European censors who see this practice as undermining the RTBF. Accordingly, the EU says that publishers should not be notified of the removal of links:
Search engine managers should not as a general practice inform the webmasters of the pages affected by de-listing of the fact that some webpages cannot be acceded from the search engine in response to specific queries. Such a communication has no legal
basis under EU data protection law.
The EU also doesn't want Google to publish notices to users that links have been removed for similar reasons:
It appears that some search engines have developed the practice of systematically informing the users of search engines of the fact that some results to their queries have been de-listed in response to requests of an individual. If such information would
only be visible in search results where hyperlinks were actually de-listed, this would strongly undermine the purpose of the ruling. Such a practice can only be acceptable if the information is offered in such a way that users cannot in any case come to
the conclusion that a specific individual has asked for the de-listing of results concerning him or her.
The guidelines state that beyond external search engines (e.g., Google) they may be extended to undefined intermediaries. However they immediately go on to apparently contradict that notion:
The right to de-listing should not apply to search engines with a restricted field of action, particularly in the case of search tools of websites of newspapers.
Finally the guidelines suggest that only EU citizens may be eligible in practice to make RTBF requests.
Pippi Longstocking, a rambunctious, joyful girl strong enough to lift horses, has become a touchstone for generations of children who have read her in 65 languages worldwide.
In Sweden, Pippi is something more: a national treasure and embodiment of the country's egalitarian spirit. So when the Swedish national broadcaster announced this fall that it would edit two scenes that it considered offensive in a 1969 television
series about Pippi, including one in which she says her father is king of the Negroes, using a Swedish word now viewed as a racial slur, it hit a nerve.
The series was based on the Pippi Longstocking books by Astrid Lindgren, the first of which were published between 1945 and 1948. Defenders of the decision, including the heirs of Ms. Lindgren, who died in 2002, said the change respected the spirit of
the author. Even in 1970, she had called the term outdated and said she had not meant to offend.
But many others, influential opinion columnists and tens of thousands of people who answered a Facebook poll, said they opposed the revision, some accusing the broadcaster, SVT, of politically correct censorship.
Nils Nyman, one of Ms. Lindgren's seven grandchildren and the chief executive of the family company that oversees the lucrative rights to her work, said he was a little bit surprised that the changes had generated so much fuss. He said the
family had readily agreed to allow SVT to edit two brief scenes in the program, which will air on national television on Saturday and in a newly restored DVD. He said that not making the changes risked distracting from the books' broader message of girl
power before it was known as such.
In one scene, the racial slur has been removed so that Pippi now says, My father is the king! In the second, Pippi no longer pulls her eyelids upward, pretending to be Asian, yet still sings a mock Chinese song.
Protesters in Paris are now calling for the banning of an art show featuring black actors in cages that
mimic the human zoos of the 19th century. It has already been scrapped in London due to a political correctness outcry.
The white South African artist Brett Bailey says his Exhibit B , which mimics the late 19th- and early 20th-century phenomenon of the human zoo , is meant to raise awareness of the racism of Europe's colonial past.
It is due to open in the French capital later this month, but it is now raising heckles among censorship campaigners such as those behind a French petition to have it stopped and who see it as an exhibition composed of degrading representations
of black people. A petition that has been signed by 14,000 people.
France's black campaign group CRAN claimed it was not calling for the exhibition to be stopped ...BUT... said that while:
It might be well-intentioned it reinforces stereotypes. It shows black people as passive and as victims, CRAN president Louis-Georges Tin told The Local. It never shows the struggle by black people for their own emancipation.
The two state-funded centres where the show is to take place, the Centquatre and the Theatre Gerard Philippe, vowed in an open letter this week that the show would go ahead and that they would not cave in to protesters who had not even seen the
A divisive art show featuring black actors in cages as a portrayal of 19th century human zoos had to be halted on Thursday after more than 120 aggressive protesters smashed their way into Paris theatre where it was being held.
Journalist Gilda Di Carli who was covering the event for The Local said:
At about 6:40pm things started getting lively as protesters, who numbered around 100 started arguing with police officers. Then the metal barrier was pushed over and everyone, protesters and journalists included, rushed up the stairs toward the
entrance of the theatre.
The police were lined up in front of the doors and there was a lot of shouting and chanting. The police were blowing their whistles as protesters chanted slogans such as No to racism and Cancel the show.
It took Paris police five minutes to break up the what theatre directors described as a riot, by which stage protesters had smashed one of the building's window panes and knocked over several barriers.
Two shows took place before theatre director Jean Bellorini decided to cancel other showings.
Poland has just made a decision to put online gamblers on notice that betting with unlicensed operators could result in criminal prosecution. T
Poland officially approved online sports betting in 2011. However the onerous regulatory restrictions have attracted just four Polish-licensed operators and it has been suggested that the four operators capture only about 9% of Poland's internet
betting market which is estimated at approximately $1.5 billion annually by Roland Berger consulting.
Poland still doesn't allow poker or casino games within its realm but last June revamped its Gambling Act that would allow EU-based operators to just establish a Polish branch office for tax purposes and open a Polish bank account. The amendment
would also require operators to supply responsible betting measures, including providing a record of player wins and losses upon request and periodically reminding players just how long they've been online with gambling.
According to the Ministry of Finance, the Polish Regulator has information about more than 24,000 players who have been participating in overseas gambling. The Regulator has already initiated more than 1,100 criminal investigations in this area,
and further proceedings will be initiated against the players who have received the highest winnings.
Google is under fresh pressure to expand censorship under the right to be forgotten to its international .com search engine.
A panel of EU censors claimed the move was necessary to prevent the law from being circumvented.
Google currently de-lists results that appear in the European versions of its search engines, but not the international one. At present, visitors are diverted to localised editions of the US company's search tool - such as Google.co.uk and
Google.fr - when they initially try to visit the Google.com site. However, a link is provided at the bottom right-hand corner of the screen offering an option to switch to the international .com version. This link does not appear if the users
attempted to go to a regional version in the first place. Even so, it means it is possible for people in Europe to easily opt out of the censored lists.
A beer, which its creators claim is named after the town of Fucking in Austria has created a little 'outrage' after its promotional ad appeared on the website of the right-wing Austrian Freedom Party.
The beer in question is a light beer, so because the German word for light is hell , the beer has been named accordingly.
In 2010 the Trade Marks and Designs Registration Office of the European Union said that it had thrown out a complaint after people brought it to their attention that the trademarked name Fucking Hell was upsetting, accusatory and
derogatory, reported the Austrian Times. The release from the office concluded:
The word combination claimed contains no semantic indication that could refer to a certain person or group of persons. Nor does it incite a particular act. It cannot even be understood as an instruction that the reader should go to hell.
The Baltic Circle contemporary theatre festival in Helsinki has been asked by police to censor its latest work. The exhibit
should feature an 83-year-old, naked woman in a glass case, but Helsinki police have demanded that she cover up.
Dries Verhoeven's work Ceci n'est pas mon corps deals with approaches to ageing. The original version has the older lady sitting naked in the glass case, wearing the mask of a younger woman. Organisers say Helsinki is the ninth city
they've toured with the show, and the first in which nudity has been a problem.
Tuomo Tuohimaa of Helsinki police claims that families with children might have been offended by the nakedness on show in the work.
The organisers plan to appeal the police decision in the administrative court system.
Dejan Lazic, a concert pianist from Croatia, has demanded that a bad review of a 2010 concert he gave be removed from internet search results under the European right to be forgotten law.
Lazic wrote to the Washington Post, which published the review by classical music writer Anne Midgette, to have the article removed from search results. He claimed that the review was: Defamatory, mean-spirited, opinionated, one-sided,
offensive [and] simply irrelevant for the arts , despite the fact that the original piece is in many places complimentary.
In the original article, Midgette said that his performance was lackluster given his huge talents, and prone to grandiloquence .
Lazic also claimed that his request was nothing to do with censorship ...BUT... a response to the fact that newspaper reviews are too far from the truth .
A comedian might say it's his job to make fun of everything and everybody under the sun - the more wicked, the better. In Germany, a debate has broken out after a Muslim citizen filed suit over a comedian's jokes.
Annabelle is a 2014 USA horror by John R Leonetti.
Starring Ward Horton, Annabelle Wallis and Alfre Woodard.
John Form has found the perfect gift for his expectant wife, Mia - a beautiful, rare vintage doll in a pure white wedding dress. But Mia's delight with Annabelle doesn't last long. On one horrific night, their home is invaded by members of a
satanic cult, who violently attack the couple. Spilled blood and terror are not all they leave behind. The cultists have conjured an entity so malevolent that nothing they did will compare to the sinister conduit to the damned that is now...
BBFC: Passed 15 uncut for strong horror, bloody violence
MPAA: Rated R for intense sequences of disturbing violence and terror.
A string of French cinemas have cancelled showings of new American horror form Annabelle after violence has repeatedly broken in the audience. The managers of cinemas in Marseille, Strasbourg and Montpellier have ceased showing the film until further notice
for security reasons.
General chaos and fights have broken out among audience members during the screenings of the film, which is a prequel of the film The Conjuring and tells the tale of the murderous puppet Annabelle terrorising an unsuspecting family.
The trouble seems to stem from teenagers getting rowdy during the screenings. BFMTV film critics Alain Grasset said:
It's a very young audience, for whom the screening is a time to let loose, they go to see it as a joke, but it's a pretext to go a little wild.