A Chinese consulate in the U.S. has contacted the Palm Beach International Film Festival to warn them about a harmful movie they will screen that documents the violent persecution of a Chinese spiritual practice by communist authorities.
The consulate in Houston repeatedly called an organizer of the film festival making inquiries about the film, according to a spokesperson who did not want to be named, in a telephone interview with The Epoch Times: They called asking questions,
telling us that they thought it would be potentially harmful to them,
The consular official was told that We're in America, according to the individual, and that the film would be shown nevertheless.
Michael Perlman, the filmmaker, understood the calls from the consulate to be an attempt at censorship:
This brazen attempt to silence free speech and expression of an American citizen in the United States by the Chinese government is dangerous and must be exposed so that these actions will not be repeated.
The documentary that aroused the phone calls is titled Free China: The Courage to Believe , and was directed by artist and activist Michael Perlman. It will be screened publicly for the first time at the Palm Beach International Film Festival on
April 14 and 16.
Free China documents the persecution of Falun Gong, a popular Chinese spiritual practice, through the stories of two adherents who have been incarcerated and tortured by Chinese authorities because of their beliefs.
Executives at the Hollywood studio, Paramount have been worrying about a minor plot point in the $175 million zombie film, World
War Z , which stars Brad Pitt.
In the 'offending scene', characters debate the geographic origin of an outbreak that caused a zombie apocalypse and point to China, a Paramount executive told TheWrap.
The fast-rising prominence of the Chinese market, state censorship and the tight quotas for U.S. releases, the studio advised the movie producers to drop the reference to China and cite a different country as a possible source of the pandemic, an
executive with knowledge of the film told TheWrap.
The change was made in recent days in the hopes of landing a deal for one of Paramount's biggest summer movies to play in China.
Chinese embassy officials in France and Thailand appear bent on fostering fear and disgust with recent efforts to harass and
intimidate France 24 reporter Cyril Payen.
Payen, who recently returned from Tibet after filming an undercover documentary, Seven days in Tibet , has received a barrage of harassing phone calls, text messages, and thinly veiled threats from Chinese officials, apparently
from embassies in Paris and Bangkok, according to a report by France 24 and the journalist himself.
Following the release of Payen's film on May 30, Chinese embassy officials showed up at the headquarters of France 24 in Paris, demanding that the documentary be removed from the channel's website, France 24 said. The channel refused.
The notion that the formerly mighty American publisher Reader's Digest would allow the Chinese Communist party to censor its novels would once have appeared so outrageous as to be unimaginable. In the globalised world, what was once unimaginable is
becoming commonplace, however. The Australian novelist LA (Louisa) Larkin has learned the hard way that old certainties no longer apply as the globalisation of trade leads to the globalisation of authoritarian power.
Larkin published Thirst in 2012. She set her thriller in an Antarctic research station, where mercenaries besiege a team of scientists. China is not a major theme of a novel set in Antarctica. But Larkin needed a back story for her Wendy Woo character
who was linked with the villains of her drama. So she wrote that Chinese authorities arrested and tortures Woo's mother for being a member of the banned religious group Falun Gong.
Larkin was delighted when Reader's Digest said it would take her work for one of its anthologies of condensed novels. Thirst would reach a worldwide audience in the English edition for the Indian subcontinent, Australia, New Zealand, Malaysia and
But the publishers had outsourced its printing to China. The printing firm noticed the heretical passages in Larkin's novel. All references to Falun Gong had to go, it said, as did all references to agents of the Chinese state engaging in torture. They
demanded censorship, even though the book was not set for distribution in China.
Phil Patterson from Larkin's London agents, Marjacq Scripts, tried to explain the basics for a free society to Reader's Digest . To allow China to engage in extraterritorial censorship of an Australian novelist writing for an American publisher
would set a very dangerous precedent , he told its editors. Larkin told me she would have found it unconscionable to change her book to please a dictatorship. When she made the same point to Reader's Digest, it replied that if it insisted on
defending freedom of publication, it would have to move the printing from China to Hong Kong at a cost of US$30,000.
Reader's Digest decided last week to accept the ban and scrap the book.
The leading book publisher in Australia, Allen & Unwin, has dropped a book about the influence of China's Communist Party in Australia's domestic affairs, due to censorship pressure from China, or maybe from the fear of Chinese action
against the publisher..
In a decision likened to the recent decision by Cambridge University Press to restrict access to sensitive China-related articles, the release of the forthcoming book, Clive Hamilton's Silent Invasion: How China is Turning Australia into a
Puppet State was shelved by the publisher over concerns about potential legal action by China.
The author and a prominent Australian academic, said the decision by Allen & Unwin demonstrated the extent of the shadow cast by Beijing.
It is believed to be the first time that a publisher has suspended publication of a book in a Western market because of fears of potential pressure from Beijing.
We as Australians living in a free society should not allow ourselves to be bullied into silence by an autocratic foreign power, Professor Hamilton told ABC News.
In a statement, Allen & Unwin said it decided to delay publication following extensive legal advice. Clive was unwilling to delay publication and requested the return of his rights, as he is entitled to do, it said. We continue to wish him the
best of luck with the book.
The New York Times reports on an Australian furore following the news that a book has effectively been banned by Chinese
influence. The Times writes:
The decision this month to delay the book, Silent Invasion: How China Is Turning Australia into a Puppet State , has set off a national uproar, highlighting the tensions between Australia's growing economic dependence on China and its fears
of falling under the political control of the rising Asian superpower.
The decision by Allen & Unwin to stall publication of this book almost proves the point that there's an undue level of Chinese influence in Australia, said Prof. Rory Medcalf, head of the National Security College at Australian National
In the yet-unpublished book, the author, Clive Hamilton, a well-known intellectual and professor at Charles Sturt University in Australia, describes what he calls an orchestrated campaign by Beijing to influence Australia and silence China's
In one chapter the book asserts that senior Australian journalists were taken on junkets to China in order to shift their opinions so they would present China in a more positive light. In another chapter, the book details links between Australian
scientists and researchers at Chinese military universities, which he said had led to a transfer of scientific know-how to the People's Liberation Army.
A stage drama about Tibet has been pulled by the Royal Court Theatre for fear offending China.
Abhishek Majumdar said his play Pah-la was shelved because of fears over an arts programme in Beijing. His play deals with life in contemporary Tibet and draws on personal stories of Tibetans he worked with in India,
The London theatre, once known for its groundbreaking international productions, is facing questions after Abhishek Majumdar revealed a copy of the poster for the play Pah-la , bearing the imprints of the Arts Council and the Royal Court along
with text suggesting that it was due to run for a month last autumn.
Majumdar claimed the play was withdrawn because of fears over the possible impact on an arts programme in Beijing, where Chinese writers are working with the publicly funded theatre and British Council.
The play was in development for three years and rehearsals had been fixed, according to Majumdar, who claimed that the British Council had pressurised the theatre to withdraw it because of sensitivities relating to the writing programme.
The Royal Court said it had had to postpone and then withdraw Pah-la for financial reasons last year, after it had been in development for three years, and that it was now committed to producing the play in spring 2019 in the light of recent
events. It added:
The Royal Court always seeks to protect and not to silence any voice. [...BUT...] In an international context, this can sometimes be more complex across communities. The Royal Court is committed to protecting free speech, sometimes
within difficult situations.