Tim Minchin

Comedian with catchy ditties that wind up the nutters

23rd December

For Fear of the Daily Mail...

Nice n Naughty
ITV axe Woody Allen Jesus song from the Jonathan Ross Show

Tim Minchin has blasted ITV bosses after he claimed a specially-written track was pulled from the Jonathan Ross Show for fear of upsetting Christians.

Tim - who is behind West End hit Matilda - has written a furious blog pointing the finger at the network's director of programmes Peter Fincham, suggesting he was nervous about a backlash.

Tim said compliance staff and lawyers had given the go-ahead to his lyrics long before the recording of the programme..

But he said the humorous song - which drew parallels between Woody Allen and Jesus - was pulled when Fincham watched the show.

In his blog Minchin said:

Peter Fincham demanded that I be cut from the show.

He did this because he's scared of the ranty, shit-stirring, right-wing press, and of the small minority of Brits who believe they have a right to go through life protected from anything that challenges them in any way.  I have to admit I'm really fucking disappointed.

An ITV source lamely claimed that the decision was less about religious sensitivity and more that tonally, it wasn't right for the show .

Update: Clergy Relaxed

24th December 2011. See  article from  theaustralian.com.au

Anglican Archbishop of Sydney Peter Jensen said he was more frightened about people not talking about Jesus than what they said about him. He said:

Tim Minchin doesn't worry me nearly as much as the people who try to suppress Jesus Christ. I'm more frightened about people who don't talk about him at all and try to censor him out. People talk about the festival season, doing anything they can to avoid the obvious.

Lutheran Church of Australia Reverend Mike Semmler said a comedian making jokes about Jesus meant he was considered a serious subject worthy of a laugh. He said:

Part of the Christmas message is that Jesus becomes human and if people are trying to relate him to other human beings, while it may not be terribly uplifting for the church, he was after all really human.



Update: Just for Laughs...

Australia's TV censors at ACMA clear Network 10 who broadcast an excerpt of Tim Minchin's Fuck the Pope song

Link Here 30th May 2012
Full story: Tim Minchin...Comedian with catchy ditties that wind up the nutters

On 6 May 2011 the Australian Communications and Media Authority (ACMA) received an unresolved complaint regarding a segment of the program Just for Laughs: Montreal International Comedy Festival broadcast on 30 March 2011 by Network TEN.

The complainant considers the segment's content was offensive and vilified the Pope and the Catholic community. The complainant was not satisfied with the response of the licensee and referred the matter to the ACMA for investigation.

Just for Laughs: Montreal International Comedy Festival is a one-month comedy festival that occurs annually in Montreal, Canada, and features a cast of worldwide stand up comedians and comedic performances.

The segment complained about was a short highlight clip presented in the lead up to a performance by Australian comedian and entertainer, Tim Minchin. The clip ran for 1 minute and 34 seconds and featured an interview between Paul McDermott and Tim Minchin, and a 12 second excerpt of a song clip produced by Tim Minchin entitled Fuck the Pope . The song clip contained animations of caricatures representing the Pope dancing together with other clergy. The interview included:

Paul McDermott: How is Fuck the Pope going by the way?

Tim Minchin : It's good.

PM : I saw about 2 seconds of it on YouTube when it went up, and then it went into forbidden ... you know zone .

TM : Yeah forbidden zone .

Song excerpt : There are other fucking songs there are other fucking ways I'll be a religious apologist on other fucking days. The fact remains if you protect a single kid fucker, then pope or prince or plumber you're a fucking mother fucker.

PM : That's a lovely little animation you've got. Who did that?

TM : Yes, a guy called Frasier Davidson, he's a brilliant animator. And I wrote that song in the peak of another wave of allegations and I was feeling furious, the way you do. Um I wrote that song, and I thought, I'll never be able to play that live. It's kind of, it's just going to have to be a viral thing. So I got it animated. But I did the Hay on Wye festival which is a book festival, so it was a very intellectual audience and I got a mid-song standing ovation which I've never had before.

ACMA Finding: Not in breach of the code

There is no question that the song expressed derision and scorn towards the Pope and clergy. This is evident from the title of the song; the subject of the song; the reference in the song to anybody that protect[s] a single kid fucker being a fucking motherfucker ; and repetitive use of the term fucking . The delegate appreciates the complainant was personally offended by the broadcast and that its contents would also have caused offence to members of the public, including of the Catholic community.

The song excerpt and comments are made in the context of an interview with the comedian who openly opposes the stance that the Pope publicly took regarding recent allegations of child sexual abuse against the Catholic clergy. The segment does not engage the audience in a discussion on the beliefs or religious practices of the Pope, the Catholic clergy or of the Catholic community. The ordinary, reasonable viewer would understand that the references to the Pope and the Catholic clergy were part of the moral of the song, which applied to perpetrators of child abuse generally, and to those who cover it up.

Furthermore, it is noted that the song excerpt was brief (12 seconds in a 1 minutes and 34 second segment). Although the language included the terms fucker and motherfucker , and repeated use of the word fucking , the accompanying animated visuals were mild. The commentary surrounding the song was an explanation of the production and performance, including an acknowledgement of its controversial nature, which overall served to ameliorate the severity of tone expressed by the song in segment:

It is unlikely the segment (notwithstanding the language in the song directed at the Pope), was so harsh or extreme that it would perpetuate or provoke severe ridicule, intense dislike or serious contempt against the Pope, or Catholics on the grounds of religion. For these reasons, the delegate is of the view that in the circumstances of this broadcast, the material complained about has not breached clause 1.9.6 of the Code.



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